Tuesday, 13 December 2016
Spaceman/One Out On A Limb/Till I Get Me Some Money/Thursday/Wastin' My Time/Melanie Moonbeam/Can't Go On Like This/Rock You/Laughing/Sweet Soft Summer Sound/Q/Down Again
If your memory is good enough, go back to 1969 to a television program about drug addiction called “No Roses For Michael”, you might also remember the name of the man who wrote the music, being Sydney artist Aidan Nolan. Aidan played with various Sydney rock bands during the late 1960’s including Daisy Roots, their drummer Alan Sandow went on to drum for Sherbet. Other bands he played with were Garage Plus, Papa Skragg’s Patent Leather Nightmare and Pro to name a few. In 1973 he began to lay down tracks for an album, Tales From The Sun, but with the album still not completed, he decided to travel to England. While in London aidan was offered a contract to record cover versions of American songs. Apparently he found great difficulty relating lyrically and, such musical honesty being financially unrewarding, he was down to the ancient art of busking, making use of the excellent acoustics of Green Park station in the London underground. However, it was when John J Francis who produced and arranged "Tales From The Sun" took aidan's album to London, the former street busker was immediately signed to the British Sparks label. The album was released in England and Europe.
By the time aidan nolan was 4 years old he had lived in Sydney, Perth and Adelaide (Australia) and London (UK). Perhaps it was this relentless mobility in those years that created the need for one inner constancy in his life, music. Not the music of others, although there’s no doubt he is influenced as are all artists by those that go before, but for the ability to create a song. Even the APRA (Australia’s ASCAP) Journal has run an article outlining that aidan was a songwriter at 5!
Perhaps it has been his continuing geographical and career mobility that keeps forging his songs. aidan has worked and travelled extensively in Europe and Australia.
Now a US citizen and resident of New York, aidan’s early music is experiencing a renaissance of interest that is un-paralleled for an indie artist and a very respectable surge of interest in his contemporary work. While he has a strong following of all ages, he is particularly of interest with those in their late-teens to mid-thirties, probably because the word is spreading primarily through social media.