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Friday, 17 May 2019

M0nd0 R0ck - 1984 - The M0dern B0p WAVE RE-POST



Lovers Of The World/Come Said The Boy/Happy Families/The Modern Bop/Take Me Away/Baby Wants To Rock/Flight 28/Marina/Cost Of Living/In My House


The Modern Bop is the fourth studio album by Australian rock band Mondo Rock, released in March 1984 and peaked at number 5 on the Kent Music Report.



 Mondo Rock was an Australian rock band formed in November 1976 by mainstay singer-songwriter, Ross Wilson (ex-Daddy Cool). They're best known for their second album, Chemistry which was released in July 1981 and peaked at number 2 on the Australian Kent Music Report. Their song "Come Said the Boy" peaked at number 2 in Australia in 1984. The group disbanded in 1991, although they have periodically undertaken reunion concerts. According to Australian musicologist, Ian McFarlane, "by way of ceaseless touring and the release of a series of sophisticated pop rock albums, the band was one of the most popular acts in Australia during the early 1980s".

Mondo Rock were formed in November 1976 in Melbourne by Bob Bickerton on drums (ex-Rock Granite and the Profiles); Mike Clarke on bass guitar (ex-Mick Rogers and Eclipse); Greg Cook on keyboards and guitar (ex-Cam-Pact, Skylight, Phil Manning Band); Peter Laffy on guitar (ex-Fox, Freeway); and Ross Wilson (ex-Daddy Cool) on lead vocals and harmonica.

In September 1978, Mondo Rock released their debut single, "The Fugitive Kind", on Oz Records which peaked at number 49 on the Australian Kent Music Report. In October 1979 the line-up of Wilson, Gyllies, Bulpin, Laffy and McLennan recorded their debut album, Primal Park, which was issued on the Avenue label via EMI Records and peaked at number 40 in Australia. The album yielded two singles, "Searching for My Baby" (September) and "Primal Park" (November). McLennan contracted hepatitis as the band was due to tour to promote the album, so he was replaced, first by Eddie Van Roosendael (ex-Stiletto), and then by Gil Matthews (ex-Billy Thorpe & the Aztecs) on drums, for the tour.

 In February 1980, a new version of Mondo Rock of Wilson, Matthews and James Black (ex-Rum Jungle, Russell Morris Band) on keyboards and guitar; Paul Christie (ex-Kevin Borich Express) on bass guitar; and Eric McCusker (ex-The Captain Matchbox Whoopee Band) on guitar was established.

This line-up released their first major hit single, "State of the Heart" in October 1980, which peaked at number 6 on the Kent Music Report. The track was written by McCusker, who contributed many songs to the band's repertoire, taking some of the pressure off Wilson, who was experiencing temporary writer's block. Matthews left after the single appeared and was replaced by Andy Buchanan (ex-Darryl Cotton Band) and then by John James "J. J." Hackett (ex-Stars, the Fabulaires) in March 1981. Their next single, "Cool World", appeared in April 1981 and was also successful on the chart, reaching No. 8.

The band's second album, Chemistry was released in July 1981 and peaked at number 2 on the Kent Music Report. Two more singles were released from the album with "Chemistry" peaking at number 20 and "Summer of '81" at 31. The royalties from "Summer of '81" single were donated to Amnesty International.





In June 1982, Mondo Rock released "No Time", the lead single from the bands third studio album. According to Mccosker, "No Time" was inspired by The Beatles' "Don't Let Me Down", as a tribute to John Lennon. The song peaked at number 11 in Australia. In July 1982 the band released its third studio album Nuovo Mondo, on RCA / WEA, which peaked at number 7 in Australia. Christie left the group in September and subsequently formed an all-star band, The Party Boys; he was replaced on bass guitar by James Gillard. Two additional singled were released, The Queen and Me" and "In Another Love". The album also includes "A Touch of Paradise" which was released in February 1987 by Australian pop singer John Farnham, as his third single from his album, Whispering Jack and reached the Australian top 30.

By 1983, the Mondo Rock line-up of Wilson, Black, Gillard, Hackett, and McCusker started recording their fourth studio album. In December, the album's lead single "Come Said the Boy" was released, which peaked at number 2 in Australia. The song is a provocative tale about the loss of virginity and was banned by many radio stations including Sydney's then top-rated 2SM – which was affiliated with the Roman Catholic Church. The Modern Bop was released in March 1984 and peaked number 5 in Australia. The album yielded two more singles, "Baby Wants to Rock" and "The Modern Bop".
 
 In June 1985 Polydor Records released the band's first compilation album Up to the Moment, which peaked at number 5.  The album produced two singles, "Good Advice" and "The Moment". On 13 July 1985 Mondo Rock performed four tracks for the Oz for Africa concert (part of the global Live Aid program). The concert was broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US.

Mondo Rock: (l-r) James Black, Ross Wilson, Gil Matthews, Eric McCusker, Paul Christie 2015

The group's sixth studio album, Boom Baby Boom was released in September 1986 with the line-up of Wilson, Gillard, Hackett, and McCusker, joined by Andrew Ross on saxophone and Duncan Veall on keyboards. The album peaked at number 27 in Australia. The album's second single "Primitive Love Rites" was released in October 1986 and peaked in the top 40 in Australia and in 1987, became a minor hit on the US Billboard Hot 100 and reached the top 40 on its Mainstream Rock chart. In November 1987, the band released an extended play titled, Aliens. Wilson disbanded the group early the following year and recorded a solo album, The Dark Side of the Man, which included a top 40 single, "Bed of Nails", in June 1989.

In 1990 Mondo Rock reconvened and recorded the group's sixth studio album, Why Fight It?, which was issued in November 1990. Three singles were released from the album, "Why Fight It?", "I Had You in Mind" and "Soul Reason". In 1991 Wilson dissolved the group again.

Friday, 26 April 2019

The Groop - 1968 - Great Hits From The Groop FLAC UPGRADE


Mad Over You/Downtown Women/Woman You're Breaking Me/The Gun And Flowerpot Trick/I'm Satisfied/Little Man/Here She Comes/
Empty Words/The Best In Africa/Ham And Eggs


The Groop were an Australian folk, R&B and rock band formed in 1964 in Melbourne, Australia and had their greatest chart success with their second line-up of Max Ross on bass, Richard Wright on drums and vocals, Don Mudie on lead guitar, Brian Cadd on keyboards and vocals, and Ronnie Charles on vocals. The Wesley Trio formed early in 1964 with Ross, Wright and Peter McKeddie on vocals, they were renamed The Groop at the end of the year.
The Groop's best known hit single "Woman You're Breaking Me" was released in 1967, the band won a trip to United Kingdom but had little success there. Other singles included "Ol' Hound Dog", "Best in Africa", "I'm Satisfied", "Sorry", "Seems More Important to Me" and "Such a Lovely Way".
When The Groop disbanded in 1969, Cadd and Mudie formed Axiom with Glenn Shorrock (later in Little River Band). Cadd was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame in 2007, for his work with The Groop, Axiom and as a solo artist.

Pardon Me Boys - 1987 - Pardon Me Boys FLAC UPGRADE



Beat Me Daddy/Shoo Shoo Baby/I I I I I (I Like You Very Much)/Hot Voodoo-Monkey Doodle Doo/Embracable You/Lounging At The Waldorf/Rythm Is Our Business/Double Trouble/Perfidia/Choo Choo Ch-Boogie



In 1985 Ignatius Jones formerly of Jimmy and the Boys formed the band Pardon Me Boys, an affectionate and slightly irreverent salute to the hits of the 30s and 40s, with the smallest hint of speakeasy sleaze, the big band swing of Glenn Miller and the heavenly harmonies of the Andrew Sisters. It grew from a 3 piece vocal group into the incredibly popular 13 piece dance band extravaganza. MonicaTrapaga was a member of the band, we all know her from her time as the presenter on Playschool and her own band Monica and The Moochers the other mainstay is William O'Riordan or as you may remember him Joylene Hairmouth also from Jimmy and the Boys.

Thursday, 25 April 2019

Johnny Young - 1973 - A Musical Portrait FLAC


 Just Another Rock 'n' Roller/ I Never Had It So Good/I Believe In Music/Old Pair Of Shoes/Just Another One Of Those Songs/Cleanest Boy In Town/ Little Red Boat/Now I've Seen The Light/ Anna/Mix Me Another Drink/Little Brown Basket




One of the most popular performers to leave Western Australia to become one of Australia’s top performers and comperes.
Originally born in Holland, His family migrated to Australia where he lived in Kalamunda.Perth.W.A. Young’s career started in Perth compering and singing on his home state TV show – CLUB 17.

Formed his backing group ‘The Kompany’ with many changes during the run. In Perth he was signed to Martin Clark’s Clarion Label with two hits to his credit.

Probably mainly known for the song ‘CARA-LYN’ and ‘STEP BACK’ the latter by Stevie Wright and George Young from The Easybeats in 1966. He became King of Pop in Australia taking the crown from Normie Rowe.

He compared the ‘Go Show’ and also compared the well known ‘Young Talent Time’.

Young’s career could be decribed as incredible not only for writing one of the most recognised songs ‘The Real Thing’ by Russell Morris.
His show ‘Young Talent Time’ was no fluke as he took the show to the top from 1969 to 1989, a near 20 year run and an abrubtly cancelled
show by the Ten network.

Johnny Young may be looked at in many ways with his singing, TV shows, and his Young Talent Schools, no one can say he ever under achieved.

Sunday, 21 April 2019

Christie Allen - 1979 - Magic Rhythm RE-POST


Magic Rhythm/All Australian Female/Only Yes Will Do/Goose Bumps/Falling In Love With Only You/He's My Number One/Count Me Out/Fallin' In Luv/You Know That I Love You/Ships That Pass Through The Night

 
Christie Allen was born as June Allen on 24 July 1954 in the United Kingdom. Allen's father is Keith Allen and her mother is Vera Allen, her brothers are Keith, Stephen and Mark. At the age of eight years, Allen performed in a talent quest, singing "My Johnny's Gone Away". In 1965, the Allen family migrated to Australia and settled in Perth. Allen and her brothers formed a band, Pendulum, where she provided lead vocals.

Whilst performing with Pendulum, Allen contacted UK-born Terry Britten, a songwriter and record producer. According to an interview she gave on Sounds she virtually knocked on his door. In the mid-1960s Britten was the lead guitarist of Australian rock group, The Twilights, He had worked with Cliff Richard for whom he co-wrote "Devil Woman" (1976) with Kristine Holmes. After working with Richard, Britten was living and working in Australia, when he was impressed by Allen's vocal ability and bubbly personality, and began songwriting for her. Allen signed a recording contract with Mushroom Records. In September 1978 she released her first single "You Know That I Love You", which reached the top 100 on the Australian Kent Music Report Singles Chart, and attracted some national radio airplay and positive reviews. 

 Her next three singles from her debut album, Magic Rhythm (November 1979), were top 20 hits. Aside from co-writing most of the tracks with B. A. Robertson, Britten also produced Magic Rhythm for Mushroom Records. The first single was a ballad, "Falling in Love with only You", which reached No. 20 in April 1979. Her next two singles were strongly influenced by the popular disco style – "Goosebumps", which reached No. 3 in September 1979, and "He's My Number One", which peaked at No. 4 in February 1980. "Goosebumps" was Allen's greatest success, with sales of 60,000, and was one of Mushroom Record's highest selling singles at that time. Allen toured Australia backed by The Hot Band, which was composed of Max Chazan on guitar (Rubes), Greg Cook on guitar (ex-Cam-Pact, The Mixtures, Ram Band, Mondo Rock), Bruce Haymes on organ (Rubes, Richard Clapton Band), Michael Hegerty on bass guitar (Richard Clapton Band), and Rick Puchala on drums (Richard Clapton Band); and later Yuri Worontschak on keyboards: Yamaha CP70B and Mini Moog (ex Spitfire). 


Allen was voted the 'Most Popular Female Performer' at the TV Week / Countdown Music Awards for 1979 and 1980. At the 1979 awards ceremony, broadcast by Countdown on 19 April 1980, Allen performed, "He's My Number One". At the same ceremony, Britten won the 'Best Songwriter' award for "Goosebumps". Allen won the 1980 award for 'Most Popular Female Performer', broadcast on 22 March 1981, against nominees, Annalise Morrow of The Numbers and Lynda Nutter of The Dugites. 

Besides performing, Allen also appeared on Countdown as a guest host: in November 1979 with Russell Hitchcock (Air Supply), and in April 1980 with Molly Meldrum. In the early 1980s Allen supplied the voice over and sang the jingle 'Come Tarino with Me' for Tarino orange soft drink commercials. In 1980 and 1981, Allen released three singles – "Baby Get Away", "Switchboard" and "Don't Put Out the Flame" – from her second and final album, Detour, produced by John Hudson, but they had less chart success than her earlier work - though Don't Put Out The Flame was chart hit. Britten had moved on and was working with Tina Turner: writing her hits "What's Love Got to Do with It" and "We Don't Need Another Hero". By mid-1980s a long illness prevented Allen from adequately promoting her career and she subsequently retired.


Allen and her partner, Mark, had a daughter Christa Lea. In the 1990s Allen returned to performing as a vocalist, with country music bands. In October 1998 Allen married Mark, and at that time Michael Gudinski appealed on national radio for information on Allen's whereabouts – Gudinski wanted her to perform at a televised tribute concert for the 25th anniversary of his company, Mushroom Records.[12] On 14 November 1998 Allen sang "Goosebumps" before a huge crowd at the Melbourne Cricket Ground – she retired following her performance which was released on the VHS album, Mushroom 25 Live (December 1998).

In 2006, Gudinski asked Allen to participate in the Countdown Spectacular tour; however, due to ill health, she declined. In March 2008 Allen was diagnosed with pancreatic cancer and died at her home in rural Western Australia on 12 August 2008, aged 53.

Friday, 12 April 2019

Glenn Shorrock - 1996 - The First Twenty Years FLAC RE-POST


Disc One

The Twilights - Needle in a Haystack/Bad Boy/If She Finds Out/9.50/Young Girl/What's Wrong With the Way I Live?/Cathy Come Home/My Gneration (live)/Axiom - Ford's Bridge/Fool's Gold/Arkansas Grass/A Little Ray of Sunshine/My Baby's Gone/Glenn Shorrock - Rock 'n' Roll Lullaby/Let's Get the Band Together/Statue of Liberty/ Little River Band - Seine City/When Will I Be Loved?

Disc Two

Little River Band - Cool Change/Home On a Monday/Shut Down, Turn Off/Help Is on Its Way/Man on Your Mind/Long Jumping Jeweller/Goin' Back (with Renée Geyer)/We're Coming To Get You (with The Bushwackers)/Glenn Shorrock - Paperback Writer/Dream Lover/Restless/Don't Girls Get Lonely?/Big Smoke/Will You Stand With Me?/The Duchess Is Returning/Rock 'n' Roll Soldier



Glenn Barrie Shorrock (born 30 June 1944) is an English-born Australian singer-songwriter. He was a founding member of pop groups The Twilights, Axiom, Little River Band, and post LRB spin-off trio Birtles Shorrock Goble, as well as being a solo performer.

The Twilights had eight consecutive national hit singles including "Needle in a Haystack" and "What's Wrong with the Way I Live". Axiom's top 10 hits were "Arkansas Grass", "Little Ray of Sunshine" and "My Baby's Gone". Little River Band had national and international chart success, including the Shorrock-penned "Emma", "Help Is on Its Way" and "Cool Change".

Shorrock was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame as a solo artist in 1991 and as a member of Little River Band in 2004. In May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "Cool Change" as one of the APRA Top 30 Australian songs of all time.

Glenn Barrie Shorrock was born on 30 June 1944 in Chatham, Kent, England. His family migrated to Adelaide, South Australia on the Orcades in August 1954 when he was ten. His father, Harry Shorrock was a Yorkshire-born fitter and turner at the Weapons Research Establishment in Salisbury. The 1954–55 summer had days of 42 °C (108 °F) and Black Sunday bushfires ravaged the Adelaide Hills in January 1955. His London-born mother Joyce Shorrock was not impressed with Australia, and she took Shorrock and his younger sister back to UK on the Strathmore, only to return to Australia on the "Fairsea" for a second attempt in 1956. The family settled in Elizabeth 20 km (12 mi) north of Adelaide.

Shorrock's first public performance took place in 1958 in a Lutheran church hall—he was miming to Elvis Presley's "All Shook Up" on a gramophone and strumming on a cardboard guitar when the player stopped—he was forced to continue singing by himself and realised he had a good voice.


 Glenn ,Frank Barnard,Peter Brideoak,Terry Britten,Clem "Paddy" McCartney and John Bywaters

In 1962, Shorrock formed his first band, The Checkmates, with Clem McCartney, Mike Sykes and Billy Volraat. They were a doo wop harmony group covering The Platters and The Crew Cuts material. Sometimes teaming up with instrumental groups The Vector Men or The Hurricanes, The Checkmates performed in Adelaide cafes and folk clubs. As a result of The Beatles' popularity, members of The Checkmates and The Hurricanes merged to form The Twilights in 1964.




 In 1964 Shorrock, with McCartney as co-lead vocalist, formed The Twilights by merging with The Hurricanes' Frank Barnard on drums, Peter Brideoake on guitar, Terry Britten on guitar and John Bywaters on bass guitar. Their debut single, "I'll Be Where You Are", co-written by Shorrock and Britten, was released in June 1965. The band had eight consecutive hit singles including covers of The Velvelettes' "Needle in a Haystack" and The Hollies' "What's Wrong with the Way I Live" (recorded at Abbey Road Studios in London). With two lead singers, two guitarists and five vocalists, the Twilights performed note-perfect covers of pop-rock songs and were famed for their live prowess. They relocated to Melbourne late in 1965 and were popular with teenage audiences and respected by fellow musicians. In July 1966, they won Hoadley's Battle of the Sounds with the prize including a trip to London. In 1967, shortly after returning from London, the group regularly performed the entire Sgt Pepper's album live in sequence, weeks before it was released in Australia. Shorrock married Sue, while he was a member of The Twilights. The Twilights disbanded in January 1969 and Shorrock became band manager for Brisbane pop group, The Avengers.

In May 1969 in Melbourne, Shorrock formed an early Australian 'supergroup', Axiom, with Brian Cadd on keyboards and vocals, Don Mudie on bass (both ex-The Groop), Doug Lavery (The Valentines) on drums and Chris Stockley (Cam-Pact) on guitar. They recorded two highly acclaimed albums, Fool's Gold and If Only...; and had three top 10 singles, "Arkansas Grass", "Little Ray of Sunshine" and "My Baby's Gone" on the Go-Set national charts. Axiom travelled to UK but disbanded there in March 1971.

Shorrock remained in the UK to pursue his solo career, he signed with MAM Records and released the self-penned "Let's Get the Band Together" single in October 1971. This was followed by a cover of "Rock'n'Roll Lullaby" (written by Barry Mann and Cynthia Weil) in March 1972. As Andre L'Escargot and His Society Syncopaters, he released "Purple Umbrella" with his backing band being Quartet members Britten, Kevin Peek, Trevor Spencer and Alan Tarney. He joined the multinational progressive rock band Esperanto, which released their debut album Esperanto Rock Orchestra in 1973 with the Shorrock written track "Statue of Liberty". He left Esperanto before their third album was released in 1974 and performed backing vocals for Cliff Richard.

                                                                             Glenn and Janice Slater during the Esperanto days.

 Mississippi was an Australian rock band which was working in UK with Beeb Birtles on vocals and guitar, Graham Goble (later Graeham Goble) on guitar and vocals and Derek Pellicci on drums. They contacted Glenn Wheatley (former bass guitarist for The Masters Apprentices) to become their manager. Birtles, previously in Adelaide band Zoot, called Shorrock to take part in the line up. Shorrock returned to Australia in October 1974 and joined Mississippi in January 1975 in Melbourne. They were soon renamed as Little River Band with the original line up of Birtles, Goble, Pellicci, Shorrock and lead guitarist Ric Formosa and bassist Roger McLachlan. The group went on to become one of the most successful bands ever to come out of Australia, and the first to achieve major commercial success in the United States. For Little River Band, Shorrock wrote the hits "Emma", "Help Is on Its Way" (Australian No. 1) and "Cool Change".

LITTLE RIVER BAND, Original Line-up (1975)
L-R Glenn Shorrock, Beeb Birtles, Derek Pellicci, Ric Formosa, Roger McLachlan, Graeham Goble


While still a member of Little River Band, Shorrock released a solo single, a cover of Bobby Darin's 1959 hit "Dream Lover" in April 1979 on EMI, which peaked at No. 8 on the Kent Music Report Singles Chart. In February 1982, Shorrock left Little River Band and was replaced by former 1960s pop singer, John Farnham who was managed by Wheatley. Shorrock returned to Little River Band in 1988 but, despite several quality albums, they did not regain the earlier stellar recognition. He left again in 1991 leaving the naming rights with guitarist Stephen Housden. In May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "Cool Change", as one of the Top 30 Australian songs of all time.
Later solo career

In 1982 Shorrock released a solo album Villain of the Peace and a single, "Rock and Roll Soldier" on Capitol Records recorded in Los Angeles with John Boylan (Charlie Daniels, Little River Band) producing. "Rock and Roll Soldier" reached the Australian top 40 in November but he did not achieve the international success attained with Little River Band. Late in 1982 he toured Australia and then teamed with Renée Geyer to release a duet, "Goin' Back" on Mushroom Records in February 1983. One of his backing singers was Wendy Matthews who had been a session singer in Los Angeles. "We're Coming to Get You", which peaked at No. 6 in October, was recorded with folk group, The Bushwackers it was the theme for the film, We're Coming to Get You. He released "Don't Girls Get Lonely?" in November. In 1984, he recorded "Restless" for the documentary World Safari II: The Final Adventure.

 In 1985, Shorrock released The First Twenty Years, which was a double-LP album compilation of his career work with tracks by The Twilights, Axiom, Little River Band and solo work. He was compere of Australian Broadcasting Corporation (ABC) TV music series, Rock Arena in 1986 and as a breakfast announcer for radio station Magic 11 in Sydney. His solo single, "American Flyers" appeared in July. He performed on the tour of stage show One for the Money in 1986–87. He appeared in other stage shows including his own showcase productions Go Cat Go (1990–91) and Two Up (1996).

On 25 March 1991, Shorrock was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame, alongside contemporary rocker Billy Thorpe, bass-baritone Peter Dawson and jazz musician Don Burrows. In 1993, he re-joined with Axiom band mate, Brian Cadd, to record Blazing Salads and three singles for Blue Martin Records, and a subsequent two-year tour. On tour Shorrock played his hit songs, along with those of Axiom accompanied by Cadd and a backing band of Rex Goh on guitar (ex-Air Supply), Kirk Lorange on guitar (Richard Clapton Band) and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band).

Long Way to the Top was a 2001 ABC TV six-part documentary on the history of Australian rock and roll from 1956 to the modern era Shorrock provided interviews, "In Awe of The Beatles", "Being Pop Stars" and "Coming from the UK", on his early years with The Twilights. Long Way to the Top Tour followed in August–September 2002 with Shorrock appearing with The Twilights in the first set performing "What's Wrong with the Way I Live?" and "Needle in a Haystack"; he returned in the second set with Axiom to perform "Arkansas Grass" and "Little Ray of Sunshine".


In 2002 Shorrock reunited with other Little River Band founders Beeb Birtles and Graeham Goble to form Birtles Shorrock Goble. On 17 October 2004, the 1970s members of Little River Band: Birtles, David Briggs, Goble, George McArdle, Derek Pellicci and Shorrock, were inducted into the ARIA Hall of Fame. The later members including fellow Australian, John Farnham, and US-based musicians, were not included in this induction. Due to a 2002 legal ruling on their right to use the band's name—a non-performing member holds the trademark—they performed "Help Is on the Way" as the Classic Lineup of Little River Band. Birtles Shorrock Goble recorded a successful DVD and CD, Full Circle (2005) and toured until 2007. In August–September, the trio played a medley of Little River Band hits at the Countdown Spectacular 2 concert series.

In 2005 Shorrock also undertook his career-spanning The Reminiscing Tour – Glenn Shorrock & Friends with invited guest singers including Doug Parkinson and Wendy Matthews. In May–June 2006, he partnered actress Judy Nunn on the first season of reality TV singing competition, It Takes Two, they were voted off after week three. His first solo CD for seven years, Meanwhile, which contains acoustic versions of his career hits was released in 2007 on the Liberation Blue label. He performed The Beatles tribute show Let It Be with Parkinson, Sharon O'Neill and Mark Williams.


In 2008 Shorrock toured with the musical Shout! The Legend of the Wild One, based on the life of Australian rocker Johnny O'Keefe. In July 2010, Shorrock performed a retrospective of his 45 years in the music industry. Currently Glenn Shorrock continues to tour Australia performing for public and private events in Australia and promotes new local music artists. In early 2013 Glenn and his band were headlining performers in Macau, New York and London for the media launch of the Titanic II project. This was at the personal invitation of Australian entrepreneur Clive Palmer.

In October 2014, Glenn Shorrock was inducted into the South Australian Music Hall Of Fame alongside Bon Scott's former band Fraternity, Chris Finnen and David 'Daisy' Day.

Monday, 18 March 2019

Jeff St. John & Copperwine - 1970 - Joint Effort FLAC RE-POST


Cloud Nine/Sing A Simple Song/Fanciful Flights/Any Orange Night/You Don't Have To Listen/I Been Treated Wrong/Days To Come/Reach Out/Can't Find My Way Home/Train/I Remember/Environment In 3 Parts/Teach Me How To Fly/Freedom Blues/Hummingbird/Keep On Growing



Jeff St. John was born Jeffrey Leo Newton in 1946 with Spina Bifida which, by his mid twenties eventually resulted in the need for a wheelchair.

Aged just 8, Jeff's first public performance was a kids' talent quest on Sydney's radio 2GB. Then at 15, his singing career took off with a role as a regular feature vocalist on Channel 9's teenage variety program "Opportunity Knocks", hosted by Desmond Tester. He appeared regularly on the show between 1961 and 1963. 

 A couple of years afterwards, by this time almost constantly supported by crutches because of his worsening condition, Jeff joined forces with an established Sydney blues-rock band called The Syndicate who he met by chance at the Sydney Musicians Club in early 1965 this later was merged into the band Wild Oats.

Later, in 1965, he joined The Id (named after the popular Johnny Hart cartoon strip The Wizard of Id), it was then Jeff started using the new stage name Jeff St. John, which he has used ever since.

This powerhouse band quickly became a leading attraction in Sydney with a long-term residency at the Here Disco in North Sydney, and also made their mark on the Melbourne scene, playing at the famous Thumpin' Tum with its powerful, brass-augmented repertoire and Jeff's rich and soulful vocals.

Jeff St John & the Id's reputation as one of the country's top R&B bands also earned them a well-received support gig on the 1967 Yardbirds, Roy Orbison and Walker Brothers tour of Australia.

In 1965, their debut single "Lindy Lou", was a pleasant R&B number which gave only a sight hint of the vocal prowess that Jeff would unleash on later releases. It was followed in 1966 by "The Jerk". Later that year they released "Black Girl".


Jeff and the Id are probably most remembered for their scorching, brass-laden smash single, "Big Time Operator", which featured Aussie sax legend Bob Birtles. "Big Time Operator" reached number 7 in Sydney and a respectable number 12 in Melbourne in January 1967, and the recording sessions at Festival Records in Sydney were even photographed for a special feature in Australian music magazine Go-Set. Then, out of the blue, Jeff parted ways with The Id.


 Jeff meanwhile put together Yama. The lineup again featured musicians from other successful bands of the time. Bass player Virgil East from from Python Lee Jackson, drummer Peter Figures from Throb, along with Ross East on guitar, who would continue to work with Jeff for some time thereafter. Yama folded prematurely around May 1968 after releasing one single, "Nothing Comes Easy".

Yama folded in 1968 because his pressure area became unmanageable and he came back to Sydney Hospital to try and fix the problem. After a wasted three months of unsuccessful skin grafts and over - hearing the head of his medical team saying it would probably, "Turn cancerous and kill him". He checked out and flew to Perth to begin The Copperwine experience. He was still using crutches at the time. The initial problem was not overcome until 1970 when Jeff was convinced to see Mr. John Hanrahan. Jeff says "To him I owe my life" who had just brought, from America, the almost miraculous "Rotation Flap Technique" which revolutionised the treatment of major pressure areas.

Undeterred by this, after a lengthy recovery period, Jeff became focused, and returned to live performance. Eventually Jeff started using a wheelchair and transformed his liability into his own trademark, executing 'wheelies' and pirouettes across the stage as he sang! Jeff says "With crutches, your hands are always full. The wheelchair allowed me to move around onstage and be self-
 sufficient".





In early 1969, Jeff unveiled his new band, Copperwine (aka Jeff St John's Copperwine), with low-key dates in Perth, before returning to Sydney. Copperwine soon created a following in that city's fast-developing 'head' scene. Around the time of the new band's formation, guitarist Ross East was also invited to join the revised Masters Apprentices line-up, but he turned it down, opting to stay with Jeff.

Aided by East and Peter Figures, plus Alan Ingham on bass and keyboardist Barry Kelly, Jeff St John wowed punters at the Ourimbah "Pilgrimage For Pop", Australia's first major outdoor rock festival, held at Ourimbah, NSW at the end of January 1970. The band's dynamic repertoire mixed quality prog-flavoured group originals with powerful renditions of Sly & the Family Stone's funk classic "Sing A Simple Song", a storming version of The Temptations' psych-soul masterpiece "Cloud Nine" and Blind Faith's "Can't Find My Way Home". This body of songs was captured by producer Spencer Lee in superb that remains one of the most accomplished and musically adventurous LPs of the time.


 The album entitled "Joint Effort" won considerable critical acclaim, but failed to generate significant sales. The single "Cloud Nine" suffered a similar fate in February 1970. An EP, Sing A Simple Song, which featured 4 songs from the album, was released in May 1970. Joint Effort as an album was one of Festival Record's most consistent sellers for many years, it's a fine example of what was musically going on with Australian rock in this fertile time, and it documents what a fine band Copperwine was and provided conclusive proof that Jeff St. John is one of the best rock vocalists this country has ever produced.

Another single, released in November 1970, fared extremely well. The smoothly confident, organ-led cover of Rotary Connection's "Teach Me How To Fly" propelled the band to number 12 on the Melbourne charts and a very encouraging number 3 in Sydney. Jeff's dazzling vocal performance on this record is probably the main reason why. The band toured relentlessly during 1971 and appeared with the Melbourne Symphony Orchestra. They also released another single, the delicate "Hummingbird".


 By late 1971 friction had emerged between Jeff St. John and Copperwine. He left them early in 1972 to form his own band and pursue a solo career. Seeking what he saw as a more sympathetic vehicle for his singing and songwriting, Jeff formed a touring outfit, The Jeff St John Band, featuring favoured sticksman Peter Figures, and the keyboard talents of the late, great Tony Ansell.


 In October 1972, Jeff released his first solo single, "Yesterday's Music". Jeff and band toured extensively during 1972, supporting acts as diverse as Gary Glitter, Chuck Berry and Bo Diddley. Along with the release of "The Best Of Jeff St John", Jeff was awarded the accolade of 'Most Outstanding Vocalist of the Year'.

Following a very successful year, Jeff St. John packed up and moved to the United Kingdom, so he could find out how the big kids played over there.

His farewell concert was a gala event staged at the Sydney Opera House, with the Jeff St John Band with the help of friends including Vince Melouney, John A. Bird and Ace Follington. In May 1974, an album of the concert was released, "Jeff St John Live", while Jeff was playing a handful of low-key gigs in London. 

 He returned to Australia in August 1974, to plan his next move.

On Jeff's return to Australia, he formed a new backing band, Red Cloud, and his new single "Mr Jones" was released in May 1975. Unfortunately the single was a minor sales success. It was followed up with "Blood Brother" in October. Jeff and Red Cloud maintained a heavy touring schedule during 1975-76, and the singer continued as a popular live draw.

Jeff was the first Australian artist to sign with US imprint Asylum (whose roster included The Eagles, Jackson Browne and Linda Ronstadt) and he made a return to the national Top 10 during early 1977 with his scorching version of the Frankie Miller-Andy Fraser song "Fool In Love". Jeff continued to record and perform live through the late 70s and into the early 80s, producing some quality rock performances, but in 1983, at the age of 37, he announced his retirement.

He made a memorable farewell appearance on Donnie Sutherland's late night chat show, After Dark, which made it clear that he was having problems at the time. Following this, Jeff stepped away from the limelight.

 In 1984, with the assistance of Dr. John Yeo (Director, Royal North Shore Spinal Unit), Jeff began lecturing to age groups from year 5 primary school to adult. He assisted with the creation of teaching aids, and production supervision of radio and T.V. advertising campaigns for the teaching program.

In the late 1990s Jeff moved to Perth in Western Australia, and in 1999 an old friend, drummer Ace Follington coaxed Jeff up onstage at Clancy's Fish Pub, Fremantle.

Jeff relished the chance to wield a mic again. He says "I'd been divorced from singing for so long, I'd lost sight of the fun involved".

That one-off performance led to a regular solo spot at Clancy's, the creation of an all-star backing group, Jeffrey St John & The Embers, a brand new, album titled Will The Real Jeff St John Please Stand Up? was released in 2001. On the album, Jeff has delved into the music of the '30s and '40s, performing swing standards with a rock treatment

He snickers "... instead of having big brass section solos on "Misty" and "Fascinatin' Rhythm", we've got over-driven and distorted guitar solos”.

 In 2000, he had the highest accolade of his career. when Promoter Michael Chugg, invited Jeff to perform the first two songs at the opening ceremony of the 2000 Paralympic Games in Sydney. Jeff says "BEST PARALYMPICS EVER - I love my country. It's allowed me to be crazy for more years than I can remember. To get up in front of 110,000 people live, with a TV audience of four billion, was a big honour".

Most recently, Jeff St. John was made Patron for the Mosaic Family & Community Services Organisation. This recently formed organisation provides support for disabled people in many areas, including rehabilitation programs for disabled people unfairly penalised by the legal system.






In 2016, Jeff released his auto-biography "INSIDER-OUTSIDER: The Jeff St John Story". The book is available from Starman Books.

 March 6, 2018 – Legendary Australian performer Jeff St John died after a log illness at the age of 71.

Thursday, 21 February 2019

Lucky Starr - 1976 - Wheels FLAC


What A Lucky Trucky/Highway 31/Trixie's Truck Stop Cafe/Every Highway/Truck Stop Rock/Here Come The Trucks/Diamond Reo Cowboy/Times Run Out On You/Written In The Fire/Loving Sure Comes Easy/Trucking Down Through The Years/You Must Be A Truckie



Lucky Starr is one of the founding members of the Australian Pop Music Industry. A regular on television shows such as Bandstand and also hosted Six O'Clock Rock for one season. He also made regular appearances on Mavis Bramston, Revue 60-61 In Melbourne Tonight, Sing Sing Sing, plus many other entertainment shows.

In 1962 Lucky recorded a hit record "I've Been Everywhere", which to date still remains one of Australia's all time favourites. The record received the highest accolade in the music industry, the Platinum Award.

1963 saw Lucky performing in the United States on the Nevada Circuit, The Flamingo in Las Vegas, The Mapes in Reno and Harvey's in Lake Tahoe. Also in the same year Lucky signed a recording contract with Dot Records in Los Angeles, releasing five singles. His agency was Coast Artist, signing performers such as Harry Belafonte, Jimmy Rodgers and Billy Eckstein. As a result of his American trips, Lucky was invited to work the Hilton Hotel Chain world wide spending several years working these prestigious rooms.

Lucky was also the first Australian performer to entertain the troops in Vietnam; in fact paying his own way there and made five subsequent trips into the war zone.

2002 and 2003 saw Lucky touring with "Long Way To The Top",  an Arena Spectacular which toured Australia's capitals and regional centres. The show featured the cream of Australia's entertainers from the 50's, 60's and 70's. Due to its popularity it become the subject of an ABC Television special.

Lucky's style ranges from Rock & Roll, to Country through to Jazz and is in fact similar to the late great Bobby Darin.  Thanks to Mustang

Tuesday, 19 February 2019

K@te Ceber@no and Wendy M@tthews - 1988 - You've Always Got The Blues FLAC


You've Always Got The Blues/Guilty (Through Neglect)/Back From The Dead/The Danger Zone/Stringer/Sing To Me/The Girl In The Picture/3 = 2 + 1 (Shame)/Cry Me A River/Don't You Take It Too Bad/Young Love/The Way You Look Tonight



You've Always Got the Blues is a 1988 album by Kate Ceberano and Wendy Matthews recorded as the soundtrack for the ABC TV series Stringer. The album is primarily composed of duets performed by Ceberano and Matthews but also features Joy Smithers and Martin Armiger. According to Ceberano's 2014 autobiography, she and Matthews recorded the album in 48 hours.

The album received two ARIA Awards in 1989, for Best Female Artist (Kate Ceberano) and Best Original Soundtrack/Cast/Show Recording. It was also nominated for Best Female Artist (Wendy Matthews), Best Jazz Album and Best Adult Contemporary Album. The album debuted and peaked at number No. 7 on 26 June 1988 on the ARIA Albums Chart and was certified platinum in Australia.

Thursday, 17 January 2019

Mark ''CAL'' Callaghan - 1988 - Sailors and Mermaids FLAC


Do it Rite/New Direction/I'll be With You/Garden Path/Golden Years/Life and Times/Spooky/The Wild Wild Western Plan/Distant Guns/Hole In My Pocket



Mark Callaghan had formed The Grudge in 1977 in Brisbane with fellow students from the Architecture Department of the University of Queensland. The Grudge underwent a succession of names (The Neon Steal, The Numbers) to become The Riptides in 1979 with Callaghan on lead vocals and lead guitar.In January 1983, the Riptides had disbanded and Callaghan was in Sydney. Graham "Buzz" Bidstrup is an Australian musician, songwriter, music producer and artist manager. He has been a member of The Angels, The Party Boys and Gang Gajang. Bidstrup and Callaghan worked together on "Gimme Some Loving" and recorded it as a demo in 1983. In 1984 Gang Gajang was formed in Sydney, the name is onomatopoeiac for the sound of a guitar playing a loud chord.

Mark is the singer songwriter of iconic Australian bands GANGgajang and The Riptides. He’s toured nationally and internationally, written songs for artists as diverse as Jimmy Little, Debra Byrne and Nathan Cavaleri, composed the theme music to over a dozen TV shows and had his songs in plays and countless films. Mark has also worked in the music business for a number of years and is currently Member Service Advisor at APRA AMCOS   Thanks to joao3969

 

Thursday, 27 December 2018

Various Artists - So Good Together The Stars Of Spin Records FLAC


The Bee Gees - Words/Ronnie Burns - When I Was Six Years Old/Dianne Holder - Don't Bother Me/Jeff St John & The Yama - Nothing Comes Easy/Fia Karin - You Don't Know Where Your Intrest Lies/Marty Rhone - Lonely Too Long/Dave Miller Set - Why Why Why/ Jeff St John & The Yama - Everyboby's Gone (Rode Away On Horses)/ Marty Rhone - Green Mansions (The Residence Of Simon Grae)/The Dave Miller Set - Hard Hard Year/Fia Karin - I'm Making The Same Mistakes Again/Ronnie Burns - So Good Together/The Bee Gees - World/Dianne Horder - Here Comes The Morning





 Spin Records was established in late 1966 by Clyde Packer, the elder son of publishing and broadcasting magnate Frank Packer, and the older brother of Kerry Packer. The label's first A&R manager was Nat Kipner (the father of musician-songwriter-producer Steve Kipner), who produced several early Spin releases. Most Spin recordings from the late 1960s and early 1970s were produced by Festival Records house producer Pat Aulton.

Launched in late 1965 with the single "Someday" by former Aztecs guitarist Tony Barber, the label was originally called Everybody's, which was also the name of the popular teen magazine published by the Packer family's Australian Consolidated Press. According to Australian historian Bill Casey, the overt cross-promotion reportedly met with resistance from commercial radio, so the label was rebadged as "Spin" after only four singles.

By January 1966 Everybody's had been renamed and re-launched as Spin Records and the parent company, Spin Records Production Pty Ltd, now included two new partners—NZ-born, Sydney-based entrepreneur Harry M. Miller, and Nat Kipner, who was originally hired retained as A&R manager, but later bought a financial interest in the label. After abortive negotiations with the Australian division of EMI Records, Spin Productions signed an exclusive ten-year distribution agreement with Festival Records and the first three Spin singles, released to coincide with the rebranding, were Ray Columbus' "We Want A Beat", Jeff St John & The Id's debut recording "Lindy Lou", and Marty Rhone's "Nature Boy".

Spin releases played an important part in Festival's business in this period, releasing successful albums and singles including the 1969 hit single "Mr Guy Fawkes" by The Dave Miller Set and the original Australian cast recording of the rock musical Hair, which became the first Australian cast recording to earn a Gold Record award. Through Kipner, Spin was also able to secure the lucrative Australian release rights to the Bee Gees' Polydor recordings from 1967 until the Spin label folded in 1973.

The early Spin releases were produced (or co-produced with Ossie Byrne) by Nat Kipner, or by noted producer-arranger Bill Shepherd, who accompanied the Bee Gees to the UK in 1967 as their musical director. From 1967 onwards, following the collapse of Ivan Dayman's Sunshine label, its acquisition by Festival, and his subsequent appointment as a Festival house producer, musician-composer-producer Pat Aulton took on a central role in Spin's productions, and he produced a large proportion of the label's output in the late '60s and early '70s.

In 1966 Spin played a pivotal role in the Bee Gees story, issuing the group's final batch of Australian singles, including their first major Australian hit, "Spicks and Specks", released in September that year. It was one of Spin's most successful singles, spending 19 weeks in the Sydney charts, where it peaked at #3, and it went to #1 in other cities including Melbourne, and reached #1 on the newly established national Top 40 in Go-Set magazine, who also named it their 'Best Record of the Year'.

The Bee Gees had originally signed to Festival's subsidiary Leedon Records, established by promoter Lee Gordon in the 1950s, and which Festival had acquired after Gordon's untimely death. According to Bee Gees historian Joseph Brennan, by late 1965 Festival were on the verge of dropping The Bee Gees from Leedon after eleven successive chart failures, although the band and their manager and father Hugh Gibb felt that much of the blame lay with Festival itself, and that the company had done little to promote their recordings. (It is notable that several other Australian performers had scored local hits with songs written by the Gibb brothers during the same period.) Hugh Gibb also raised questions about the legality of the boys' contract—they were all under 18 when they signed with Leedon—but Festival managing director Fred Marks negotiated a compromise, agreeing to release the trio from their Leedon contract on condition that they transfer to the Spin label. It was at this point that Nat Kipner briefly took over from Hugh Gibb as the Bee gees' manager, until they moved back to the UK at the start of 1967, when they signed a new management contract with Robert Stigwood and the NEMS organisation.

Once signed to Spin, Nat Kipner's support and guidance proved invaluable to The Bee Gees' career, as did the production skills and support of independent producer and studio owner Ossie Byrne. Over several months during mid-1966 Byrne gave the Gibb boys virtually unlimited time in his St Clair Studio in Hurstville, Sydney and the Gibbs have acknowledged that Byrne's generosity and guidance were crucial in enabling them to find their feet as studio artists.

Despite Festival's earlier misgivings, the deal proved lucrative for both Spin and Festival. After they arrived in Britain, The Bee Gees signed with Stigwood's RSO Records (distributed by Polydor) for the UK, and Atlantic Records in the USA, but Spin (and therefore Festival) retained the exclusive rights to distribute The Bee Gees' recordings in Australia for the better part of a decade. The first Bee Gees single released under this arrangement was their international breakthrough hit "New York Mining Disaster 1941" (1967).

Spin released some of the best local and international singles of the late Sixties, including all of The Bee Gees late '60s UK recordings. Artists on the Spin roster included former Aztecs guitarist Tony Barber, Steve & The Board (led by Nat Kipner's son and future hit songwriter Steve Kipner), Ronnie Burns, Toni McCann, Ray Columbus, Jeff St John, Marty Rhone, Tony Summers, Chris Hall & The Torquays, The Sunsets (later renamed Tamam Shud), The Ram Jam Big Band, Janice Slater, The Dave Miller Set and expatriate Hungarian fusion group Syrius, which featured legendary Australian jazz-funk bassist Jackie Orczarsky. Harry M. Miller's interest in the label also led to Spin releasing the highly successful Australian cast recording of Hair in 1970, the first Australian stage cast recording LP to be awarded a Gold Record.

The label was very productive, releasing 116 singles, 35 EPs and 38 LPs over the eight years between May 1966 and May 1974. Spin typically released 2-3 singles per month during its peak years. All Spin recordings were manufactured and distributed by Festival Records. Up to 1973, all singles distributed by Festival were catalogued in a consecutive four-figure series, with the different labels identified by prefixes. Festival's own releases (and some of the overseas recordings it released under license) were identified with a "FK" prefix (e.g. FK-1340). Spin singles were identified by the prefix "EK", an artefact of its original incarnation as "Everybody's". The final Spin single release, one of only two in Festaival's new "K" series (1973–74), was the Bee Gees' "Mr Natural".

Spin's EP and LP releases were similarly catalogued; Festival catalogued all EPs in its consecutive '11000' series, prefixed with a two-letter ID prefix (Spin's was "EX"). Spin LPs were initially catalogued in Festival's '30000' series and identified with an "EL" prefix"; this series changed to Festival's '930000' series ca. 1967. Early Spin LPs were released in mono; Jeff St John & The Id's Big Time Operators (1967) was Spin's first stereo LP, and one of the first stereo pop music albums by an Australian group. The original Australian cast recording of The Boyfriend (Sep. 1968) was the last Spin LP released in mono and all subsequent albums were issued in stereo. Spin's last two LPs—The Bee Gees' compilation Double Gold, and Mr Natural (1974) were issued under Festival's new L series catalogue.

Spin Productions went into liquidation in mid-1974 and the company's catalogue was subsequently purchased by Festival. The Spin name was revived briefly in 2000 for what was planned as an extensive series of commemorative CDs that were to have been issued to mark the company's 50th anniversary, but the unfortunately the project was cancelled after only a few releases due to cost-cutting and restructures. Despite these measures, Festival Mushroom went into liquidation in mid-2005 and its entire recording archive—including the Spin catalogue—was sold to the Australian division of Warner Music for a reported AU$10 million in October 2005. Thanks to Mustang

Monday, 17 December 2018

Twilights - 1982 - Twilight Time @320


Needle In A Haystack/Barefootin'/Young Girl/Night Of Fear/Show Me/What's Wrong With The Way I Live?/Bowling (Brings Out The Swinger In You)/My Generation/(Baby You Can) Drive My Car/Smokestack Lightning/Battle Of The Sounds Medley:Bad Boy/Satisfaction/Yesterday/If She Finds Out/I'm Not Talkin'/Bad Boy/I'm A Man


 One of the better Australian groups of the '60s, the Twilights were not especially innovative, but played competent, harmony-driven British Invasion-styled rock, strongly recalling both the "beat" and pseudo-psychedelic era Hollies. Relying largely on the original material of guitarist Terry Britten, they recorded over a dozen singles, as well as a couple albums, between 1965 and 1968, chalking up a few large Australian hits. Like many Australian stars of the period, they traveled to England for a while in an attempt to crack the international market, managing to record a few tracks in London with renowned producer/engineer Norman Smith (who had worked with the Beatles, Pink Floyd, Pretty Things, and others). Like other Australian acts in the U.K., with the exception of the Bee Gees and Easybeats, they totally failed in this regard, returning to Australia for more sporadic success in the homeland before disbanding in early 1969.






Side 1 Tracks 1-7 recorded at Festival Hall 1967, Side 2 Tracks 1-3 recorded St. Kilda Palais 1966,  Tracks 4-6 Festival Hall 1966.

3 requested bonus tracks in comments.

Friday, 16 November 2018

Ronnie Burns - 1994 - Enter Stage Left WAVE


The Very Last Day/True True Lovin'/Coalman/All the King's Horses/Too Many People/Exit Stage Right/In the Morning/Tophat/Terrible Way You Treat Your Baby/I Can't Let Go/We Had a Good Thing Going/Can't You Feel?/When I Was Six Years Old/So Good Together/Age of Consent/Piccadally Pages/Love Song/Such a Girl/Sunshine/How'd We Ever Get This Way/Harry the Happy Hooligan/Smiley/Jodie/The Prophet/If I Die/Maggie Mine


Ronald Leslie Burns AM (born 8 September 1946) is an Australian rock singer-songwriter and musician. He fronted the Melbourne band "The Flies" in the early 1960s, followed by a solo career into the 1970s and was a member of Burns Cotton & Morris in the 1990s. He retired from performing in 2000. His solo hit single, "Smiley" peaked at number two on the Go-Set National Top 40 in 1970. On 10 June 2013 Burns was awarded a Member of the Order of Australia with the citation "For significant service to the community, particularly to children recovering from illness and trauma, and to the entertainment industry".
 

 Born on 8 September 1946, Burns was raised in Melbourne, Victoria. His father was a butcher, his mother Edna was a fan of vaudeville and his brother Frank, who is five years older, was a drummer. To buy his first guitar for 10 shillings, Burns had part-time jobs selling newspapers, working in a milk bar and in a fruit shop. He joined his brother's folk music band as lead vocalist and was working in a clothes store. He transferred to the Myers Store' display window but was fired for having long hair, however he had already joined the Mod band The Flies in early 1964.

They won a Moomba band competition for a group most like The Beatles. The line-up consisted of Burns (rhythm guitar, lead singer), Themi Adams (aka Themistocles Adamopoulo, bass guitar), John Thomas (lead guitar) and Hank Wallace (drums). Concert promoter Garry Spry was looking for a resident band for his new rock club, Pinocchios, which opened in March. The Flies were reputedly the first long-haired band in Australia and drew heavily on The Beatles for their musical and fashion influences and soon acquired a large local following. Their repertoire included covers of The Searchers, The Hollies and Herman's Hermits. Spry became their manager and secured a recording deal with RCA Records – they started recording their first single, "Tell Her That", in Sydney, with producer-engineer David Mackay, it was released in June 1964 and was a local hit in Melbourne.


Burns befriended Ian Meldrum, a university law student looking for somewhere to stay, whose two-week visit became nine years of boarding at his parents' home. Meldrum later had a career as a pop music commentator, TV personality and record producer. The two were famously ejected from The Beatles' June 1964 Melbourne concert, because Meldrum was screaming too loudly. Meldrum later promoted Burns solo career in his writing for the weekly teen newspaper, Go-Set, which became a pop music "bible" by the late 1960s. After August, The Flies started appearing on television pop music The Go!! Show on ATV-0 – initially broadcast only in Melbourne but later extended to Sydney on TEN-10.

After six months residency at Pinocchios, Spry started booking The Flies into Sydney where they were arrested for vagrancy for having hair over their shoulders, but it was great publicity making all the papers. Back in Melbourne, Spry employed Carole West to organise a publicity shoot for TV and press to display his band having their long hair done at a women's hair salon in South Yarra. During the shoot, Burns sang with his guitar and was joined by apprentice hairdresser Lynne Randell – who was promptly signed by Spry and managed by West. In January 1965, they supported The Rolling Stones and Roy Orbison on their first Australian tour.


 In May 1965, The Flies embarked on their own six-week tour of Victoria, New South Wales, South Australia and Tasmania, becoming one of the first Australian beat groups to mount an extensive national tour. The Flies recorded their second single "Doing the Mod", in Sydney, which was released in June and was a hit in both there and Melbourne and became their signature song. Aside from The Go!! Show the band also appeared on the related ATV-0 offering, Kommotion. This show also included local artists miming to international hits. One of the dancers / mimers on Kommotion was Maggie Stewart, she also danced on ABC TV's Dig We Must where Burns introduced himself, the couple married in 1970. Another mimer on Kommotion was Burns' friend Meldrum. During The Flies national tour a third single "Can't You Feel" – composed by Burns and Thomas – became a minor national hit. By this time The Flies, alongside Billy Thorpe & the Aztecs, had become one of the most popular bands in the country.


 In September 1965, Burns decided to leave The Flies to go solo – his place was taken by Peter Nicoll from The Wild Colonials. Promoter Jeff Joseph who ran Pinocchios Promotions – the booking agency for Spry's artists – left and took over as Burns' manager. An extended play was released by RCA consisting of four tracks from their singles, but was attributed to The Flies, vocal by Ronnie Burns.


As a solo artist, Burns became one of Australia's most popular male pop singers from the mid-1960s to the early 1970s. His first single, "Very Last Day" was released in June 1966 on Spin Records and peaked at No. 12 on Melbourne's Top 40 singles chart. His second single, "True True Lovin" followed in August and reached No. 15. Go-Set published their inaugural pop poll on 5 October, Normie Rowe won 'Australian Male Vocal' of the year – he was later called 'King of Pop' – with Burns second and Johnny Young third. Also in October, Go-Set published Australia's first National Top 40 singles chart, Burns' third single, "Coalman", which was released in January 1967, peaked at No. 6. Another Top 20 single was "Exit, Stage Right" in June. In August, Burns topped the Go-Set pop poll for 'Top Male Singer' and ABC-TV broadcast a documentary, The Life of Ronnie Burns. Over the next four years, he consistently finished third on the Go-Set pop poll.

Burns had several minor national hits – "We Had a Good Thing Going" (October 1967), "When I Was Six Years Old" (March 1968), written for him by Brian Cadd and Max Ross of The Groop, and "Age of Consent" (January 1969), written by Terry Britten of The Twilights. Most of Burns' 1967 material was written by The Bee Gees, the tracks appeared on his first solo album Ronnie (Spin, July 1967). The Bee Gees had written and recorded them in Sydney in late 1966, which included their breakthrough hit "Spicks and Specks". Shortly afterward the group left Australia to return to the UK. The tracks were intended for a planned album which was not released, so they were sent to Burns who shared the same recording management. Burns provided his own vocals over The Bee Gees' backing tracks. The original versions were eventually issued by Festival Records on The Bee Gees compilation albums, including a 2-CD set Brilliant from Birth (2000).


 In 1968, Burns appeared on Once Upon a Twilight, the pilot for a projected TV series starring The Twilights, he performed the Barry Gibb song 'In The Morning' with the group and comedian Mary Hardy, but plans for the series were scrapped after the sponsor withdrew support. Late that year, former pop star Johnny Young was writing "The Real Thing" as a ballad and intended to offer it to Burns. Young was practising it in a dressing room while TV pop show Uptight was being recorded. Meldrum happened to walk by and wanted it for his newly managed artist, Russell Morris (ex-Somebody's Image). Morris recorded it as his debut solo single with Meldrum's production turning it into a six-minute long psychedelic pop song – it became a national No. 1 hit in May 1969.

"Smiley", Burns' biggest hit, reached number two on the Go-Set National Top 40 in February 1970. It was also written by Young, who was later involved in television production (see Young Talent Time). Young revealed that the song was inspired by the experiences of fellow pop star, Rowe, whose music career ended in late 1967 when he was drafted into the Australian Army and he was sent to fight in the Vietnam War. It is one of the first Australian pop singles released in stereo and features a lavish orchestral and vocal arrangement by John Farrar (ex The Strangers) who went on to write and/or produce many hits for Olivia Newton-John.

In the early 1970s, Burns had moved from pop to more adult contemporary music, he toured the club and cabaret circuit. Further Young-penned singles were "The Prophet" in January 1971 and "If I Die" in 1972. He appeared on variety TV shows including as a judge on Young Talent Time, where Maggie Burns was a choreographer. Burns' last single, "Brand New Number One" was released in 1980 on the Fable Records label.







Burns later supported touring artists such as Peter, Paul & Mary, and The Bee Gees. In 1996 he formed a trio with fellow Australian 1960's pop singers Morris and Darryl Cotton (ex Zoot) called Burns, Cotton & Morris which toured for several years and released a self-titled album. He retired from performing in 2000 – his place was taken by former Masters Apprentices lead singer Jim Keays with the trio renamed as Cotton Keays & Morris.

Sunday, 11 November 2018

The Sharp - 1995 - Single File-The Best Of The Sharp FLAC


Alone Like Me/Scratch My Back/Where Am I Now/Talking Sly/Nightclub/Train Of Thought/Yeah I Want You/Spider/I Know You/Honest & Sober/Dance For Me/Get Out Of My Way/Caught In The Deep/Love Your Head/In Collingwood



The Sharp were a three-piece pop, rockabilly band which formed in 1991 with Allan Catlin on double bass and lead vocals, Piet Collins on drums and Charlie Rooke on guitar and lead vocals. They issued three albums, This Is the Sharp (September 1993), Sonic Tripod (October 1994) and Single File (compilation, September 1995). Their highest charting single, "Alone Like Me" (1994), reached the ARIA Singles Chart top 20. They disbanded in October 1995.

In 1991 the Sharp were formed as a three-piece rockabilly, pop group in the Melbourne suburb of Collingwood by Allan Catlin on double bass and lead vocals, Piet Collins on drums and Charlie Rooke on guitar and lead vocals. Rooke had formed 59 Sharp, a "good-time bar-band", in 1988; he was later joined by Catlin, and alternating drummers Danny Simcic (also a member of Real Life, a new wave-synth pop band) and Tony Day (Broderick Smith Band). They "played 1950s rock'n'roll and rockabilly covers to a hardcore Melbourne following."

Piet Collins, who was writing Neighbours episodes at the time, joined on drums in 1991 due to other commitments for both Day and Simcic. The group were renamed as the Sharp, which according to Australian musicologist, Ian McFarlane "Boasting double bass, stand-up drums, rockabilly-tinged guitar licks and musicians dressed in all black... [they] presented a united front and an interesting twist on 1990s pop... [their] aesthetic push incorporated frisky pop melodies, tight arrangements, strong harmonies and grungy guitar riffs." For the Sharp Catlin and Rooke wrote original tracks, both individually and jointly. The group acknowledged the influence of the Kinks, the Beatles and the Easybeats.

In June 1992 they issued their debut CD three-track extended play, Love Your Head, on Mushroom Distribution Services. It was produced by Nick Mainsbridge (The Triffids, Tall Tales and True, Ratcat). They were signed to East West Music/Warner Music Australasia later that year. Their first hit single, "Talking Sly" (from the Spinosity EP), was written and sung jointly by Rooke and Catlin, which "received plenty of radio support and high critical acclaim." It reached the ARIA Singles Chart top 30. Their third EP, Train of Thought, which appeared in May that year, was co-produced by Mainsbridge with Peter Farnan (of Boom Crash Opera).

The Sharp released their debut album, This Is the Sharp, in September 1993, which was co-produced by Farnan, Mainsbridge and the group. It peaked at No. 13 on the ARIA Albums Chart.[7] They promoted the album with an Australian tour as a support act for United States group, Spin Doctors. At the ARIA Awards of 1993 the Sharp received two nominations for "Talking Sly", Breakthrough Artist – Single and Best Video (directed by Chris Langman).

The Sharp singles/EPs which appeared in the top 50 of the ARIA Singles Chart include Train of Thought (May 1993), "Scratch My Back" (October), and Yeah I Want You (November). The latter EP had five tracks with an original, "Yeah I Want You", followed by four cover version of work by The Cure ("The Love Cats"), Blondie ("Hangin' on the Telephone"), Lou Reed ("Vicious") and The Violent Femmes ("Add It Up"). Collins explained "We've been playing these songs in our live set on and off for the past two years and we've created our own versions of them."

A world tour followed in 1994 across the US, the United Kingdom, Sweden and Germany. This Is the Sharp was released in 14 international territories, and their live shows received favourable reviews.[citation needed] At the 1994 ARIA Awards they received two further nominations, Breakthrough Artist – Album for This Is the Sharp and Engineer of the Year for its tracks, "Scratch My Back", "Yeah I Want You" and "Train of Thought" by Mainsbridge and Kalju Tonuma.

Sonic Tripod, the band's second album, was released in August 1994, which also reached No. 13 and was co-produced by Farnan, Mainsbridge and the group. Jacqueline Fuller of The Canberra Times felt it was "a foray into the new lyrical themes of social comment and psychological turmoil rather than The Sharp's typical love and party songs." It provided their highest charting single "Alone Like Me", which peaked at No. 20. The group were known for their image of black high neck skivvies, and energetic live shows, including Catlin balancing on his double bass while playing, and Rooke leaping off the drum kit mid-guitar solo.

Early in 1995 Adam May replaced Collins on drums, however in August the group announced their proposed disbandment due to burn out. Rooke explained to Liz Armitage of The Canberra Times in that month how the Sharp had decided to break up: "It was a round-table discussion. A lot of people like to think there was (a conflict) but there wasn't, otherwise we wouldn't be doing a tour." Rooke reflected on their legacy "I think people will remember us for being a bit different... I'm sticking with the simplicity... I seemed to go for that vibe in the first, and I've always believed in it. I think you can do so much with that approach, but most groups these days are into bigger production." According to Armitage "Both Catlin and Rooke are expected to release something (separately) at the start of next year."

A compilation album, Single File (The Best of the Sharp), was released in September. They performed their last gig on 22 October 1995 at the Hallam Hotel. The label issued a posthumous collection, Skeletons in the Closet, of previously unreleased studio tracks, in 1996. Caitlin formed a group, the Rush Effect and wrote music for ads; Collins took up a career in journalism and writing; Rooke formed a group, Earlobe. Rooke was later a studio session guitarist for Cezary Skubiszewski. In 2000 the Sharp performed a sole reunion gig in Melbourne, and in July 2010 they reunited for a series of shows playing in Melbourne and Adelaide.

Sunday, 4 November 2018

Jimmy Little - 1969 - The Country Sound Of Jimmy Little WAVE


Oh, Lonesome Me/Green Green Grass Of Home/Bye Bye Love/Streets Of Loredo/He'll Have To Go/I Love You Because/Lonesome Number One/ Born To Lose/The Gal Who Invented Kissing/Still/ I Really Don't Want To Know/Take Good Care Of Her





James Oswald Little, AO (1 March 1937 – 2 April 2012) was an Australian Aboriginal musician, actor and teacher from the Yorta Yorta people and was raised on the Cummeragunja Mission, New South Wales.

From 1951 he had a career as a singer-songwriter and guitarist, which spanned six decades. For many years he was the main Aboriginal star on the Australian music scene. His music was influenced by Nat King Cole and American country music artist Jim Reeves. His gospel song "Royal Telephone" (1963) sold over 75,000 copies and his most popular album, Messenger, peaked at No. 26 in 1999 on the ARIA Albums Chart.

At the ARIA Music Awards of 1999 Little was inducted into the ARIA Hall of Fame and won an ARIA Award for Best Adult Contemporary Album. On Australia Day (26 January) 2004, he was made an Officer of the Order of Australia with the citation, "For service to the entertainment industry as a singer, recording artist and songwriter and to the community through reconciliation and as an ambassador for Indigenous culture".

As an actor, he appeared in the films Shadow of the Boomerang (1960) and Until the end of the World (1991), in the theatre production Black Cockatoos and in the opera Black River. As a teacher, from 1985, he worked at the Eora Centre in Redfern and from 2000 was a guest lecturer at the University of Sydney's Koori Centre.

In 1958 Little married Marjorie Rose Peters and they had a daughter, Frances Claire Peters-Little. Little was a diabetic with a heart condition and, in 2004, had a kidney transplant. After his transplant he established the Jimmy Little Foundation to promote indigenous health and diet. Marjorie died in July 2011. On 2 April 2012, Little died at his home in Dubbo, aged 75 years.

Thursday, 25 October 2018

Johnny Devlin - 1958 - How Would Ya Be @320


How Would Ya Be/Honey Don't/Koala Bear/Pointed Toe Shoes/Twenty Flight Rock/Why Don't You Believe Me/Leroy/Cast Iron Arm/I'm Counting On You/Love Me/Move It/You're Gone Baby/Tiger/Crazy, Crazy Baby/Wicked, Wicked Woman/Gotta Lotta That/Matador Baby/I Got A Rocket In My Pocket/Slipping Around/Doreen



Johnny Devlin was New Zealand's first true superstar of the rock & roll era, a teen idol whose national fame and revolutionary impact made him a Kiwi counterpart to Elvis Presley. Born May 11, 1938 in the small town of Raetihi, Devlin was raised in nearby Wanganui, where in 1951 he made his solo performing debut yodeling at the local opera house. After graduating high school, he spent two years as a bank clerk, occasionally playing country & western music with his brothers in a band called the River City Ramblers. Then, in mid-1956, Devlin heard Presley's "Heartbreak Hotel"; overnight he became obsessed with rock & roll, snatching up Presley singles and performing Elvis songs on the amateur talent quest circuit. Complete with ducktail, loud suits, and hepcat lingo, he assimilated himself completely in the culture portrayed in American teen movies of the era, earning something of a reputation as the town eccentric.


Although Devlin regularly appeared in talent contests, he at first enjoyed little success, but in early 1957, he was spotted by Johnny Cooper, who had cut the first-ever New Zealand rock record, a cover of Bill Haley's "Rock Around the Clock," two years prior. Cooper became Devlin's mentor, and his career surged, he regularly won top honors at talent shows and played to increasingly enthusiastic crowds. After settling into a regular gig at Auckland's Jive Centre, Devlin's fame grew, and his nightly sets of dead-on Presley imitations were the stuff of massive teen hysteria; finally, in mid-1958, he recorded his debut single, "Lawdy Miss Clawdy." It was a massive hit, selling over 2000 copies in Auckland alone during its first month of release on its way to passing the unprecedented five-figure mark; trumpeted in the press as "New Zealand's Elvis Presley," Devlin was a true phenomenon, mobbed by fans wherever he went.




Between November 1958 and May 1959, Devlin's label Prestige released some eight singles, three EPs, and an LP, amounting to total sales of over 200,000 copies; with his backing band the Devils in tow, he toured the country, playing everywhere to capacity crowds. However, more conservative quarters were outraged over the hysteria and destruction left in Devlin's wake, and as more and more theater managers became wary of booking the band, his career began to slip. For his part, Devlin was becoming increasingly disillusioned, with backstage bickering and record-label trickery leaving him more and more disgusted by fame; in May 1959,he and the Devils toured Australia as part of a package tour including the Everly Brothers and Tab Hunter, and by the time they returned home, the ballyhoo had died down. Still, Devlin remains the benchmark by which all New Zealand phenoms are judged; no one was ever bigger among Kiwi teens except the Beatles, whose opening act during their 1964 NZ tour was none other than Johnny Devlin himself.