Translate

Friday, 24 July 2020

Johnny Chester - 2006 - Get A Little Dirt On Your Hands FLAC


Get A Little Dirt On Your Hands/So Far So Good/Jessica/There's A Shadow On The Moon Tonight/Playing The Game/Love Ain't Right/Lost Love/The Way Old Friends Do/Home Again/You've Got Yourself A Job Again/Roadside Dinah/They Called It Rock 'n Roll/Laying My Love On the Line/He's A Rodeo Man/The Spirit Of the Land



Born in Fitzroy Victoria on December 26th 1941. It was after leaving school at 14, he would become a motor-mechanic, and a brake specialist in his father’s garage. He soon became interested in Elvis Presley’s early career, which prompted the teenager in a career of his own. 
It was in 1959, 17 year old Johnny Chester began his singing career with his band 'The Jay Woods - later called 'The Chess Men'.  Johnny admitted (in a 1960’s interview) that he was useless at playing guitar, but when they heard him sing his voice was liked.

He would run a dance in the St Cecilia's Church Hall in Preston, by the late 1960's he moved the dance to the Preston Town Hall, and it was not uncommon to be performing for 200 or more teenagers.  These dances became very popular at a time when Rock 'n' Roll was king.

In 1961 he signed with W&G Records and released his first single 'Hokey Pokey' with the flipside ‘That’s How It’s Gonna Be’, he started to become a household name.  Chester has also been called a second Johnny O’Keefe.  The following year he released his first E.P. 'Johnny  Chester's Hit Parade - it was the same year he toured with Roy Orbison and later the Everly Brothers. One of his biggest thrills, was performing in the Connie Frances show at Melbourne Stadium. The audience loved him, and yelled for him, even when the next artist popular Johnny Burnette appeared on stage.   At the age of 21, Johnny started producing his own records and compering a teenage show for Gippsland TV. 

 
In 1964 after a successful tour of Australia and New Zealand with the Beatles, Johnny hosted the first national television series 'Teen Scene', for the ABC which lasted one season. The following year he became associate producer of a new TV series nomination for the 10 network.
Like many entertainers, in 1968 Johnny performed in Vietnam for the Australian and American troops. Later he released his first single in 3 years titled 'Heaven Help the Man' backing was from the Melbourne band 'The Strangers'.

In 1971 he released his first album for a new label 'Fable' 'Johnny Chester and Jigsaw' a single from the album 'Shame and Scandal in the Family skyrocketed to No.1 in several state of Australia.  His cross-over to Country Music during the early 1970's, made him one of the greats of the Australian Country Music scene.

 His first National top 5 hit, was the 1973 self-penned 'The World's Greatest Mum'.  Although it was in 1975 that he was awarded his first golden guitar at the Country Music Awards for best selling track 'She's my kind of Woman'.  In 1977 John Chester hosted 'Country Road' a television series for the ABC and began touring with 'The Blue Denim Country Band' who later became 'Hot Spur'.

After the release of another hit 'I Love You So Rebecca' in 1979, he signed with W.E.A Records an affiliation of warner Brothers. His first release for the new label 'Johnny Chester and Hotspur' due to it great success of reaching gold status, Johnny continued recording and touring with Hotspur 
In 1983 he was invited for Fort Worth, Texas to perform and receive an Award at the International Country Music Awards.  He shared the stage with other greats, Bobby Bare, The Bellamy Brothers and Tom Jones. While back in Australia he was a support act for Roger Miller and Charlie Pride.   Over the years he has toured with many greats including, Kenny Rogers, Johnny Cash, Tammy Wynette and  Freddy Fender.



In the Entertainment world, Johnny Chester had covered most things: - Radio Announcer, TV Compare, songwriter, recording artist, rock 'n' roller and a country star. He's respected by the Music Industry and his many fans.
In 1999, he continues touring with the Southerly Buskers. In 2005, he released an album 'Get A Little Dirt on Your Hands' for Shock Records which made a huge splash in the Music Industry.  His current album was released through Warner Music titled 'The Nashville Sessions'.  To date Johnny has released 28 albums and more than 50 singles.

Monday, 29 June 2020

Radio Birdman - 1989 - More Fun! (12'') FLAC


Dark Surprise/Breaks My Heart/More Fun/Didn't Tell The Man



 Although the best-known band of the early Australian punk scene of the late '70s was the Saints, the first band to wave the punk rock flag in the land down under was Radio Birdman. Formed by Australian émigré Deniz Tek (originally from Ann Arbor, MI) and Aussie surfer-turned-vocalist Rob Younger in 1974, Radio Birdman's approach to rock & roll was rooted in the high-energy, apocalyptic guitar rant of the Stooges and MC5, sprinkled liberally with a little East Coast underground hard rock courtesy of Blue Öyster Cult. Their first EP, Burn My Eye, released in 1976, was a great record and still remains a seminal chunk of Aussie punk. Loud and snotty, with Younger bellowing his guts out and Tek on a search-and-destroy mission with his guitar, this was a great debut that set the stage for the impending deluge of Aussie punk bands waiting in the wings.

 After the release of their debut LP, Radios Appear (the title comes from a lyric in the Blue Öyster Cult song "Dominance and Submission"), in Australia a year later, Radio Birdman seemed poised to break Aussie punk worldwide. And although the American label Sire (then the home of the Ramones) was quick to sign them and distribute Radios Appear internationally in 1978, there was a gap of three years before they released a second album, Living Eyes. During that time, dozens of other Aussie punk bands stole their thunder, and Radio Birdman split up almost immediately after Living Eyes was released. Sire never released the record outside of Australia, and Radio Birdman, who should have been the biggest band in Aussie punk, was now a highly regarded punk forefather.
After the band split, various members were busy forming other bands: Tek formed the New Race with Younger, ex-Stooges guitarist Ron Asheton, and ex-MC5 drummer Dennis Thompson, released a handful of solo singles and EPs, and became a surgeon; Younger started his own band, the New Christs, and produced records by the second generation of Aussie punk bands influenced by Radio Birdman, most notably the Celibate Rifles; other Radio Birdman alumni ended up in assorted Aussie bands such as the Lime Spiders, Hoodoo Gurus, and Screaming Tribesmen. Now the grand old man of Aussie punk, Tek formed a part-time project with Celibate Rifles guitarist Kent Steedman that rocks with the same reckless abandon Radio Birdman did when they were changing the course of Australian rock forever. Tek also reunited with vocalist Rob Younger in 2001 on the second album by Deep Reduction, one of Tek's many side projects. Radio Birdman also staged occasional reunion shows, starting with an appearance at Australia's Big Day Out Festival in 1996.

 2001 also saw a renewal of interest in Radio Birdman thanks to an excellent compilation, The Essential Radio Birdman: 1974-1978; it was released by Sub Pop in the States, where much of the band's catalog had been out of print. Murder City Nights: Live, a document of a 1976 concert in Sydney, arrived in 2003, and in 2006 Deniz Tek, Rob Younger, Chris Masuak, and Pip Hoyle joined new members Jim Dickson (bass) and Russell Hopkinson (drums) in the studio to record a new album, Zeno Beach. Along with extensive Australian touring, the American release of the album brought Radio Birdman to the United States for the first time. Two concerts from the 2007 leg of Birdman's U.S. tour were featured in part on the 2010 album Live In Texas. By the time Live In Texas appeared, Radio Birdman had split again, as Younger opted to focus his time and energy on the New Christs. However, in 2014 Radio Birdman returned for another Aussie tour, though Chris Masuak's absence from the lineup proved controversial among fans. The tour was staged in part as a warmup for the release of a career-spanning box set, featuring remastered editions of the group's albums, studio rarities, and an unreleased live disc.

Monday, 25 May 2020

Sarah McLeod - 2005 - Beauty Was A Tiger FLAC


Let's Get Together/Never Enough/Private School Kid/Loveless/All But Gone/Back To Earth/Ava/Hit It Baby/Gutter Queen/Ashtray Sunrise/The Sinners And The Saints/He Doesn't Love You/Stand And Deliver



Sarah Yvette McLeod (born 1 February 1973) is an Australian singer-songwriter and frontwoman of rock band The Superjesus. The group won two ARIA Music Awards and they shipped over 300,000 units during their career. McLeod's debut solo album, Beauty Was a Tiger, was released in September 2005 and peaked in the top 40 on the ARIA Albums Chart. The album's first single, "Private School Kid", a duet with The Living End's Chris Cheney (July 2005) also reached the top 40, on the related ARIA Singles Chart. In October 2007 McLeod was described as an "iconic Aussie rock chick" by Alison Stieven-Taylor.   

Sarah Yvette McLeod, was born on 1 February 1973, to parents Don and Rosemary. She grew up in Adelaide with her older sister Leah McLeod (born 1971), a former television presenter.

 McLeod attended St Peter's Collegiate Girls' School and began singing in her late teens. In 1990 she commenced a university course, doing a bachelor of arts at Flinders University in Adelaide. 3 months into the course she went on a holiday with friends to Bali, where she was invited to join a Balinese band. She enjoyed playing on stage and performed with the band every night during her visit. McLeod later remembered "I could already play a bit of guitar by then but did little more than sing and play to my buddies at home." Upon her return to Adelaide, armed with a new passion for performing, she quit university and formed her first group, Fallen Down Monster. She displayed her rock-chick character and honed her vocal and guitar skills, and fun-loving, energetic stage presence. Fallen Down Monster performed indie band covers, and McLeod wrote original tracks which were not recorded.


 Late in 1994 she joined Chris Tennent to form an indie guitar rock band, Hell's Kitchen, which later became The Superjesus. Australian musicologist Ian McFarlane described McLeod's "captivating voice and melodic rhythm guitar." In May 1996 the group issued their debut four-track extended play, Eight Step Rail, with all the tracks co-written by McLeod with her bandmates. Jonathan Lewis of AllMusic noticed McLeod's singing: "Sounding like a cross between Liz Phair and Catatonia's Cerys Matthews, McLeod's voice was a major drawcard; strong, confident and rarely lapsing into the girlishness that characterized some of The Superjesus' contemporaries."
 
 At the ARIA Music Awards of 1997 the Superjesus won Best New Talent and Breakthrough Artist – Single for Eight Step Rail. Then released their first full-length album, Sumo (June 1998). The group released two more albums, Jet Age (October 2000) and Rock Music (May 2003), before they split in 2004.

In 2005 Sarah McLeod launched her solo career, she signed with Festival Mushroom Records, releasing her first single, "Let's Get Together", in May. Her debut solo album, Beauty Was a Tiger, followed in September that year, it was co-produced by McLeod with Matt Lovell. All the tracks on the album were written either by McLeod or with Chris Peters, bass player from the Detroit band, Electric Six. It peaked at No. 31 on the ARIA Albums Chart. For touring her backing band, the Black Diamond Express, consisted of Patch Brown (guitar), Grant Fitzpatrick (bass guitar), Stu Hunter (keyboards) and Mick Skelton (drums).

Following the release of another single, "Private School Kid" (July 2005) – a duet with Chris Cheney from The Living End – McLeod parted ways with Mushroom Festival Records. It peaked at No. 33 on the ARIA Singles Chart. During 2006 she released two more singles, "All But Gone" as an independent EP, and "He Doesn't Love You"; both included remixes. During 2006 McLeod performed acoustic gigs with drummer Mick Skelton, which led to an Australian tour, playing tracks from Beauty Was a Tiger, some Superjesus material and several cover versions. This resulted in the release of the live album Live & Acoustic.

 In October 2006, the Hook n Sling remix of "He Doesn't Love You" reached No. 1 on the ARIA Club Charts. It was also released in the United Kingdom and the United States. She spent much of 2007 and 2008 first travelling in the US and then living in London, where she recorded songs for various projects. In November 2009 she released a single, "Tell Your Story Walking", a song influenced by the new wave sound of the 1980s, which became a surprise hit in the club scene.[citation needed] The second single, "White Horse", was a hit in clubs both in Australia and around the world.

In 2009 Sarah McLeod posted further material including "Love to Last". In August 2010 she released a single, "Double R", with remixes by John Roman, Autoerotique and Grandtheft. It was followed by a cover of Bruce Springsteen's "Dancing in the Dark". Her third album, Madness, appeared in November that year, which included both "Double R" and "Dancing in the Dark".




Thursday, 21 May 2020

Aliens - 1980 - Follow That Girl (Single) FLAC


Follow That Girl/The Hyding Of Dr. Jeckyl



The Aliens were an Australian new wave band which formed in April 1978. They were one of the first local bands of the late 1970s to adopt a "uniform" of "black clothes and skinny, white ties". Two of their singles, "Confrontation" AUS No. 36 and "Follow that Girl" AUS No. 48, appeared on the Kent Music Report Singles Chart top 50. Australian musicologist, Ian McFarlane, noted their "sound embraced guitar-oriented pop rock with the emphasis on 1960s melodies".

The Billy Adams Singles FLAC


 Slow Down Sandy/Alone/I Think I'm Gonna Kill Myself/Shirley Lee/ Lookin' For Love/All Time Loser/ Dancing In Your Eyes/Come Dance With Me/Change Your Mind/Fall To You



Billy -- whose real name was William Tregonning -- started his pop career as lead singer of Melbourne rock'n'roll band The Checkmates from 1961-63 At various times The Checkmates comprised Adams, Jeff Bedford (guitar), Tony Daly (guitar), Ian Allen (bass), Graham Bloomfield (sax), Roger Scott (sax), Ron Chapman (drums) and Eddie Chappell (drums). After Adams went solo, Ron Fletcher joined as lead singer.. He became popular on the local dance and disco scene in the mid-60s, and this led to regular appearances on The Go!! Show and a recording contract with the Go!! label. He recorded five pop singles for the Go!! label: `Slow Down Sally'/`Alone' (1965), `I Think I'm Gonna Kill Myself'/`Shirley Lee' (1965), -`Lookin' for Love'/`All Time Loser' (1966), `Come Dance with Me'/`Dancing in Your Eyes' (1966) and `Change Your Mind'/`I Fall to You' (1966). Billy was perhaps not the greatest singer, but he was a competent and personable performer. 


His trademark was his outlandish bouffant hairdo which, according to Noel McGrath, he was eventually obliged to trim back after hundreds of letters of complaint from Go!! Show viewers. Billy's only hit was a cover of Eddy Quinteros' 1960 hit "Slow Down Sandy". His four subsequent singles failed to chart and he eventually left the music scene and took a job in promotions with a major Melbourne department store.

Adams's version of Buddy Knox's I Think I'm Gonna Kill Myself was a minor hit in Melbourne (1965, #49) and another single Dancing In Your Eyes (1966) charted in Brisbane (#24) and Perth (#37).   

Wednesday, 6 May 2020

Lee Conway - 1980 - Big Iron FLAC


 Big Iron/The Man Who Shot Liberty Valance/A Boy Named Sue/Don't Take Your Guns To Town/Wanted Man/Bonanza/The Hanging Tree/Rawhide/The Gambler/Ballad Of Ringo/High Noon/Ride Again Cowboy/Gunfight At OK Corral/Cool Water/Johnny Yuma/Streets Of Laredo


 Country artist Lee Conway was born in Poland in 1940. The family emigrated to Australia and Lee was brought up in Fitzroy. Lee started playing guitar in his early teens and in the late 50s he joined local Melbourne band Bobby Cookson and The Premiers as their bass player. Around the mid sixties this came to an end when Lee entered into the trucking business which he was very successful. He would later move in to the management side of music. Lee was the manager of 'The Laurie Allen Revue' in the sixties giving the band major success especially in Adelaide, at the then popular Twenty Plus Club.

In 1968 he was dared to get up and sing at the Twenty Plus Club and from then on he has never looked back. In the early 1970′s his single “Wanted Man” made the charts. Lee’s ability to craft songs was recognized by the Australian Federation of Broadcasters when his 1973 album 'Stories We Could Tell'  won “Best Album, Single and song.”


Jerry Lee Lewis regarded Lee as his own personal discovery and recorded him. It wasn’t long before Lee headlined the prestigious “International Festival of Country Music” at Wembley together with Waylon Jennings, Loretta Lyn, Bobby Bare and Rick Nelson. The charismatic style and distinctive voice was applauded by British audiences and Lee was presented with the “Most Promising Performer of Great Britain” Award at the London Palladium.

Lee’s single “All I Want to Do in Life” went #3 on the US and Canadian music charts with the top places filled by the Johnny Cash classic “Ghost Riders in the Sky” and “California” by Glenn Campbell – No mean feat for a boy from Downunder! .

Headlining major country music festivals, touring nationally and working on his 42′ boat gave Lee more time to write, relax and record 'Cowboys & Engines' but the lovingly crafted album was never released after a major management blunder and problems saw thousands of copies warped and ruined! It wasn’t too long before Lee Conway was back in the limelight again hosting the nationally and Internationally popular “Conway Country” television show.


 Lee Conway has enjoyed many memorable moments in his long career and being selected to perform at the Royal Command Gala before H.M. Queen Elizabeth was a definite highlight. Lee’s prolific songwriting ability is not confined to country music, for many years Lee has written and produced many Award winning television and radio jingles. Teaming up with funny man Col Elliott to write and record the comedy song “Gone Fishin” became one of the most popular clips to be shown on CMTV. In 1982 he was inducted into the Tamworth Hands of Fame.He has been regarded as one of Australia’s most loved and respected country music artists and carved a special place in the hearts of all music fans. Kimbo.





Tuesday, 5 May 2020

James Taylor Move - 1967 - Magic Eyes (Single) FLAC


 Magic Eyes/And I Hear The Fire Sing



James Taylor Move formed in early 1967 when an Adelaide discotheque-owner wanted a house band. The original line-up was Kevin Peek on guitar (ex-Hurricanes, John E. Broome and the Handels), Trevor Spencer on drums, Alan Tarney on organ and bass guitar (John E. Broome and the Handels), and Robert John Taylor on lead vocals. John E Broome and the Handels was an R&B group from Adelaide that relocated to the United Kingdom, Peek and Tarney had returned to Australia. Not long after forming they won the South Australian finals of the Hoadley's Battle of the Sounds and in July they traveled to Melbourne to compete in the national final.

James Taylor Move supported fellow-Adelaide group, The Twilights, and followed them to relocate to Melbourne. In August 1967 James Taylor Move issued their debut single, "And I Heard the Fire Sing" / "Magic Eyes", which peaked at No. 33 on the Go-Set National Top 40 Singles Chart. According to Ian McFarlane, Australian rock music historian, the "Hendrix-derived 'And I Heard the Fire Sing' was too much for local radio of the day, but programmers flipped the single over to reveal the more radio-friendly psychedelic pop of 'Magic Eyes'". The group followed with a second single, "Baby Jane", in October that year.

 In May 1968, Peek was replaced by John Pugh on guitar (ex-Roadrunners, Delta Set, Eighteenth Century Quartet, Cam-Pact) and Lance Dixon joined on organ and saxophone (Rockwell T. James and the Rhythm Aces). The next month Taylor left to go solo as R.J.Taylor and Wendy Saddington (Revolution) joined on lead vocals. By the end of the year the group had disbanded.


After James Taylor Move broke up, Peek, Spencer and Tarney formed the Kevin Peek Trio (1968–69) and travelled to the UK. They joined with ex-The Twilights guitarist, Terry Britten, to form Quartet (1969–70). Subsequently Spencer and Tarney teamed up in Tarney/Spencer Band (1975–79). Peek was later a member of Sky (1978–91). Saddington joined Chain (1968–69), Copperwine (1970–71) and then had a solo career.




James Taylor Move's track "And I Heard the Fire Sing" was covered by Australian alternative metal group, Grinspoon, for their 2005 compilation album, Best in Show, on a limited edition bonus disc. Lancashire progressive group, Earthling Society, recorded it as the B-side of their 2011 single, "The Green Manalishi", which is a cover of an early Fleetwood Mac song.

James Taylor Move - 1967 - Baby Jane (Single) FLAC


Baby Jane/Still I Can Go On



James Taylor Move was a short-lived Australian/British psychedelic pop, progressive rock group from Adelaide. It was formed by Kevin Peek on guitar (ex-Hurricanes, The Twilights, John E. Broome and the Handels), Trevor Spencer on drums, Alan Tarney on organ (John E. Broome and the Handels), and Robert John Taylor on lead vocals and bass guitar.

Early in 1967, the group won the South Australian finals of the Hoadley's Battle of the Sounds and traveled to Melbourne to compete in the national final. During that year the group released two singles, "And I Hear the Fire Sing" / "Magic Eyes" and "Baby Jane". "Magic Eyes" peaked in the Go-Set National Top 40 Singles Chart. In June 1968 Wendy Saddington, a blues vocalist, replaced Taylor but the group disbanded by the end of the year.

Tuesday, 10 March 2020

Nev Nicholls ‎– 1978 - Blazing Diesels FLAC


Blazing Diesels/Mack's Cafe/One Of Those/Rigs And Roads/C.B. Radio/The Men Who Dare To Drive The Interstate/My Travelling Stereo/Make A Mile/Silverwater Holiday/A Tiger In My Strides/Heaven/Footballin' Truck Drivin' Man/ I Wish I Could Sing Like Johnny Cash/My Truckin' Life



Despite a cover that screams that it wants to be added to the worst album covers ever this is a good example of the Truck Driving genre that was at it's peak in the Seventies.

Nev Nicholls was born on the 16th of September 1930 at Millthorpe, central west NSW. Spent his early childhood on a farm at Tallwood. In 1941 he started playing the guitar, learning mainly songs of Buddy Williams, and started writing songs of his own. In 1942 the family moved to a larger property near Blaney, but his father died shortly after leaving the family battling to make a living. As the age of 12 Nev had to work on the family farm with schooling a secondary consideration. When conditions on the farm permitted Nev worked on other properties to earn extra money. Nev started singing at church concerts and on 2GZ, the local radio station.

In 1952 he travelled to Sydney to put down some custom recordings and was given an audition and then signed with Regal Zonophone.  He put down 22 sides for Regal Zonophone, mostly his own material. Appeared on “Australia’s Amateur Hour” and “Tim McNamara’s Talent Quest. With ambitions to be a superstar he moved to Sydney, but jobs were scarce in the music industry and so took a job as an insurance salesman. 1954 he signed with EMI.

In 1957 went on his his first country tour with Reg Lindsay. Nev with Chad Morgan, Rick & Thel and Kevin King formed "The All Star Western Show" which also included fiddle player Peter Mollerson. This show lasted about a year. 1958 rejoined with Reg Lindsay to do tours through NSW and QLD. 1961 was a disastrous year for travelling shows as television had been introduced to country areas and the radio stations were not playing much country music. Nev saw that the conditions for touring were deteriorating so started working the Sydney pub circuit.

In 1968 he joined with Kevin King for a 10 year stint at the Texas Tavern in Kings Cross (Sydney). Members of Nev's band, "The Country Playboys" included: Guitar Players: Phil Emmanual, Dave Longmore, Gary Brown, Farmer John Hayton, Mick Hamilton, Kenny Kitching, Laurie Allen, Peter Bazley. Bass Players: Allan Tomkins, Les Young, John Dunn, Mike Fahy, Johnny Heap. Drummers: Steve Hopes, Laurie Webb, Paul Kniepp, Tony Stan and many more. Guests who dropped in and did a spot here and there included: Diana Trask, Charlie Pride, Tom T Halls Band "The Storytellers", Buddy Emmons the world’s best steel player who was touring with Roger Miller. Not forgetting the local guest artists who appeared on a weekly basis including: Jade Hurley, Roland Storm, Johnny Devlin, Laurel Lee, Carter Edwards, Terry Kaff and many others far too many to enumerate. Female singers were: Jan Kelly, Nikki Bradley and Lorraine Delaney. 


  Signed with RCA in 1974 and made his first album of trucking songs “Keep on Truckin’” which achieved Gold Sales. 1975 he won a Golden Guitar award for Instrument Track of the Year with “Nashville Express” as Nev Nichol’s Country Playboys. 1977 saw him Inducted into the Hands of Fame.

1978 – 1988 - The “Nev Nicholls National Roadshow” went to air throughout Australia on more than 90 radio stations- a weekly 2 hour show. He also launched a travelling show under the same name and he toured that show all around Australia starring at various times, Gary Brown, Phil Emmanuel, Lisa White, Debbie Lee Rae (now known as Kaye Payne) and Cowboy Bob Purtell.

During the Nineties  The “Nev Nicholls Roadshow” continued as a travelling show after the radio program ceased and was extensively backed by "The Silver Wings Band", he did tours with the Brisbane group "Buckskin" and "Fusion" out of Wollongong. In Northern Queensland the band to supply the music was "Paper Train", In Melbourne "Freight Train", Tasmania "The Good Old Boys" and in Western Australia "Hazzard County". In Queensland for shows Nev became friends with the President of the Townsville Country Music Club, Dick Nettlefield and together they hatched a plan for the "Champion of Champions" event that has now been running very successfully.

As a further string to his bow Nev launched his own record label "Nicholls'N’Dimes" where two winners from Townsville's big festival scored a record deal with the label, "Saddle Tramps" band and also the "Gottani Sisters". The sisters have since moved to America and have been working consistently touring as backup singers with some of the big names of country such as George Jones and Janie Frickie. Other people to cut records on the label were: Reg Lindsay, Cowboy Bob Purtell, D'Arcy Le Year, (now part of the Wolverines) Lisa White & Desree Crawford and many more. Including "Our Buddy" the Buddy Williams tribute album which had the biggest names in Australian Country dueting with Buddy. People like: Slim Dusty, Gordon Parsons, Smoky Dawson, Shirley Thoms, Alan Hawking, Kevin King, Reg Lindsay, Tex Morton with Sister Dorrie, Johnny Ashcroft & Gaye Kayler.


1992 saw him inducted into the "Australasian Country Music Roll Of Renown" at Tamworth,  Fast forward to the late 90's and "Massive Records" have released a lot of Nev's LP's on CD that are enjoying a new lease on life.

Nev had always been a prolific writer and besides recording vast numbers of his own songs he had also had many covered by other artists among these are: Reg Lindsay, Chad Morgan, Frankie Davidson, Johnny Garfield, Terry Gordon, The Wayfarers, Truckin Stevens and by no means least his long time friend Lucky Grills. Lucky and Nev shared an album in 1998, a truckies album of course, titled "Ya Wanna Screw Driver".

Nev Officially retired from country music entertaining in 2002. He was inducted into the Broadcasters Hall of Fame that same year at the Country Music Hall of Fame in Tamworth.
Thanks to Mustang for this one.

Marcia Hines - 1983 - Heart Like A Radio (Single) FLAC



Heart Like A Radio/She Got You



Marcia Elaine Hines, AM (born 20 July 1953), is an American-Australian vocalist, actress and TV personality. Hines made her debut, at the age of 16, in the Australian production of the stage musical Hair and followed with the role of Mary Magdalene in Jesus Christ Superstar. She achieved her greatest commercial successes as a recording artist during the late 1970s with several hit singles, including cover versions of "Fire and Rain", "I Just Don't Know What to Do with Myself", "You" and "Something's Missing (In My Life)"; and her Top Ten albums Marcia Shines, Shining and Ladies and Gentlemen. Hines was voted "Queen of Pop" by TV Week's readers for three consecutive years from 1976.
Hines stopped recording in the early 1980s until she returned with Right Here and Now in 1994, the same year she became an Australian citizen. She was the subject of the 2001 biography Diva: the life of Marcia Hines which coincided with the release of the compilation album Diva. Since 2003 she has been a judge on Australian Idol, and her elevated profile led to a renewed interest in her as a performer. Her 2006 album, Discotheque, peaked at number 6 on the Australian Recording Industry Association (ARIA) albums chart. Hines was inducted into the ARIA Hall of Fame on 18 July 2007.

Hines is the mother of singer Deni Hines, with whom she performed on the duet single "Stomp!"

Wednesday, 12 February 2020

J0hn Williams0n - 1990 - JW's Family Album FLAC


Christmas Photo/Camel Train To Yamba/Teach Me To Drive, Dad/ Just A Dog/ Flight Of The Blowfly/Goodbye Blinky Bill/ Crocodile Roll/ On My Ukelele/Big Bad Banksia Man/Old Man Emu/Koala Koala/My Dad Snores/ Old Sow/When We Were Kids/ A Proud Man (Allan Border)/Home Among The Gum Trees



 John Robert Williamson AM (born 1 November 1945) is an Australian country music and folk music singer-songwriter multi-instrumentalist, television host and conservationist. Williamson usually writes and performs songs that relate to the history and culture of Australia, particularly the outback, in a similar vein to Slim Dusty and Buddy Williams before him. Williamson has released over fifty albums, ten videos, five DVDs, and two lyric books and has sold more than 4,000,000 albums in Australia. His best known hit is "True Blue". On Australia Day (26 January) in 1992 Williamson was made a Member of the Order of Australia (AM) with the citation: "for service to Australian country music and in stimulating awareness of conservation issues". He has received twenty-six Golden Guitar trophies at the Country Music Awards of Australia, he has won three ARIA Music Awards for Best Country Album and, in 2010, was inducted into the related Hall of Fame. 




JW's Family Album is the ninth studio album by Australian country music artist John Williamson. The album was released in October 1990 and peaked at number 21 on the ARIA Charts and was certified platinum. It included a re-recording of Williamson's debut single "Old Man Emu" with a new "Dingo Verse". At the ARIA Music Awards of 1991, the album was nominated for the ARIA Award for Best Children's Album. At the Country Music Awards of Australia of 1992, the album won Top Selling Album .
 

Saturday, 1 February 2020

Tony Bonner - 1968 - Introducing Australia's Tony Bonner FLAC


Fisher's Ghost/When You're Not Near/Wine And Women/We May Meet Again/The Three Trees/Don't Try To Pretend/Skippy/Saturday Girl/True/Proud Of You/In My Book/Granada



Anthony Frederick Bonner AM (born 23 November 1943) is an Australian television, film and stage actor and singer. Bonner became famous in the 1960s children's television series Skippy the Bush Kangaroo, later moving on to lead roles in the dramas Cop Shop and Skyways.

Bonner was born in Manly, a northern beach suburb of Sydney. His grandfather, James Bonner, was a former Mayor of Manly and founding President of the Manly Life Saving Club. His father, Frederick Bonner, was a musical comedy actor at Her Majesty's Theatre, Sydney.

After leaving school he started work for a company supplying mannequins and other equipment for window dressing. He also worked part-time in his father's theatre as a wardrobe attendant, fostering his interest in acting.

Bonner's first professional stage acting job was in 1961, aged 18. His first major role was as helicopter pilot Jerry King on the television series Skippy.

Bonner went on to appear in many Crawford Productions television series including The Box, Matlock Police, Division 4, Cop Shop, Skyways and Carson's Law.

In 1970/71 he had a guest role in one episode of the UK-based ITC television series The Persuaders! starring Tony Curtis and Roger Moore. He featured in an advertising campaign for the Ballajura real estate development in Western Australia around the late 70's.

Notable film roles include Eyewitness (1970), You Can't Win 'Em All (1970), Creatures the World Forgot (1971), Inn of the Damned (1975), The Mango Tree (1977), Money Movers (1978), The Man from Snowy River (1982), The Highest Honor (1983), Quigley Down Under (1990), Dead Sleep (1990), Hurricane Smith (1992) and Liquid Bridge (2003). He also twice portrayed Australian World War I soldier Murray Bourchier, to whom he bears a remarkable likeness, in the 1987 film The Lighthorsemen and a 1993 episode of The Young Indiana Jones Chronicles (where footage from The Lighthorsemen was inserted into the episode).

Bonner also starred in the 1985 TV mini-series Anzacs alongside Paul Hogan, Jon Blake, Andrew Clarke and Megan Williams. Bonner played Lieutenant (later Captain) Harold Armstrong, commanding officer of the 8th Battalion (Australia) of the First Australian Imperial Force in 1914 and their journey in World War I through Gallipoli in 1915, and then on the Western Front in Belgium and France. The series was a huge rating success when it aired on the Nine Network.

Bonner also does advertising work, such as the part of veteran burger naming expert Ken Thomas in a 2007 McDonald's ad campaign. In September 2008 he sued Fauna Productions Pty Ltd, the production company for Skippy the Bush Kangaroo, seeking residuals from merchandising and DVD sales.

Bonner recorded a cover version of the Bee Gees song "Wine and Women" in 1968. He later appeared with Barry Gibb on an episode of Bandstand. Later in his career Bonner appeared in several stage musicals including Annie Get Your Gun and How to Succeed in Business Without Really Trying.

Bonner is patron of several charities including The Smith Family and the Wesley Mission suicide prevention program. He has also served on the board of the Variety Club and is Publicity Officer and past President of the Manly Life Saving Club. Bonner was married to Australian actress and model Nola Clark from 1972 to 1992. They had three daughters. One daughter Chelsea Bonner is the owner and director of the Plus-size model agency BELLA model management.
In 2017 Bonner was appointed a Member of the Order of Australia for significant service to the performing arts as an actor, to surf lifesaving, and to the community through charitable organisations.

Tuesday, 28 January 2020

Reg Lindsay - 1970 - Australia's King Of The Road FLAC


Don't Let The Stars Get In Your Eyes/Shotgun Boogie/King Of The Road/That Silver Haired Daddy Of Mine/Gonna Find Me A Bluebird/Four Walls/Bouquet Of Roses/Have I Told You Lately That I Love You/I Love You Because/Tears On My Pillow/Lonely River/Detroit City



It was sad that Reg Lindsay, one of Australia's most talented and successful country music stars, should have virtually disappeared from the country scene after suffering a cerebral haemorrhage in Tamworth in 1995.

Although he made a  welcome guest appearance on the Golden Guitar Awards in 1996, and appeared at a handful of other events during the late '90s, his health deteriorated and he never really regained his  ability to perform. He finally died on August 5th, 2008 at the age of 79.  

 Reg was a major figure in Australian country music from the early '50s to almost the end of the century. Born in 1929 in Parkes NSW, he will always be associated with his now legendary motorcycle ride from Adelaide to Sydney in 1951 for his winning tilt at Tim McNamara's famous talent quest. Already identified by that maker of stars, The Australian Amateur Hour, his Sydney win set him firmly on the road to commercial success, with a Rodeo records contract, Show Boat gigs, touring and recognition far and wide.

 But it wasn't just Reg's fine talents as a singer, songwriter and entertainer that set him apart. He had another key interest, one that was to benefit not only Reg but many other country entertainers. That was his interest and flair for broadcast media. But for the entry in Tim's Talent Quest he could have ended up as an ABC Rural Broadcaster. Instead, fortunately for us, he chose country music rather than just country, though his love for the bush continued for the rest of his life particularly through his enduring involvement with rodeo and horses.

In 1951 he talked his way onto 2CH in Sydney, shortly after switching to 2SM where he  entertained big audiences for over 12 years.

 But it wasn't just radio. In 1964 Reg was invited to take over Channel 9's country music show from Roger Cardwell. The Country & Western Hour was networked around Australia from Adelaide and was so successful that it ran for seven and a half years followed not long afterwards with a new TV show, Reg Lindsay's Country Homestead from Brisbane. Over his TV and radio years, Reg gave literally hundreds of young artists a boost, helping to develop the industry he loved so much.

In 1968 in the midst of his TV work, Reg started the Reg Lindsay Country Store in Parramatta which he ran for many years.

He also travelled and worked in America enjoying significant success in the late 60s and 70s and receiving many plaudits as well as appearing several times on the Grand Ole Opry. In 1977, John Minson and I watched Reg Lindsay performing at FanFair in Nashville and remember being highly impressed at how this outstanding Australian easily outsang and outshone so many of the much more famous American stars around him.

Reg was one of the first to be inducted into the Hands of Fame in 1977 and he collected a pile of other Awards and recognitions including three Golden Guitars for Best Male Vocal in 1974, 1978 and 1980, the Roll of Renown in 1984 and an OAM in 1989. He recorded some 64 Albums, composed and recorded over 500 songs. His big hits like "Armstrong" carried his voice and reputation as a singer to listeners all over the nation. It was country music with a universal appeal.

Reg Lindsay was a highly successful country music entertainer who through combining his flair for the media with his own huge singing talent was able to bring country music to many Australian over some five decades.

Reg was truly a trailblazer for today's country music.  Thanks to Mustang.

Sunday, 26 January 2020

Jimmy Little - 1965 - Onward Christian Soldiers FLAC


Onward Christian Soldiers/All People That On Earth Dwell/He's Got The Whole World In His Hands/Fight The Good Fight/Nearer My God To Thee/One Road/I Heard The Voice Of Jesus Say/Stand Up For Jesus/Lead Kindly Light/Hold The Fort/Holy, Holy, Holy/Lifeline



James Oswald Little was born on 1 March 1937, a member of the Yorta Yorta people with his mother, Frances, a Yorta Yorta woman and his father, James Little Sr, from the Yuin people. Little's totem is the long-necked turtle. Jimmy Little Sr. was a tap dancer, comedian, musician and singer who led his own vaudeville troupe along the Murray River during the 1930s and 1940s. His mother was a singer and yodeller who had joined Jimmy Sr.'s troupe.

Little grew up, the eldest of seven children, on the Cummeragunja Mission on the Murray River in New South Wales about 30-km from Echuca in Victoria. Little later recalled his upbringing, "[my parents] taught me well about the value of life, freedom, love, respect, all those basic things that we need. As Vaudevillians, I loved them. It was part of my dream to follow in the footsteps of Mum and Dad. And I'm so proud that I was able to do that". He became a devout non-denominational Christian. He is an uncle of writer, soprano, and composer Deborah Cheetham and older brother of the late Aboriginal author and singer-songwriter Betty Little. In February 1939, about 200 to 300 members of the mission participated in the Cummeragunja walk-off – in protest at the low standard living conditions. The Little family moved to his father's tribal land (near Wallaga Lake) and lived for some years on the New South Wales south coast at Nowra and Moruya.

Not long after moving, Frances died from a tetanus infection after cutting her finger on an oyster shell. At the age of 13 Little was given a guitar and within a year he was playing at local concerts. When 16 years old he travelled to Sydney to perform on a radio programme, Australia's Amateur Hour. In 1955 Little left home to live in Sydney and pursue a career in country music, he was influenced by Nat King Cole, Johnny Mathis and Jim Reeves. His mellow style earned him the nicknames of "the Balladeer", "Gentleman Jim" and "the Honey Voice".

Tony Barber - 1966 - Someday...Now FLAC RE-POST


 Intro/Someday/No More Moanin'/If You Want My Old Clothes, It's Too Late I've Got 'em On/You Can't Lie To A Liar/Nobody/Someday Soon/Wait By The Water/Talkin'/Untrue/Tea For One/Fever/I Want Her Too/Is It Raining 


Anthony Arthur Barber, known as Tony Barber (born 3 December 1942, Norwich, Norfolk)
Tony Barber, former guitarist & songwriter with the original Billy Thorpe & The Aztecs, debuted as a solo singer in 1966 with one of the best beat/pop singles of the era, and scoring a major Top 5 National Aussie hit straight off the bat with "Someday"..sounding not unlike his old band  He released six singles three extended plays and an LP in Australia in the mid-'60s.

Guitarist, singer, songwriter and author Tony Barber is one of the unsung heroes of the Beat Boom in Australia. Rock historian Dean Mittelhauser considered him "one of our most underrated performers from the Sixties" and felt that Tony had "played a bigger part in the success of Billy Thorpe & The Aztecs that has been generally credited".

Saturday, 25 January 2020

Jimmy Little - 1963 - Sing To Glory FLAC


 I Am On The Battlefield/Royal Telephone/Just A Closer Walk/The Church In The Wildwood/By And By/Somebody's Knocking At The Door/When The Saints Go Marching In/Hornets/Life's Railway To Heaven/Old Time Religion/Each Step Of The Way/Answer The Call Of Jesus



 James Oswald Little, AO (1 March 1937 – 2 April 2012) was an Australian Aboriginal musician, actor and teacher from the Yorta Yorta people and was raised on the Cummeragunja Mission, New South Wales.

From 1951 he had a career as a singer-songwriter and guitarist, which spanned six decades. For many years he was the main Aboriginal star on the Australian music scene. His music was influenced by Nat King Cole and American country music artist Jim Reeves. His gospel song "Royal Telephone" (1963) sold over 75,000 copies and his most popular album, Messenger, peaked at No. 26 in 1999 on the ARIA Albums Chart.

At the ARIA Music Awards of 1999 Little was inducted into the ARIA Hall of Fame and won an ARIA Award for Best Adult Contemporary Album. On Australia Day (26 January) 2004, he was made an Officer of the Order of Australia with the citation, "For service to the entertainment industry as a singer, recording artist and songwriter and to the community through reconciliation and as an ambassador for Indigenous culture".

As an actor, he appeared in the films Shadow of the Boomerang (1960) and Until the end of the World (1991), in the theatre production Black Cockatoos and in the opera Black River. As a teacher, from 1985, he worked at the Eora Centre in Redfern and from 2000 was a guest lecturer at the University of Sydney's Koori Centre.

In 1958 Little married Marjorie Rose Peters and they had a daughter, Frances Claire Peters-Little. Little was a diabetic with a heart condition and, in 2004, had a kidney transplant. After his transplant he established the Jimmy Little Foundation to promote indigenous health and diet. Marjorie died in July 2011. On 2 April 2012, Little died at his home in Dubbo, aged 75 years.

Sunday, 19 January 2020

The B0ys - 1981 - The B0ys FLAC


A1 Weoh, Weoh, Weoh    
A2 Same Game    
A3 Spend My Time    
A4 When You're Lonely    
A5 First Time    
A6 Waiting (All Night Long)    
B1 Leave It All Behind    
B2 Memory Lingers On    
B3 Hurt Me Babe    
B4 Why'd Ya Do That    
B5 On My Own








 Boys originally formed by guitar playing siblings, Lino and Camillo Del Roio, whilst still at high school as the Rockhouse Corporation in 1977 and started out as a cover band playing mostly top 40 rock but then progressed into playing original songs. "When You’re Lonely" was the first single released in August 1980, with the single going to No. 1 on the local charts and reaching No. 52 on the national singles charts. In September 1980 the band appeared on Countdown. The Boys released two further singles, "Hurt Me Babe" in March 1981 and "Weoh Weoh Weoh" in September 1981, which reached No. 57 and No. 76 on the national charts. The band released their self-titled debut in November 1981. In September 1982 they released, "Don't Say No", which was followed by their second album, Inside the Cage, in December 1982,. The band's original singer for the first album, Brent Lucanus, was replaced by Wayne Green (Wayne Green and the Phantoms) on their second album. A further single, "Lonely Dreamers", was released in March 1983, The original band went through several line-up changes but brothers Camillo Del Roio and Lino Del Roio were constant members throughout. The band split in 1983 but reformed in 1987 with Camillo and Lino on guitar, Eddie Parise on bass, drummer Frank Celenza, Tony Celiberti as keyboardist, and singer, Troy Newman (Extremists). A year later the band changed their name to Boyschool but split soon after.

Following the band's break up guitar playing brothers Camillo and Lino formed D.D and the Rockmen with Celenza

Lino Del Roio was appointed sales manager for Kosmic Sound (a music equipment supply company), in the late 1980s, which the two brothers subsequently bought, acquiring a number of other dealerships of leading brands of the time including exclusive dealerships for Steinberger and Ken Smith basses. They both played guitar for Western Australian hard rock outfit The Jets in the early 1990s. Tony Celeberti is an arranger for sheet music transcriptions who has worked on material by Guy Sebastian and Powderfinger, amongst others, for Australian publisher Music Sales. Brent Lucanus went on to play in a few bands around Perth, notably Change Alley with Gary Dunn.
and the DeMarchi sisters Suze and Denise. The band's drummer and bassist, Celenza and Parise, went on to form Bamboo Curtain, before joining Baby Animals. Troy Newman moved to Sydney following the band's break up and found moderate success as a solo performer, scoring a Billboard hit with the single "Love Gets Rough" and the album Gypsy Moon in 1991, released through Atlantic imprint East West Records and by Warner Music in Australia. He released a second album, It's Like This, in 1996. Newman died in March 1997.

Masters Apprentices - 1971 - Choice Cuts FLAC


Rio De Camero/Michael/Easy To Lie/Because I Love You/Catty/Our Friend Owsley Stanley III/Death Of A King/Song For A Lost Gypsy/I'm Your Satisfier/Song For Joey - Part II



 If you are not yet familiar with The Masters Apprentices, I should direct you to the fabulous anthology "Hands Of Time-1966-1972" on the Raven label. This faultless collection was compiled by Australian rock historian Glenn A. Baker, and provides and excellent introduction to this great Australian group, who along with The Easybeats were the two top acts down under in the late 60's early 70's.


 The Masters started life in 1966 as a primal R&B garage outfit that specialized in ultra primitive rock and roll in the style of The Pretty Things and Van Morrison's early group Them. Their early sides were penned by the group's guitarist, a gifted writer named Mick Bower, but their obvious focal point was lead singer Jim Keays. Keays had both style and talent, and possessed a wailing vocal range that would rival Pretty Things lead singer Phil May.

 Early Masters recordings such as "Undecided", "Buried And Dead" & "Hot Gully Wind" are top drawer, freakbeat ravers that take a back seat to no-one. As time went on Mick Bower's songwriting became more sophisticated and reflective, tracks such as "Wars Or Hands Of Time", "Theme For A Social Climber" & "Tired Of Just Wandering" showed tremendous maturity. Sadly Bower suffered something of a nervous breakdown and was advised by his doctor to leave the pop business, which he eventually did. 


This could have spelled the end for the Masters, but Jim Keays picked up the pieces and weathered the group through the flower-power era. This era of the group was resonsible for the classic "Elevator Driver" 45 and also "But One Day" (which was a Mick Bower holdover.) The Masters entered their next phase leaning towards a harder, more progressive sound which was first introduced with the 1969 album "Masterpiece." All the while the Masters were incredibly popular in Australia regardless of their several lineup shifts. Jim Keays was the one constant that kept the group's head above water. However as 1969 turned into 1970 the group felt they were stagnating in Australia and decided to take a shot at global acceptance and relocated to England.



The Masters arrived in England in the spring of 1970 and signed with the EMI progressive label Regal Zonophone (home to The Move, The Tickle, Procol Harum & others.) This lineup featured Jim Keays on lead vocals, guitarist Doug Ford (previously with The Missing Links & Running, Jumping, Standing Still), Glenn Wheatley-bass and Colin Burgess on drums. This lineup would prove to be group's finest since the Mick Bower days.


 The Masters managed to book Abbey Road Studios to record their first album on UK soil. "Choice Cuts" (which was issued in the UK simply as "Masters Apprentices" or the "chair album") was nothing short of a revelation and a quantum leap artistically for the group. This album is just a drop dead classic from the word go. Released in 1970 "Choice Cuts" is the equal of any great record you care to mention from that year. The Masters prove to be just that, masters of any style they chose to attempt, pop, folk, progressive and full tilt, heavy rock. It's all there and it's all good!

"Rio De Camero" is a vibrant opener which combines a latin, shuffle beat with Glenn Wheatley's fluid, upfront bass lines and funky minor chords played by Doug Ford. Keays interjects with his shrieking, double-tracked vocals, the whole thing ends with a rush of guitar muscle (this track was included on the "Hands Of Time" collection.) "Michael" begins as a plaintive acoustic ballad that quickly evolves into an all out heavy guitar blitz that simply never lets up. 


  "Easy To Lie" is absolutely threatening! It begins with Wheatley's throbbing bass line and leaps right into a massive acid guitar frenzy, Keays has his vocals treated to where he sounds like Ozzy Osbourne. Doug Ford hammers at his axe with the savage intenisty of T.S. McPhee of The Groundhogs, while the rhythm section lays down a sinister, gorilla beat that would have made the Hogs proud. Then comes an absolute curveball in "Because I Love You" which reminds me of Peter Frampton's melodic contributions to Humble Pie, the song employs bright acoustic guitar patterns to a rousing chorus which fades in the manner of The Beatles "Hey Jude" & Donovan's "Atlantis." I'm sure the female fans of the group dug this romantic tune all the way.

"Catty" returns to the blistering hard rock of "Easy To Lie", the spare, punishing guitar chords remind one of Free's late, great guitarist Paul Kossoff. While the overall feel of the number is that of a funky Black Sabbath. "Our Friend Owsley Stanley III" is also in Black Sabbath territory with an equal measure of "Stand Up" era Jethro Tull. Obviously the song is an ode to the US acid kingpin, perhaps acid got to Australia a bit late, as most groups were more into singing about granola and ecology flags in 1970.

"Death Of A King" is another Groundhogs style pissed off heavy ballad which concerns itself with the tragic death of Martin Luther King. This song addresses the subject in a much more convincing fashion than U2's self-serving "Pride" anthem. "Song For A Lost Gypsy" goes for the heavy thud of Blue Cheer with positive results. "I'm Your Satisfier" is a down and dirty, funky number that once again draws a Free comparison. The final piece "Song For Joey Part 2" begins with some lovely acoustic guitar work from Doug Ford before hurling another curveball at the listener, this piece quickly shifts into the greatest Van Morrison copy since the USA garage band Things To Come's "Sweetgina", however this one goes for Morrison's "Astral Weeks" style and Keays and Co. pull it off perfectly. 


  "Choice Cuts" was greeted by glowing reviews in the UK press but somehow the record failed to attract much action at the shops or on radio and sank into obscurity until being re-discovered by collectors in the 1980's. The record now changes hands for $150+ but it lives up to that lofty price tag with room to spare. There have been a few legal and semi-legal CD re-issues of it down the years, but it seems to be out of print at the moment. Hopefully this will change very soon. "Choice Cuts" is a dazzling blend of folk, heavy and progressive styles that should be in every serious record library. The good news is that the Masters would actually up the ante with "Choice Cuts" brilliant follow-up "A Toast To Panama Red" (more on that one in a bit.)

The Masters Apprentices were one of the great groups of the late 60's early 70's and it's about time their name starts getting mentioned next to the MC5, Pretty Things, Stooges, Groundhogs etc. because they no doubt belong in that company.  (Reviewed by Dave Furgess)

Sunday, 29 December 2019

Pollyanna - 1996 - Long Player FLAC


Big Bully/Piston/The Cake/16 And Counting/Bakelite/Keep Me Guessing/Electric Cardigan Rock/Lemonsuck/Potomac/Squeeze/T-Shirt Tan/Railride/Kickboard



  Pollyanna were an Australian alternative rock band, which formed in 1993 as Blue Trike by Matt Handley on lead vocals and lead guitar (ex-Catherine Wheel) and Maryke "Rayke" Stapleton on bass guitar and vocals. Their brand of noisy indie guitar pop appears on four studio albums, Long Player (1996), Hello Halo (1997), Delta City Skies (1999) and Didn't Feel a Thing (2001). Long Player, their highest charting release, peaked at No. 31 on the ARIA Albums Chart. Two of their tracks, "Pale Grey Eyes" and "Lemonsuck", were both listed on the Triple J Hottest 100, 1995. The group were nominated for Breakthrough Artist – Album and Best Alternative Release for Long Player at the ARIA Music Awards of 1996. The band broke up in 2002.




Tuesday, 5 November 2019

Lucky Starr - 1964 - The Silver Spade Digs Lucky FLAC


Make Yourself At Home-Lovely Way To Spend An Evening/Clementine/Blue Berry Hill-Rock A Bye Your Baby With A Dixie Melody-He's Got The Whole World In His Hands/The World I Used To Know/I've Been Everywhere/Someday You'll Want Me To Want You/The Three Trees/Some Of These Days/Bye Bye Blackbird-Cotton Fields-Lazy River/Mule Skinner Blues/You're Nobody Till Somebody Loves You/What'd I Say



Lucky Starr was born as Leslie Morrison in 1940. His father was a motor mechanic and his mother was a housewife, and he had a younger sister. He attended Canterbury High School before starting an apprenticeship as an electrician.

Two-and-a-half years later he began his rock and roll career in 1957 as Les Starr, lead singer and rhythm guitarist, of the Hepparays in Sydney. Other members were Tony Caperero on lead guitar, Bruce Gurr on piano, Dave Taylor played bass guitar and Owen Smith provided drums and percussion. Starr recalled how, "the guitarist in his band taught him how to play in five months." After winning several talent quests, "someone idly punned that he was 'a lucky Starr'."

 Late in 1959, as Lucky Starr, he signed as a solo artist to Festival Records, and in December he released a four-track extended play, Sentimental Journey. For his early work he used the Hepparays as his backing band. He followed with four singles in the next year. He was a regular performer on television music and variety shows, Bandstand and Six O'Clock Rock, and took over from Johnny O'Keefe as host of the latter for a brief period in 1960, while O'Keefe was touring the United States.

In May 1960 Morrison, aged 19, was involved in a romance with touring Mouseketeer, Cheryl Holdridge, who was under 16. In May 1963 he recalled, "We corresponded when she went back to the States, and I decided then to follow her, somehow. Once, in 1961, I waited up all night to phone her when she was recovering from a tonsils operation. But we are not 'in love' any more, I guess."

Starr released his cover version of the novelty, tongue-twisting single, "I've Been Everywhere", in early 1962, it was written by Geoff Mack, which name-drops numerous Australian towns. It peaked at number one in Sydney in April. "Spinner" from The Biz described the track, "It's a hard hitting novelty number with a slight C and W flavour. Full of gimmicks it features high velocity lyrics in which Lucky recites 120 towns in the Commonwealth... He sings each verse in one breath and you'll wonder how he does it when you hear it." Adapted to American towns, it became a United States country music hit for Hank Snow after being released in September of that year.

Starr released a compilation album, I've Been Everywhere, in June 1962, which included his early singles and their B-sides. "Spinner" opined, "it shows his versatility to the foil, which is evident in the tracks, 'Candy Pink Lips,' 'Suspense' and "Sweet Georgia Brown.' Other tracks include: 'Heart-Break,' 'Way Down Yonder in New Orleans,' 'I See You as an Angel' and others. In our opinion this LP is worthy of a place in the libraries of both young and the young at heart alike — it's a beauty." According to the journalist, "he has worked at his profession perfecting his musicianship, taking voice training, learning acting and dancing — in a word, learning enough to make the most of his 'break' when it came." In July of that year he issued a four-track EP, Lucky's Been Everywhere, with his four versions of "I've Been Everywhere": the Australian one, the US one, the British one and a newly-written New Zealand one.

During 1963 he travelled to the US where "he played the Nevada circuit, opening in mid-1963 at the Mapes Hotel Casino Room, Las Vegas." According to The Australian Women's Weekly's Robin Adair the tour was organised by US entertainer, Norman Kaye (of the Mary Kaye Trio). Starr signed with local label, Dot Records, which released a lone single, "Poor Little Jimmy Brown", however "proposed American movie roles and major record deals never happened." He returned late that year to Australia and appeared in Once Upon a Surfie, a Christmas-themed surfing musical alongside "Dig Richards, Jackie Weaver, Bryan Davies, Jay Justin, Rob EG, Jan Green and The Delltones."
 
 Starr issued another solo album, The Silver Spade Digs Lucky, in 1964. He subsequently toured "the USA, New Zealand, the Philippines, Hong Kong, Malaysia, Taiwan, Japan, Vietnam and Italy." According to Daily Mercury's correspondent, "he was the first Australian performer to entertain the troops in Vietnam; in fact paying his own way there and made five subsequent trips into the war zone." During the late 1960s Starr performed as a country musician "and took his travelling show around the Australian bush." In 1980 he was inducted into the Australian Country Music Hall of Fame with their Hands of Fame.

In September 2015 Starr released a re-working of "I've Been Everywhere" titled, "We're Going Everywhere... On the Old Hume Highway". He has two children and a grandchild. As of July 2015 he was still performing regularly. Thanks to Mustang