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Showing posts with label Various. Show all posts
Showing posts with label Various. Show all posts
Thursday, 27 December 2018
Various Artists - So Good Together The Stars Of Spin Records FLAC
The Bee Gees - Words/Ronnie Burns - When I Was Six Years Old/Dianne Holder - Don't Bother Me/Jeff St John & The Yama - Nothing Comes Easy/Fia Karin - You Don't Know Where Your Intrest Lies/Marty Rhone - Lonely Too Long/Dave Miller Set - Why Why Why/ Jeff St John & The Yama - Everyboby's Gone (Rode Away On Horses)/ Marty Rhone - Green Mansions (The Residence Of Simon Grae)/The Dave Miller Set - Hard Hard Year/Fia Karin - I'm Making The Same Mistakes Again/Ronnie Burns - So Good Together/The Bee Gees - World/Dianne Horder - Here Comes The Morning
Spin Records was established in late 1966 by Clyde Packer, the elder son of publishing and broadcasting magnate Frank Packer, and the older brother of Kerry Packer. The label's first A&R manager was Nat Kipner (the father of musician-songwriter-producer Steve Kipner), who produced several early Spin releases. Most Spin recordings from the late 1960s and early 1970s were produced by Festival Records house producer Pat Aulton.
Launched in late 1965 with the single "Someday" by former Aztecs guitarist Tony Barber, the label was originally called Everybody's, which was also the name of the popular teen magazine published by the Packer family's Australian Consolidated Press. According to Australian historian Bill Casey, the overt cross-promotion reportedly met with resistance from commercial radio, so the label was rebadged as "Spin" after only four singles.
By January 1966 Everybody's had been renamed and re-launched as Spin Records and the parent company, Spin Records Production Pty Ltd, now included two new partners—NZ-born, Sydney-based entrepreneur Harry M. Miller, and Nat Kipner, who was originally hired retained as A&R manager, but later bought a financial interest in the label. After abortive negotiations with the Australian division of EMI Records, Spin Productions signed an exclusive ten-year distribution agreement with Festival Records and the first three Spin singles, released to coincide with the rebranding, were Ray Columbus' "We Want A Beat", Jeff St John & The Id's debut recording "Lindy Lou", and Marty Rhone's "Nature Boy".
Spin releases played an important part in Festival's business in this period, releasing successful albums and singles including the 1969 hit single "Mr Guy Fawkes" by The Dave Miller Set and the original Australian cast recording of the rock musical Hair, which became the first Australian cast recording to earn a Gold Record award. Through Kipner, Spin was also able to secure the lucrative Australian release rights to the Bee Gees' Polydor recordings from 1967 until the Spin label folded in 1973.
The early Spin releases were produced (or co-produced with Ossie Byrne) by Nat Kipner, or by noted producer-arranger Bill Shepherd, who accompanied the Bee Gees to the UK in 1967 as their musical director. From 1967 onwards, following the collapse of Ivan Dayman's Sunshine label, its acquisition by Festival, and his subsequent appointment as a Festival house producer, musician-composer-producer Pat Aulton took on a central role in Spin's productions, and he produced a large proportion of the label's output in the late '60s and early '70s.
In 1966 Spin played a pivotal role in the Bee Gees story, issuing the group's final batch of Australian singles, including their first major Australian hit, "Spicks and Specks", released in September that year. It was one of Spin's most successful singles, spending 19 weeks in the Sydney charts, where it peaked at #3, and it went to #1 in other cities including Melbourne, and reached #1 on the newly established national Top 40 in Go-Set magazine, who also named it their 'Best Record of the Year'.
The Bee Gees had originally signed to Festival's subsidiary Leedon Records, established by promoter Lee Gordon in the 1950s, and which Festival had acquired after Gordon's untimely death. According to Bee Gees historian Joseph Brennan, by late 1965 Festival were on the verge of dropping The Bee Gees from Leedon after eleven successive chart failures, although the band and their manager and father Hugh Gibb felt that much of the blame lay with Festival itself, and that the company had done little to promote their recordings. (It is notable that several other Australian performers had scored local hits with songs written by the Gibb brothers during the same period.) Hugh Gibb also raised questions about the legality of the boys' contract—they were all under 18 when they signed with Leedon—but Festival managing director Fred Marks negotiated a compromise, agreeing to release the trio from their Leedon contract on condition that they transfer to the Spin label. It was at this point that Nat Kipner briefly took over from Hugh Gibb as the Bee gees' manager, until they moved back to the UK at the start of 1967, when they signed a new management contract with Robert Stigwood and the NEMS organisation.
Once signed to Spin, Nat Kipner's support and guidance proved invaluable to The Bee Gees' career, as did the production skills and support of independent producer and studio owner Ossie Byrne. Over several months during mid-1966 Byrne gave the Gibb boys virtually unlimited time in his St Clair Studio in Hurstville, Sydney and the Gibbs have acknowledged that Byrne's generosity and guidance were crucial in enabling them to find their feet as studio artists.
Despite Festival's earlier misgivings, the deal proved lucrative for both Spin and Festival. After they arrived in Britain, The Bee Gees signed with Stigwood's RSO Records (distributed by Polydor) for the UK, and Atlantic Records in the USA, but Spin (and therefore Festival) retained the exclusive rights to distribute The Bee Gees' recordings in Australia for the better part of a decade. The first Bee Gees single released under this arrangement was their international breakthrough hit "New York Mining Disaster 1941" (1967).
Spin released some of the best local and international singles of the late Sixties, including all of The Bee Gees late '60s UK recordings. Artists on the Spin roster included former Aztecs guitarist Tony Barber, Steve & The Board (led by Nat Kipner's son and future hit songwriter Steve Kipner), Ronnie Burns, Toni McCann, Ray Columbus, Jeff St John, Marty Rhone, Tony Summers, Chris Hall & The Torquays, The Sunsets (later renamed Tamam Shud), The Ram Jam Big Band, Janice Slater, The Dave Miller Set and expatriate Hungarian fusion group Syrius, which featured legendary Australian jazz-funk bassist Jackie Orczarsky. Harry M. Miller's interest in the label also led to Spin releasing the highly successful Australian cast recording of Hair in 1970, the first Australian stage cast recording LP to be awarded a Gold Record.
The label was very productive, releasing 116 singles, 35 EPs and 38 LPs over the eight years between May 1966 and May 1974. Spin typically released 2-3 singles per month during its peak years. All Spin recordings were manufactured and distributed by Festival Records. Up to 1973, all singles distributed by Festival were catalogued in a consecutive four-figure series, with the different labels identified by prefixes. Festival's own releases (and some of the overseas recordings it released under license) were identified with a "FK" prefix (e.g. FK-1340). Spin singles were identified by the prefix "EK", an artefact of its original incarnation as "Everybody's". The final Spin single release, one of only two in Festaival's new "K" series (1973–74), was the Bee Gees' "Mr Natural".
Spin's EP and LP releases were similarly catalogued; Festival catalogued all EPs in its consecutive '11000' series, prefixed with a two-letter ID prefix (Spin's was "EX"). Spin LPs were initially catalogued in Festival's '30000' series and identified with an "EL" prefix"; this series changed to Festival's '930000' series ca. 1967. Early Spin LPs were released in mono; Jeff St John & The Id's Big Time Operators (1967) was Spin's first stereo LP, and one of the first stereo pop music albums by an Australian group. The original Australian cast recording of The Boyfriend (Sep. 1968) was the last Spin LP released in mono and all subsequent albums were issued in stereo. Spin's last two LPs—The Bee Gees' compilation Double Gold, and Mr Natural (1974) were issued under Festival's new L series catalogue.
Spin Productions went into liquidation in mid-1974 and the company's catalogue was subsequently purchased by Festival. The Spin name was revived briefly in 2000 for what was planned as an extensive series of commemorative CDs that were to have been issued to mark the company's 50th anniversary, but the unfortunately the project was cancelled after only a few releases due to cost-cutting and restructures. Despite these measures, Festival Mushroom went into liquidation in mid-2005 and its entire recording archive—including the Spin catalogue—was sold to the Australian division of Warner Music for a reported AU$10 million in October 2005. Thanks to Mustang
Wednesday, 28 March 2018
Various - 1990 - Young Blood (2xCD) FLAC
CD 1
The Trilobites-All Hail The New Right
The Faith-Heaven
Martha's Vineyard-Unravelling
Who's Gerald?-Pins And Needles
Violet Town-Down At The Tip
Tall Tales And True-You Got Your Troubles
Crash Politics-Bitter Rain
Hipslingers-Psycho
The Sundogs-Sleep
Souls In Isolation-Poltergeist
1313 Mockingbird Lane-Battledress
The Hummingbirds-Hindsight
CD 2
Ratcat-You Get Me By
The Skolars-In The Half Light
Kings Of The World-Halloween
The Swarm-Scarlet
Skinny-Sound Visual
The Mark Of Cain-Battlesick
Plug Uglies-All Done In
Shrinking Violets-It's Never Too Late
The Upswing-Primitive Creatures
Fear Of Falling-Your Place
The Convertibles-Lovin' My Baby
Falling Bodies-Don't
Saturday, 19 August 2017
Various - 2006 - Sunday Sounds-Aussie Rock 2xCD FLAC
CD1:Powderfinger-These Days/The Grates-Sukkafish/Shihad-Pacifier/Grinspoon-Chemical Heart/The John Butler Trio-Zebra/The Angels-Take A Long Line/The Choirboys-Boys Will Be Boys/Spiderbait-Four On The Floor
CD2: Bernard Fanning-Wish You Were Here/Sarah Blasko-Don't You Eva/Dallas Crane-Dirty Hearts/Youth Group-Catching And Killing/Eskimo Joe-Liar/The Whitlams-Blow Up The Pokies/Thirsty Merc-In The Summertime/ Cold Chisel-Flame Trees
Powderfinger were an Australian rock band formed in Brisbane in 1989. From 1992 until their break-up in 2010 the line-up consisted of vocalist Bernard Fanning, guitarists Darren Middleton and Ian Haug, bass guitarist John Collins, and drummer Jon Coghill. The group's third studio album Internationalist peaked at No. 1 on the ARIA Albums Chart in September 1998. They followed with four more number-one studio albums in a row: Odyssey Number Five (September 2000), Vulture Street (July 2003), Dream Days at the Hotel Existence (June 2007) and Golden Rule (November 2009). Their Top Ten hit singles are "My Happiness" (2000), "(Baby I've Got You) On My Mind" (2003) and "Lost and Running" (2007). Powderfinger earned a total of eighteen ARIA Awards, making them the second-most awarded band behind Silverchair. Ten Powderfinger albums and DVDs were certified multiple-platinum status, with Odyssey Number Five – their most successful album – achieving eight times platinum certification for shipment of over 560,000 units.
After the release of their first DVD, These Days: Live in Concert (September 2004), and the compilation album Fingerprints: The Best of Powderfinger, 1994–2000 (November 2004), the group announced a hiatus in 2005. The June 2007 announcement of a two-month-long nationwide tour with Silverchair, Across the Great Divide tour, followed the release of Dream Days at the Hotel Existence. In April 2010 Powderfinger announced that they would be breaking up after their Sunsets Farewell Tour, declaring it would be their last ever as they had musically said everything they wanted to say. On 13 November 2010, they played their last concert, signifying their disbandment. In November the following year, rock music journalist Dino Scatena and the band published a biography, Footprints: the inside story of Australia's best loved band.
The Grates are a three-piece indie rock band formed in Brisbane in 2002. The original line-up was Patience Hodgson on lead vocals, John Patterson on guitars and backing vocals and Alana Skyring on drums. They were brought to national attention when a demo of their single, "Trampoline" (2004), received airplay on radio station, Triple J. Their first two albums, Gravity Won't Get You High (2006) and Teeth Lost, Hearts Won (2008), both reached the ARIA Albums Chart top 10. Skyring left in 2010 to become a chef and was replaced on drums by Ben Marshall for the third album, Secret Rituals (2011), which reached No. 11. The Grates' fourth album, Dream Team (2014), was recorded with new drummer, Richard Daniell. The band provide energetic and often sold out live shows. Since May 2012 Hodgson and Patterson are also proprietors of Southside Tea Room, a cafe and bar, in Morningside; the couple also married in November that year.
Shihad are a rock band from New Zealand, formed in 1988. The band consists of Jon Toogood (lead vocals, rhythm guitar), Phil Knight (lead guitar, synthesiser, backing vocals), Karl Kippenberger (bass guitar, backing vocals), and Tom Larkin (drums, backing vocals, samplers). During their recording career, Shihad have produced five number-one studio albums, holding the title for most number one records for any New Zealand artist, alongside Hayley Westenra, and three top-ten singles in New Zealand.
At the release time of their ninth studio album FVEY, Shihad had the most Top 40 New Zealand chart singles for any New Zealand artist, with 25. Of these singles, "Home Again", "Pacifier" and "Bitter" are listed at numbers 30, 60 and 83, respectively, in the Nature's Best compilation, an official collection of New Zealand's top 100 songs. The band was known as Pacifier between 2001 and 2004.
Grinspoon is an Australian rock band from Lismore, New South Wales formed in 1995 and fronted by Phil Jamieson on vocals and guitar with Pat Davern on guitar, Joe Hansen on bass guitar and Kristian Hopes on drums. Also in 1995, they won the Triple J-sponsored Unearthed competition for Lismore, with their post-grunge song "Sickfest". Their name was taken from Dr. Lester Grinspoon an Associate Professor Emeritus of Psychiatry at Harvard Medical School, who supports marijuana for medical use.
Grinspoon changed their sound to more mainstream rock by their 2002 album, New Detention, gaining fans and peaking at No. 2 on the ARIA Albums Charts; similarly 2007's Alibis & Other Lies also reached No. 2. Their 2004 album, Thrills, Kills & Sunday Pills, which peaked at No. 4, won the 2005 'Best Rock Album Award' at the ARIA Music Awards.
The band was signed to Universal Records in United States by late 1998, they were promoted by the songs "Champion", which featured in Gran Turismo 3; "Post Enebriated Anxiety", which was on the international version of Guide to Better Living; "Chemical Heart", via the internet; and a cover of the Prong song "Snap Your Fingers, Snap Your Neck", from Grinspoon's Pushing Buttons EP, which was included on ECW: Extreme Music.
On 4 December 2013 they announced that they were going on an indefinite hiatus to pursue individual projects.In August 2015, it was announced that the band would be reforming exclusively to play a run of dates opening for Cold Chisel.
The John Butler Trio are an Australian roots and jam band led by guitarist and vocalist John Butler, an APRA and ARIA-award winning musician. They formed in Fremantle in 1998 with Jason McGann on drums and Gavin Shoesmith on bass. By 2009, the trio consisted of Butler with Byron Luiters on bass and Nicky Bomba on drums and percussion, the latter being replaced by Grant Gerathy in 2013.
The band's second studio album, Three (2001) reached the top 30 in the Australian album charts and achieved platinum sales. The band's subsequent studio albums: Sunrise Over Sea (2004); Grand National (2007); and April Uprising (2010) all debuted at the number one position on the Australian album charts, with all three albums reaching platinum sales status. Living 2001–2002 (2003), the band's first live album, reached the top ten and also achieved platinum status in Australia. The band's second live album, Live at St. Gallen (2005), also achieved gold record status. The band's releases since 2002 have been marketed independently by Jarrah Records, which Butler co-owns with West Australian folk band the Waifs and manager of both acts, Philip Stevens. Their sixth studio album, Flesh & Blood, was released in February 2014.
The Angels are an Australian rock band which formed in Adelaide in 1974 as The Keystone Angels by John Brewster on rhythm guitar and vocals, his brother Rick Brewster on lead guitar and vocals, and Bernard "Doc" Neeson on lead vocals and guitar. They were later joined by Graham "Buzz" Bidstrup on drums and vocals, and Chris Bailey on bass guitar and vocals. In 1981 Bidstrup was replaced on drums by Brent Eccles. Their studio albums on the Kent Music Report Albums Chart top 10 are No Exit (July 1979), Dark Room (June 1980), Night Attack (November 1981), Two Minute Warning (November 1984), Howling (October 1986) and Beyond Salvation (February 1990). Their top 20 singles are "No Secrets" (1980), "Into the Heat" (1981), "We Gotta Get out of This Place" (1987), "Am I Ever Gonna See Your Face Again" (live, 1988), "Let the Night Roll On" and "Dogs Are Talking" (both 1990).
In the international market, to avoid legal problems with similarly named acts, their records have been released under the names, Angel City and later The Angels from Angel City. The Angels were cited by Seattle grunge bands, Guns N' Roses, Pearl Jam and Nirvana, as having influenced their music. Neeson left the group in 1999 due to spinal injuries sustained in a car accident and they disbanded in the following year. Subsequently, competing versions of the group performed using the Angels name, until April 2008 when the original 1970s line-up reformed for a series of tours until 2011, when Neeson left again. Alternative versions continued with new members.
The Angels were inducted into the ARIA Hall of Fame in October 1998 with the line-up of Bailey, John and Rick Brewster, Eccles and Neeson. Australian musicologist, Ian McFarlane, declared that "The Angels had a profound effect on the Australian live music scene of the late 1970s/early 1980s. [They] helped redefine the Australian pub rock tradition... their brand of no-frills, hard-driving boogie rock attracted pub goers in unprecedented numbers. In turn, The Angels' shows raised the standard expected of live music. After 20 years on the road, the band showed little sign of easing up on the hard rock fever." Chris Bailey died on 4 April 2013, aged 62, after being diagnosed with throat cancer. Doc Neeson died on 4 June 2014, aged 67, of a brain tumour.
The Choirboys is an Australian hard rock and Australian pub rock band from Sydney formed as Choirboys in 1978 with mainstays Mark Gable on lead vocals, Ian Hulme on bass guitar, Brad Carr on lead guitar and Lindsay Tebbutt on drums. Name was changed to The Choirboys with preparation for the sophomore album Big Bad Noise in 1988. The band whose set-up saw many changes went on to release 8 studio albums from 1983 to 2007. Their 1987 single "Run to Paradise" remains their biggest commercial success.
In 1983, George Young (formerly of The Easybeats, and older brother of Angus and Malcolm Young of AC/DC) heard a demo from the Choirboys. He recorded their self-titled debut album with his partner Harry Vanda of the famous Vanda & Young production team at the same studio where the early AC/DC and Rose Tattoo albums were recorded. The first single, “Never Gonna Die,” reached #21 in the Australian single charts in 1983. Australian TV musical personality Ian “Molly” Meldrum said the album was “destined to become an Aussie classic.” Cold Chisel invited the Choirboys to support them on their “Last Stand”, their last tour for 15 years.
Spiderbait are an Australian alternative rock band formed in Finley, a small town in rural New South Wales, in 1991 by bass guitarist Janet English, singer-drummer Mark Maher (better known as Kram), and guitarist Damian Whitty. In 2004 the group's cover version of the 1930s Lead Belly song "Black Betty" reached number one on the ARIA Singles Chart. They have five top 20 albums: The Unfinished Spanish Galleon of Finley Lake (1995), Ivy and the Big Apples (1996), Grand Slam (1999), Tonight Alright (2004), and Greatest Hits (2005). The group have won two ARIA Music Awards with the first in 1997 as 'Best Alternative Release' for Ivy and the Big Apples and the second in 2000 as 'Best Cover Art' for their single "Glokenpop". Since late 2004, the band has been on hiatus to concentrate on solo projects and their personal lives—although periodically returning for occasional gigs. The band released their first studio album in nine years, the self-titled Spiderbait in November 2013.
Bernard Fanning (born 15 August 1969) is an Australian musician and singer-songwriter. He is best known as the lead singer and frontman of Australian alternative rock band Powderfinger from its formation in 1989 to its dissolution in 2010.
Born and raised in Toowong, Brisbane, Fanning was taught the piano by his mother at an early age. At the age of 12, while attending St Joseph's College, Gregory Terrace, he began writing music, and upon graduating from St. Joseph's, moved on to the University of Queensland, where he studied journalism for a short time. He dropped out to pursue a music career, after meeting Ian Haug in an economics class. Fanning joined Haug, John Collins, and Steven Bishop, who had recently formed Powderfinger, and took the role of lead singer. After Bishop left and guitarist Darren Middleton joined, the band released five studio albums in fifteen years and achieved mainstream success in Australia. During Powderfinger's hiatus in 2005, Fanning began his solo music career with the studio album Tea & Sympathy. Powderfinger then reunited in 2007 and released two more albums before disbanding in late 2010.
While Powderfinger's style focuses on alternative rock, Fanning's solo music is generally described as a mixture of blues and acoustic folk. Fanning plays guitar, piano, keyboards and harmonica, both when performing solo and also with Powderfinger. Often speaking out against Australian political figures, Fanning has donated much of his time to philanthropic causes. He is an advocate for Aboriginal justice in Australia.
Sarah Blasko (born Sarah Elizabeth Blaskow, 23 September 1976) is an Australian singer-songwriter, musician and producer. From April 2002 Blasko developed her solo career after fronting Sydney-based band, Acquiesce, between the mid-1990s and 2001. She had performed under her then-married name, Sarah Semmens, and, after leaving Acquiesce, as Sorija in a briefly existing duo of that name. As a solo artist Blasko has released five studio albums, The Overture & the Underscore (11 October 2004), What the Sea Wants, the Sea Will Have (21 October 2006) – which peaked at No. 7 on the ARIA Albums Chart, As Day Follows Night (10 July 2009) – which reached No. 5, I Awake (26 October 2012) – which made No. 9, and Eternal Return (6 November 2015).
At the ARIA Music Awards of 2007, Blasko won Best Pop Release for her second album. Her third album won the Best Female Artist in 2009 and her fourth album was nominated for the same category in 2013. In October 2010 As Day Follows Night was listed at No. 19 in the book, 100 Best Australian Albums; the authors noted that it "turned on emotional subtlety and instrumental clarity. It sounded like little else in 2009, or most any other year".
Dallas Crane are a triple ARIA Award nominated Australian alternative rock band from Melbourne. Dallas Crane formed in 1996 in Melbourne by Chris Brodie on bass guitar, Dave Larkin on lead vocals and guitar, Pete Satchell on guitar and vocals and Shan Vanderwert on drums. Satchell and Larkin were former school mates and Brodie and Vanderwert joined soon after. They rehearsed material for their debut album, Lent (1998), in a Port Melbourne oil shed on the property of Dallas Crane Transport. The local trucking company was owned by friends: their rehearsals were paid for in beer, and the group were renamed, Dallas Crane.Their self-titled third album was released on 10 July 2004, which peaked in the ARIA Albums Chart top 50. Its nominations at the ARIA Music Awards of 2004, included Best Rock Album. Its lead single, "Dirty Hearts" (June 2004), debuted in the related ARIA Singles Chart top 50.
Dallas Crane's fourth album, Factory Girls (16 September 2006), peaked in the top 30. Their highest charting single, "Sit on My Knee" – a duet with Jimmy Barnes – reached No. 14 in July 2005. In 2009 they featured as a support act for The Who on a national stadium tour. After re-grouping following a short hiatus in 2012 Dallas Crane's began work on their 5th studio album "Scoundrels" featuring Chris Brodie on bass guitar, Dave Larkin on vocals and guitar, Steve Pinkerton on drums and Pete Satchell on guitar and vocals.
Youth Group is a rock band based in Newtown, Sydney, Australia. Built around the vocals of singer Toby Martin and production of Wayne Connolly, the sound of Youth Group is reminiscent of indie rock artists such as Teenage Fanclub, Pavement and Death Cab for Cutie.
The band formed in Sydney in the late 1990s and has released four albums, three of which have gained worldwide release. They achieved major success in 2006 when their cover of Alphaville's "Forever Young", which had been recorded for the soundtrack of the US TV drama The O.C., was released as a single and reached No. 1 in Australia, attaining platinum status.
Eskimo Joe is an Australian alternative rock band that was formed in 1997 by Stuart MacLeod, on guitars, Joel Quartermain, on drums and guitar, and Kavyen Temperley, on bass guitar and vocals, in East Fremantle, Western Australia, Australia.
The band has released five additional albums since their debut album Girl was released in 2001: A Song Is a City, released in 2004; Black Fingernails, Red Wine, released in 2006; Inshalla, released in May 2009; Ghosts of the Past, released on 12 August 2011; and Wastelands, released on 20 September 2013. Eskimo Joe have won eight ARIA Music Awards; in 2006 the band achieved four wins—from nine nominations— for work associated with Black Fingernails, Red Wine.
The Whitlams are an Australian indie rock/piano rock group formed in late 1992. The original line-up were Tim Freedman on keyboards and lead vocals, Andy Lewis on double bass and Stevie Plunder on guitar. Other than mainstay, Freedman, the line-up has changed numerous times. Since 2001 he has been joined by Warwick Hornby on bass guitar, Jak Housden on guitar and Terepai Richmond on drums. Four of their studio albums have reached the ARIA Albums Chart top 20: Eternal Nightcap (September 1997, No. 14), Love This City (November 1999, No. 3), Torch the Moon (July 2002, No. 1) and Little Cloud (March 2006, No. 4). Their highest charting singles are "Blow Up the Pokies" (May 2000) and "Fall for You" (June 2002) – both reached number 21. The group's single, "No Aphrodisiac" was listed at number one on the Triple J Hottest 100, 1997 by listeners of national radio station, Triple J. In January 1996 Stevie Plunder was found dead at the base of Wentworth Falls. Andy Lewis committed suicide in February 2000.
Thirsty Merc are an Australian pop rock band formed in 2002 by Rai Thistlethwayte (vocals, guitar, keyboards), Phil Stack (bass guitar), Karl Robertson (drums), and Matthew Baker (guitar). In 2004 Baker was replaced by Sean Carey who was, in turn, replaced by Matt Smith in 2010. Thirsty Merc have released one extended play, First Work (September 2003), and four studio albums: Thirsty Merc (August 2004), Slideshows (April 2007), Mousetrap Heart (June 2010) and Shifting Gears (September 2015). The band have sold over 200,000 albums, toured extensively around Australia, and received national radio airplay for their tracks.
In June 2005 Billboard's Christie Eliezer felt their debut album showed "eclectic rock-, classical- and jazz-influenced pop [that] appealed to Australian radio programmers". The work reached the top 20 on the ARIA Albums Chart and was certified platinum by ARIA for shipment of 70,000 units by the end of 2005. Slideshows peaked at No. 4 in Australia – their highest position. It reached No. 38 on the New Zealand Albums Chart, however Thirsty Merc had attained No. 29 in that market. The group were nominated for four ARIA Awards in 2005 and the Thistlethwayte-written track, "20 Good Reasons", was nominated for Song of the Year at the APRA Music Awards of 2008. From 2006, their song "In the Summertime" was the opening theme for the Australian TV reality show, Bondi Rescue.
Cold Chisel are an Australian rock band that formed in Adelaide, Australia. They had chart success in the 70s, 80s and 90s, and again more recently since reforming in 2011, with nine albums making the Australian top ten. Cold Chisel are regarded as having a distinctly Australian popularity and musicianship, exemplifying "pub rock" and highlighting the working class life in Australia.
Originally named Orange, the band formed in Adelaide in 1973 as a heavy-metal cover-band comprising keyboardist Ted Broniecki and bassist Les Kaczmarek (died December 5, 2008), keyboard player Don Walker, guitarist Ian Moss and drummer Steve Prestwich (died 16 January 2011). Seventeen-year-old singer Jimmy Barnes— called Jim Barnes on the initial run of albums— joined in December 1973, taking leave from the band in 1975 for a brief stint as Bon Scott's replacement in Fraternity.
The group changed its name several times before settling on Cold Chisel in 1974 after writing a song with that title. Barnes' relationship with other band members was volatile; as a Scot he often came to blows with Liverpool-born Prestwich and he left the band several times. During these periods Moss would handle vocals until Barnes returned. Walker soon emerged as Cold Chisel's primary songwriter. Walker spent 1974 in Armidale, completing his studies and in 1975 Kaczmarek left the band and was replaced by Phil Small. Barnes' older brother John Swan was a member of Cold Chisel around this time, providing backing vocals and percussion but after several violent incidents he was fired.
In May 1976, Cold Chisel relocated to Melbourne but found little success, moving on to Sydney in November. Six months later, in May 1977, Barnes announced he would quit Cold Chisel in order to join Swan in Feather, a hard-rocking blues band that had evolved from an earlier group called Blackfeather. A farewell performance in Sydney went so well that the singer changed his mind. The following month the Warner Music Group picked up Cold Chisel.
Monday, 27 February 2017
Various - 1980 - Andrew Durant Memorial Concert Cassette FLAC
Back Again/Pick Up The Pieces/Paradise/Jive Time/Good Times/Last Of The Riverboats/Jupiter Creek/Ocean Deep/Look After Yourself/Innocent Bystanders/Iceman/Solitaire/Wasted Words/Song For The Road/Mighty Rock/Knockin' On Heaven's Door
Andrew MacLeish Durant (1955 – 6 May 1980) was an Australian musician-songwriter. He was a member of country rock group Stars (1976–79) providing guitar, harmonica, and backing vocals. He was also a session and backing musician for a range of artists. He died of cancer, aged 25. On 19 August 1980 a tribute performance was held in his honour, with a live double-album recorded by various artists, Andrew Durant Memorial Concert, which was released on 9 March 1981. All but three tracks were written by Durant. It peaked at No. 8 on the Australian Kent Music Report Albums Chart and reached No. 40 on the End of Year Top 100 Albums Chart for 1981.
Back Again (Mick Pealing)
Pick Up The Pieces (Feat. Glyn Mason of The Rebels, Chain, Home & Ariel)
Paradise (Feat. Renée Geyer)
Jive Town (Mick Pealing)
Good Times (Feat. Mick Pealing & Jimmy Barnes)
The Last Of The Riverboats (Feat. Jimmy Barnes)
Jupiter Creek (Feat. Broderick Smith)
Ocean Deep (Feat. Broderick Smith)
Look After Yourself (Feat. Mick Pealing & Richard Clapton)
Innocent Bystander (Feat. Richard Clapton)
Iceman (Feat. Broderick Smith)
Solitaire (Feat. Ian Moss)
Wasted Words (Feat. Mick Pealing, Jimmy Barnes & Renée Geyer)
Song For the Road (Mick Pealing)
Mighty Rock (Feat. Mick Pealing, Jimmy Barnes & Renée Geyer)
Knockin' on Heavens Door (Feat. Ian Moss, Mick Pealing, Broderick Smith, Jimmy Barnes) & Renée Geyer)
Monday, 23 January 2017
Various - 1966 - Spinnin' High FLAC
Tony Barber Someday/I Want Her Too/Is It Raining/You Can't Lie To A Liar
Steve & The Board The Giggle Eyed Goo!/Rosalyn/Margot/Rosemarie
Marty Rhone Nature Boy/Every Minute Of You/Thirteen Women/I Can Tell
Ronnie Burns True, True Lovin'/Too Many People/Very Last Day/Let It Be Me
There were a few of these 4x4's released in the sixties mostly by Festival Records a bit like having 4 EP's on one album this one has 4 of the best Marty Rhone, Tony Barber, Ronnie Burns and Steve And The Board.
Marty Rhone was born as Karel (or Karl) Lawrence van Rhoon on 7 May 1948 in Soerabaja, Dutch East Indies (later named Surabaya, Indonesia). The family migrated to Australia on 21 April 1950 and briefly lived in Sydney and Brisbane, and then moved to Darwin. After he finished primary school, the family moved to Sydney, where he attended Crows Nest Boys High School. In mid-1961 he appeared on a talent quest segment of ATN7-TV series, Tarax Show, and was offered a singing spot on a children's show, Kaper Kabaret. In late 1965 he formed a band, The Blue Feelings, and they auditioned for an appearance on Saturday Date, a teen music show. After the audition Spin Records owner, Nat Kipner, signed Rhone to a recording contract and the label issued his debut single, "Nature Boy", in February the following year. For his next two singles, "Thirteen Women" (April) and "I Want You Back Again", Rhone was backed by Spin Records label mates, The Soul Agents, a beat pop group. They had formed in 1964 and by 1966 consisted of Jerry Darmic on bass guitar, Roger Felice-Andrews on drums, John Green on guitar and Barry Kelly on organ.
Rhone's fourth single, "She Is Mine", included the self-penned B-side, "Village Tapestry", which appeared in September. None of these singles charted on the Go-Set National Top 40, however Australian musicologist, Ian McFarlane, described "Village Tapestry" as being "highly regarded among 1960s aficionados". In Iain McIntyre's book, Tomorrow Is Today: Australia in the Psychedelic Era, 1966-1970 (2006), the track was listed by Ian D. Marks as one of the 'Top 7 Proto-Psychedelic Australian Tracks from 1966'. Marks described it as "completely out of left field. With a gentle, almost medieval lilt, autoharps a-strumming and a charming spoken word verse—there was nothing like this released in Australia at the time. Melodic, evocative and delicate". During 1966 Marty Rhone and The Soul Agents supported The Rolling Stones on the United Kingdom rock group's tour of Australia. They also performed on the bill of the P.J. Proby Show at the Sydney Stadium with Wayne Fontana, Eden Kane and The Bee Gees appearing. Marty would go on to have more success in the 70's.
Ronald "Ronnie" Leslie Burns AM (born 8 September 1946) is an Australian rock singer and guitarist. He fronted the Melbourne band The Flies in the early 1960s.
As a solo artist, Burns became one of Australia's most popular male pop singers from the mid-1960s to the early 1970s. His first single, "Very Last Day" was released in June 1966 on Spin Records and peaked at No. 12 on Melbourne's Top 40 singles chart. His second single, "True True Lovin" followed in August and reached No. 15. Go-Set published their inaugural pop poll on 5 October, Normie Rowe won 'Australian Male Vocal' of the year – he was later called 'King of Pop' – with Burns second and Johnny Young third. Also in October, Go-Set published Australia's first National Top 40 singles chart, Burns' third single, "Coalman", which was released in January 1967, peaked at No. 6. Another Top 20 single was "Exit, Stage Right" in June. In August, Burns topped the Go-Set pop poll for 'Top Male Singer' and ABC-TV broadcast a documentary, The Life of Ronnie Burns. Over the next four years, he consistently finished third on the Go-Set pop poll.
Burns had several minor national hits – "We Had a Good Thing Going" (October 1967), "When I Was Six Years Old" (March 1968), written for him by Brian Cadd and Max Ross of The Groop, and "Age of Consent" (January 1969), written by Terry Britten of The Twilights. Most of Burns' 1967 material was written by The Bee Gees, the tracks appeared on his first solo album Ronnie (Spin, July 1967). "Smiley", Burns' biggest hit, reached number two on the Go-Set National Top 40 in February 1970. It was also written by Young, Young revealed that the song was inspired by the experiences of fellow pop star, Rowe, whose music career ended in late 1967 when he was drafted into the Australian Army and he was sent to fight in the Vietnam War. It is one of the first Australian pop singles released in stereo and features a lavish orchestral and vocal arrangement by John Farrar (ex The Strangers) who went on to write and/or produce many hits for Olivia Newton-John.
In the early 1970s, Burns had moved from pop to more adult contemporary music, he toured the club and cabaret circuit. Further Young-penned singles were "The Prophet" in January 1971 and "If I Die" in 1972. He appeared on variety TV shows including as a judge on Young Talent Time, where Maggie Burns was a choreographer. Burns' last single, "Brand New Number One" was released in 1980 on the Fable Records label.
In the short time they were around, Steve & The Board supplied listeners with a menu of sublime and snotty garage-punk songs and a wild stage presence. Formed in late '65, the group was unusually one of the very few young Australian beat units to be allowed the indulgence of an album without a string of chart hits behind them. This situation may be attributable to the fact that Steve's dad just happened to be the boss of Spin Records -- producer, songwriter and entrepreneur Nat Kipner, who had previously been one of the partners in Ivan Dayman's Sunshine label.
Nat had formed a close relationship with The Bee Gees. In 1966 he saved them from being dropped from the Leedon label by Festival Records, persuading the company to transfer them to the Spin label and co-produced most of their last Australian recordings with Ozzie Byrne at his St Clair studio in Hurstville. Through his father, Steve Kipner and the band became good mates with the Gibb brothers. Colin Petersen drummed on many of the Bee Gees Spin recording in 1966, and Carl Keats is also probably the only person to have ever written a song specifically for the Bee Gees -- "Lonely Winter" (1966). Steve & The Board returned the favour by covering Barry's "Little Miss Rhythm & Blues" on their Giggle Eyed Goo LP. The album was recorded at the end of 1966 with Colin Petersen, but he quit immediately after the sessions and head to the UK soon after.
A particularly interesting piece of Steve & The Board trivia is that Brisbane-born drummer Colin Peterson was a noted child actor. Colin will be known to generations of Australians for his portrayal of the irrepressible young larrikin Smiley in the classic 1950s Australian film of that name, and he also appeared in The Scamp and A Cry in the Streets.
Nat Kipner penned the band's first single, the rude and raucous "Giggle Eyed Goo", which cheekily copped a line in the bridge from a contemporaneous toilet-paper commercial jingle -- "It's pink and blue and primrose too". This remarkable piece of ratbag punk-rock became a sizable hit in Eastern states in '66, and was followed up by a great rocking track with possibly one of the corniest garage rock titles ever: "I Call My Woman Hinges ('Cos She's Something To Adore)".
Colin Petersen's replacement was Geoff Bridgford, a solid player who went on to join Melbourne soul stylists The Groove. Geoff played on Steve and The Board's final single, "Sally Was a Good Old Girl"/ "Good for Nothing Sue" (January 1967), but the group broke up soon afterwards, in May 1967.
Guitarist, singer, songwriter and author Tony Barber is one of the unsing heroes of the Beat Boom in Australia. Rock historian Dean Mittelhauser considered him "one of our most underrated performers from the Sixties" and felt that Tony had "played a bigger part in the success of Billy Thorpe & The Aztecs that has been generally credited".
Tony was one of the many music-crazy young migrants who arrived in Australia in the late 1950s and early 1960s, and he had played in a minor band called The Electrons before leaving the UK. Within weeks of his arrival in Australia in 1964 he met a cocky young singer called Billy Thorpe in Kings Cross and he was immediately drafted in as the fifth member of Billy's backing band, The Aztecs. Tony was already developing into a competent pop writer and he composed both sides of the Aztec's first single "Blue Day" / You don't love me", released on the Linda Lee label in April 1964.
Two days before The Aztecs' next recording session, Tony received a 'care package' from his brother in the UK that contained the Rolling Stones' first EP. Afer hearing The Stones' version of Lieber & Stoller's "Poison Ivy", Tthe Aztecs decided to record the song on their next single. It's now a matter of history that their version (widely regarded as being superior to The Stones') shot to #1, became one of the biggest Australian pop hits of the year, kept The Beatles out of the top spot in the Sydney charts in the very midst of their tour, and made Billy and The Aztecs into national stars. Tony featured on the next three Aztecs singles, "Mashed Potato" "Sick and Tired" and "Over The rainbow" -- all of which were major hits -- but in late 1965 Tony and the rest of The Aztecs quit en masse, mainly because of ongoing financial wrangles with manager John Harrigan.
After leaving The Aztecs, Tony and fellow Aztec Vince Maloney formed the shortlived Vince & Tony's Two, with John Shields on bass and Jimmy Thompson on drums. In late 1965 Tony was signed as a solo artist to the newly formed Everybody's label, which had been established by Clyde Packer's Consolidated Press. Tony's solo debut single (produced by Nat Kipner) was a thumping beat original called "Someday", which it was one of the first (and only) four singles issued on Everybody's. None of these singles -- including Tony's -- was unsuccessful on first release because of resistance from radio DJs who (not unreasonably) regarded the label as blatant cross-promotion for Packer's Everybody's magazine and refused to name it on air.
The label was hastily rebadged as Spin Records and Tony's single was re-issued in February 1966. This time it took off, becoming a major hit that peaked at #7 in Sydney and #11 in Melbourne. Tony released four more singles on Spin -- "Wait By The Water" (Apr. 1966), "Wondrous Place" (July '66), "Lookin' for a better day" (Jan. 1967) and "Bird's Eye View", which was written for a long-forgotten TV documentary. Tony was also granted the rare privilege of recording an entire LP, entitled Someday ... Now!, on which he was backed by labelmates Steve & The Board and The Bee Gees.
Although he was signed to Spin as a recording artist, Tony also worked with another independent label during this period, the Melbourne-based Phono Vox. He produced several singles by Phon Vox artists, including Denise Drysdale and The Bentbeaks, and he also wrote the A-side of Denise's single "Sunshine Shadow". In late 1967, after his Spin contract had ended, Tony released one single under his own name on Phono Vox, but this proved to be his swansong as a recording artist. During 1967 Tony married his girlfriend Sue Peck, a staffer with Go-Set magazine, and soon after he left the pop scene to concentrate on business ventures and raising a family. In the 1980s he reunited with his old friend Billy Thorpe in the successful 'Sunshine Friends' soft toy enterprise.
In 2002, after more than thirty years away from the limelight, Tony reunited with Billy and the original Aztecs for the historic Long Way To The Top concert tours. His experiences inspired him to write a memoir of the tour and his early days as a pop musician, entitled Long Way Til You Drop. Regrettably, there was opposition to the book from some of those involved in the LWTTT tour, fuelled by pre-publication media hype that suggested it would be a tell-all exposé. In the event, Tony's book proved to be an entertaining, witty and affectionate account of an important chapter in Australian rock history.
Thursday, 19 January 2017
Various - 2000 - Sixties Downunder Vol. 4 FLAC
DINAH LEE - Don’t you know Yokomo
MERV BENTON & THE TAMLAS - Yield not to temptation
M.P.D. LIMITED - Lonely boy
GRANTLEY DEE - Let the little girl dance
BILLY THORPE & THE AZTECS - Over the rainbow
BEV HARRELL - What am I doing here with you?
JOHNNY YOUNG & KOMPANY - Step back
THE EASYBEATS - Come & see her
BOBBY & LAURIE - Hitchhiker
GLEN INGRAM & THE HI FIVE - Skye boat song
NORMIE ROWE - Ooh la la
THE EXECUTIVES - My aim is to please you
THE CHEROKEES - Minnie the moocher
LOVED ONES - Sad dark eyes
THE GROOVE - Simon says
THE IGUANA - California, my way
THE VIRGIL BROTHERS - Temptation’s ‘bout to get me
PASTORAL SYMPHONY - Love machine
THE STRANGERS - Happy without you
RONNIE BURNS - Age of consent
ZOOT - 1x2x3x4
NEW DREAM - Groupie
THE FLYING CIRCUS - Hayride
RUSSELL MORRIS - The girl that I love
RONNIE CHARLES - Katy Jane
THE EASYBEATS - St. Louis
AXIOM - Arkansas Grass
KING FOX - Unforgotten dreams
Various - 1998 - Sixties Downunder Vol. 3 FLAC
EASYBEATS- She’s so fine
BOBBY & LAURIE- Someone
PETER DOYLE & THE PHANTOMS- Stupidity
M.P.D. LIMITED- Little boy sad
THE CICADAS- That’s what I want
THE CHANGING TIMES- Mary Lou
BOBBY & LAURIE- Judy Green
THE EASYBEATS- Wedding ring
NORMIE ROWE- The breaking point
RAY BROWN & THE WHISPERS- Ain’t it strange
ALLUSIONS- Gypsy woman
PURPLE HEARTS- I’m gonna try
THE THROB- Black
THE RUNNING JUMPING STANDING STILL- Diddy wah diddy
PHIL JONES & THE UNKNOWN BLUES- If I had a ticket
LA DE DAS- Hey baby
THE TWILIGHTS- What’s wrong with the way I live
LARRY’S REBELS- Painter man
THE WILD CHERRIES- Krome plated yabby
JAMES TAYLOR MOVE- Magic eyes
THE PLAYBOYS- Sad
PROCESSION- Listen
SOMEBODY'S IMAGE- Hide & seek
TERRY BRITTEN- 2,000 weeks
DOUG PARKINSON IN FOCUS- Dear Prudence
THE MASTER’S APPRENTICES- 5.10 man
THE DAVE MILLER SET- Mr. Guy Fawkes
RUSSELL MORRIS- The Real Thing
Various - 1990 - Sixties Downunder Vol. 2 FLAC
NORMIE ROWE & PLAYBOYS- Shakin' all over
TONY BARBER- Someday
MIKE FURBER & BOWERY BOYS- Just a poor boy
NORMIE ROWE & PLAYBOYS- Que sera sera
RAY BROWN & THE WHISPERS- Fool fool fool
RAY COLUMBUS & THE INVADERS- She's a mod
BILLY THORPE & THE AZTECS- Sick & tired
THE TWILIGHTS- Bad boy
THE ALLUSIONS- The dancer
JOHNNY YOUNG & KOMPANY- Caralyn
RONNIE BURNS- Coalman
LYNNE RANDELL- I'll come running over
NORMIE ROWE & PLAYBOYS- Tell him I'm not home
THE THROB- Fortune teller
THE EASYBEATS- I'll make you happy
RONNIE BURNS- Exit stage right
THE PURPLE HEARTS- Early in the morning
THE LOVED ONES- The loved one
MASTER'S APPRENTICES- Undecided
THE GROOP- Sorry
THE VIBRANTS- Something about you
JEFF ST. JOHN & THE ID- Big time operator
RAY HOFF & THE OFFBEATS- Tossin' & turnin'
MAX MERRITT & THE METEORS- Shake
PYTHON LEE JACKSON- Um um um um
THE EASYBEATS- Friday on my mind
MASTER'S APPRENTICES- Elevator driver
TWILIGHTS- Cathy come home
THE GROOP- Such a lovely way
Monday, 16 January 2017
Various - 1988 - Sixties Downunder FLAC
BILLY THORPE & THE AZTECS - Poison Ivy
BOBBY & LAURIE - I belong with you
NORMIE ROWE & THE PLAYBOYS - It ain't necessarily so
RAY BROWN & THE WHISPERERS - Pride
MIKE FURBER & THE BOWERY BOYS - You stole my love
TONY WORSLEY - Just a little bit
PINK FINKS - Louie Louie
EASYBEATS - Sorry
TWILIGHTS - Needle in a haystack
STEVE & THE BOARD - Giggle eyed goo
LIBRETTOS - Kicks
PURPLE HEARTS - Of hopes & dreams & tombstones
MASTERS' APPRENTICES - Buried & dead
BLACK DIAMONDS - I want, need, love you
EASYBEATS - Women
MAX MERRITT & METEORS - Fannie Mae
BEE GEES - Spicks & specks
THE GROOP - Woman you're breaking me
LOVED ONES - Everlovin' man
THE WILD CHERRIES - That's life
TWILIGHTS - 9.50
MASTERS' APPRENTICES - Living in a child's dream
THE GROOVE - Soothe me
NORMIE ROWE - It's not easy
THE TOWN CRIERS - Everlasting love
LYNNE RANDELL - Ciao baby
SOMEBODY'S IMAGE - Hush
The first disc in this superlative and very popular series came out in 1988. Sixities Downunder was also the first release in the new CD format from renowned reissue specialists Raven Records, who had already made their name with classic compilations of The Masters Apprentices and The Twilights. Compiled and annotated by Oz rock guru Glenn A. Baker, they are as near to a definitive collection of '60s Australia pop as we're ever likely to get. Now into its fourth volume, this is a true musical feast, and the most remarkable thing is that there's barely a dud amongst its 112 tracks.
Raven have taken 1964 as their starting point, and Volume 1 kicks off in appropriate fashion with Thorpie's epoch-making Poison Ivy, the song that marked the start of the Beat Boom in Australia, and it's uphill all the way from there. Every track on this first disc is a gold-plated classic, and Disc One alone must rate as perhaps the best sampler of Australian '60s pop every released. It shares a number of tracks in common with the excellent Festival compilation So You Wanna Be A Rock'n'Roll Star?, but that set necessarily featured only Festival (or Festival distributed) artists and focused primarily on NSW acts. The Sixties Downunder series covers the whole gamut of Australian pop, with tracks from every major label (and a few minor ones!), every major city, and virtually every important act of the period.
Wednesday, 19 October 2016
Various - 1972 - 12x12 FLAC
Blackfeather - Find Somebody to Love Copperwine - Golden Angels
Phil Manning - Walk In The Light
Sherbet - Back Home
Billy Thorpe - Good Mornin' Little School Girl
Stafford Bridge - Song For A Blind Man
Country Radio - Last Time Around
Warren Morgan - Just For You
Jeff St. John & Copperwine - Keep On Growing
Glenn Cardier - I Am The Day
Wendy Saddington & Copperwine - Backlash Blues
Chain - 32/20
Blackfeather are an Australian rock group which formed in April 1970. The band has had numerous line-ups, mostly fronted by founding lead singer, Neale Johns. An early heavy rock version recorded their debut album, At the Mountains of Madness (April 1971), which peaked at number seven on the Go-Set Top 20 Albums chart. It provided the single, "Seasons of Change" (May 1971), which was co-written by Johns with lead guitarist, John Robinson. In July 1972 a piano-based line-up led by Johns issued an Australian number-one single, "Boppin' the Blues"/"Find Somebody To Love", which is a cover version of the Carl Perkins' 1956 single.
Blackfeather formed in April 1970 in Sydney by Leith Corbett on bass guitar, Mike McCormack on drums, and John Robinson on lead guitar (all from the Dave Miller Set), plus lead vocalist, Neale Johns. Robinson recalled meeting Johns, "a small guy with a huge voice, Neale was very taciturn. He was into the blues and had excellent range." Their name was derived from two found suggested in a book, "Whitefeather" and "Heavyfeather". Corbett and McCormack left soon after, replaced by Robert Fortesque on bass guitar and Alexander Kash on drums. Corbett subsequently reunited with singer Dave Miller to record a duo album, Reflections of a Pioneer. Johns and Robinson wrote or co-wrote the band's original material.
Following the departures of first Wendy Saddington, then Jeff St John, the remaining members of Copperwine recruited former Chain/Rebels singer/guitarist Glyn Mason to join as new frontman All seemed to be business as usual when the band issued this fine debut single in 1972, a pioneering effort in the then emerging country rock field. I guess Glyn did have mighty big shoes to fill & judged on talent alone, he certainly had the songwriting ability & the voice but sales were not as might have been expected so the band disbanded soon after. Glyn went onto become one of our most respected journeyman musos, returning to Chain briefly for a 2nd live album before forming his own band Home who issued to fine country/blues LPs. From there he joined Mike Rudd in Ariel, the combiantion of their songs working a treat, with Glynb writing one of their most populr songs "It's Only Love". Later on Glyn lent his name to the popular Stockley See Mason Band alongside 2 other great Aussie journeymen Sam See & Chris Stockley, and to this day Glyn can still be seen around Melbourne with Sam, now calling themselves The Pardners. Meantime bassist Harry Brus, has gone on to forge a sterling career of his own, being the bassist of choice for both Kevin Borich & Renee Geyer, both of whom he has worked with for many years, as well as a who's who of Australian music. (Micko)
Philip John "Phil" Manning (born 1948) is an Australian blues singer-songwriter and guitarist. Manning has been a member of various groups including Chain and has had a solo career. As a member of Chain, Manning co-wrote their January 1971 single "Black and Blue" which became number one on the Melbourne charts and also Judgement, which reached number two in Sydney. The related album, Toward the Blues followed in September and peaked in the top 10 albums chart. Manning left Chain in July 1971 to work with Warren Morgan (ex-Chain, Billy Thorpe & the Aztecs) on keyboards in a band called Pilgrimage. They issued a single, "Just For You/Walk In The Light" in November 1971.

Sherbet were Australia's most popular pop group of the 70s with 20 consecutive hit records and 17 album, accounting for 10 platinum and 14 gold disc awards. In 1969 the Sydney entertainment scene was almost totally geared towards satisfying the money-rich comfort-starved American Vietnam troops who came for official Rest And Recreation. Sydney's nightclubs gave them what they wanted - r&b, soul, funk, good-time rock - and these influences spilled over into the pop group Sherbet, formed without singer Daryl Braithwaite, but completed by his falsetto-capable vocals. They were the archetypical 70s girl fodder pop band - groomed hair, colorful satin stage outfits. "You're All Woman" b/w "Back Home" Charting at #13 was a single taken from their debut 1972 album Time Change... A Natural Progression which also charted reaching #66.
Billy Thorpe and the Aztecs were an Australian pop and rock group dating from the mid-1960s. The group enjoyed success in the mid-1960s, but split in 1967. They re-emerged in the early 1970s to become one of the most popular Australian hard-rock bands of the period. Billy Thorpe openly acknowledged that his new 1970's 'heavy' version of the Aztecs owed much to 'guitar hero' Lobby Loyde. Lloyde had a cult following due to his stints in two of the most original Australian bands of the Sixties, The Purple Hearts and Wild Cherries. This track "Good Morning Little School Girl" is from 1970 and certainly features the beginnings of that heavier sound that was to 'boom' throughout the 70's.
"Song For A Blind Man" was an obscure Australian progressive rock/pop from 1972 by Stafford Bridge. The band's only released material were two singles on the infinity label. A Sydney band Stafford Bridge made the grand-finals representing NSW Country in Hoadley's National Battle Of The Sounds.Band memebers were Peter Gordon - Sax and Flute, David Kay - Guitar and Flute, Gary Riley - Drums, Terry Riley - Organ, Guitar, Ross Sanders - bass and Jim Willebrandt - Vocals. Jim Willebrandt fronted a number of bands including Daisy Roots, Clapham Juntion, Toby Jug and Hot Cottage.
To promote Fleetwood Plain Greg Quill formed the original line-up of Country Radio (also seen as Greg Quill's Country Radio or Greg Quill and Country Radio) in June 1970. Other members were Agostino, Blanchflower, Walsh and Dave Hannagan on percussion and backing vocals. The group started as an acoustic act but from 1970 to 1971 its musical style evolved into electric country rock, a style then gaining popularity through the influence of albums like The Band's Music from Big Pink (1968), The Byrds' Sweetheart of the Rodeo (1968), and Bob Dylan's Nashville Skyline (1969). 1971 saw the release of "Listen to the Children" b/w "Last Time Around" on Infinity .
With the "classic" line-up of Quill, Tolhurst, Bird, Bois, Bolton and Blanchflower, Country Radio recorded their second and most successful single, "Gyspy Queen", with producer John French, in Melbourne in April 1972. It was co-written by Quill and Tolhurst, and featured a string arrangement by session musician, Peter Jones (who later worked on Quill's solo album, The Outlaw's Reply). Released in August, the single spent 13 weeks in the Go-Set National Top 40 and peaked at No. 12.
Warren Morgan was a bit of a journeyman spending a lot of his early years moving between 2 bands Chain and the Aztecs he started out in his first band the Beat 'n' Tracks along with future Chain member Phil Manning. Beat 'n' Tracks eventually morphed into Chain who recorded "Chain Live"(1970) from there Warren would be asked by Billy Thorpe to join the Aztecs he wold feature on the ground breaking "The Hoax Is Over" (1970) album.
After a falling out with Billy, Warren moved on to form Pilgramage which he formed with Phil Manning they released "Just For You/Walk In The Light" after not making much money they decided to split Phil going on to Band of Talabene and Warren reforming Chain and recording "Chain Live Again" (1971). After the Aztecs played Sunbury Warren was again asked to join them and accepted. In 1973 he and Billy would record "Thump'n Pig and Puff'n Billy" a guest on the album would be Chain alumnus Phil Manning. He would later go on to be a member of Gerry and The Joy Band and also a member of the All Stars who backed Stevie Wright and then later John Paul Young.
St John unveiled his new band, Copperwine (aka Jeff St John's Copperwine), in early 1969 with low-key dates in Perth, before returning to Sydney. Copperwine soon commanded a rabid following in that city's fast-developing 'head' scene. Around the time of the new band's formation, guitarist Ross East was also invited to join the revised Masters Apprentices line-up by Jim Keays, but he turned it down, opting to stay with Jeff. Aided by East and Peter Figures, plus Alan Ingram on bass and keyboardist Barry Kelly (from Marty Rhone's Soul Agents), St John wowed punters at the Ourimbah "Pilgrimage For Pop", Australia's first major outdoor rock festival, hedl at Ourimbah, NSW at the end of January 1970. The band's dynamic repertoire mixed quality prog-flavoured group originals with powerful renditions of Sly & the Family Stone's funk classic "Sing A Simple Song" (a stage fave for many Australian acts of the time including Southern Comfort and The Affair), a storming version of The Temptations' psych-soul masterpiece "Cloud Nine" and Blind Faith's "Can't Find My Way Home."
Another single, issued on Spin in November 1970, fared extremely well. The smoothly confident, organ-led cover of Rotary Connection's "Teach Me How To Fly" (featuring a berserk guitar solo from East, and some very tasty bass-drums interplay) propelled the band to #12 in Melbourne and a very encouraging #3 Sydney chart placement. St John's dazzling vocal performance on this record is probably the main reason why. An 'insane” (as Jeff puts it) schedule of touring, concentrated in the eastern states, sustained Copperwine throughout 1970-71. Noted soul-blues singer Wendy Saddington (formerly of James Taylor Move and Chain) joined as co-lead vocalist in May 1970 and made her recording debut with the band (without St John though) on the intriguingly laid-back, bluesy album Wendy Saddington and Copperwine Live, recorded at the Wallacia Rock Festival in January 1971. By this time, too, former Amazons and Dave Miller Set member Harry Brus had replaced Alan Ingram on bass. The Copperwine/Saddington live album was scheduled for re-release on CD as part of Festival's reissue program, but the entire reissue project was scrapped after the acquistion of Mushroom Records. Festival's rapid financial decline after 2002 led to its closure in late 2005, and the entire Festival-Mushroom archive was sold to the American-owned Warner Music group soon after. Although Saddington had departed Copperwine by February 1971, the group continued to tour relentlessly, with Jeff at the helm. Another major event for the band in 1971 was its participation in the Hoadley's Battle of the Sounds. The group, with St John in ultimate form, put on a commanding show, performing a stunning version of the Leon Russell-penned "Hummingbird", but they finished third behind Fraternity and Sherbet), Hummingbird" (backed by Derek & The Dominos' Keep On Growing) became the next Copperwine single, which was released in August on Festival's new progressive subsidiary, Infinity and it was a moderate chart success. Early in the year they recruited Glyn Mason (ex-Chain, Larry's Rebels) and this lineup performed at the Mulwala Festival near Albury in NSW in April 1972. Soon after, Jeff split from Copperwine, but the band continued on for some time, with Mason taking over as lead vocalist.
Sydney singer/songwriter Glenn Cardier was a popular solo performer on the early 1970s scene. In much the same vein as James Taylor, Doug Ashdown and Ross Ryan, Cardier played a brand of gentle and reflective acoustic folk and soft rock that gained him a strong cult following. Cardier actually started out playing lead guitar in Brisbane acid-rock band The Revolution before taking to the road as a folkie. He signed to Festival's progressive Infinity label, with which he issued two albums and four singles: `Every Wounded Bird'/`The Juggler' (July 1972), `Ulysses'/`Minstrel' (February 1973), `Oh Dear Saint Peter'/`I Am the Day' (July 1973) and `I See a Comedy'/`Lovers Alias Fools' (June 1974). Never content to be seen as just a sensitive folkie, Cardier toured with rock bands like La De Das, Country Radio, Sherbet and Daddy Cool.
He also made an appearance at the 1972 Sunbury Festival, and supported overseas visitors Frank Zappa and Manfred Mann's Earth Band. In 1974, Cardier became one of the first musicians in Australia (along with Rob MacKenzie from MacKenzie Theory and Greg Quill from Country Radio) to receive a travel grant from the Australia Council for the Arts (under the auspices of Gough Whitlam's Labor government). He travelled to England where he toured for several years, recording the Glenn Cardier album and a single `Till the Fire Dies'/`Christopher Columbus' (June 1976) for Interfusion along the way.
On his return to Australia in late 1978, Cardier recorded `Establishment Blues' under the psuedonym of Sydney Hill. The song appeared as the B-side to the Mojo Singers' #1 hit `C'mon Aussie C'mon'. Cardier's 1979 band, the Bel-Aires, comprised Brad Alick (lead guitar), Eddie Parise (bass, who later joined Baby Animals) and Vince Crae (drums). Cardier issued the single `Expectations'/`I Saved Annette from Drowning' in February 1980. He has also recorded the Christmas track `Reindeers on the Rooftops' under the alias Riff Raff.
Wendy Saddington was one of Australia's premier soul/blues singers of the late 1960s/early 1970s (in the Etta James/Aretha Franklin mould). Because she was under-recorded, however, Saddington can only claim one single and one album to her credit. Saddington first came to prominence in soul/psychedelic bands like The Revolution and the James Taylor Move, and the original version of blues band Chain. In May 1969, she joined pop paper Go-Set as a staff writer and later joined Copperwine as co-vocalist with Jeff St John. Her stay of ten months (March 1970–February 1971) motivated many changes in Copperwine's musical direction, with much of the soul-copying being replaced by a more purist blues-oriented sound. That change was heard on the album Wendy Saddington and the Copperwine Live which had been recorded at the Wallacia Festival during January 1971. Saddington scored her only hit single when the Warren Morgan-penned and Billy Thorpe/ Morgan-produced `Looking Through a Window'/ `We Need a Song' reached #22 in September 1971. In 1972, Festival reissued the live album, retitled it Looking Through a Window and simply added the track `Looking Through a Window'. The single was reissued in 1977 but was not successful.
In March 1973, Saddington appeared as the Nurse in the local stage production of The Who's rock opera Tommy. Other cast members included Billy Thorpe, Daryl Braithwaite, Colleen Hewett, Broderick Smith, Doug Parkinson, Jim Keays, Ross Wilson and Keith Moon. Saddington worked with a variety of bands during the mid-1970s, including Shango and Blues Assembly. She worked with the Jeffrey Crozier Band in New York during the late 1970s. In 1983, she formed the Wendy Saddington Band which initially comprised jazz pianist Bobby Gebert, Harvey James (guitar; ex-Ariel, Sherbet, Swanee), Billy Rylands (bass) and Chris Sweeney (drums). The 1987 line-up comprised Rose Bygrave (keyboards; ex-Goanna), Mick Liber (guitar; ex-Python Lee Jackson), Angelica Booth (bass) and Des McKenna (drums).
Toward The Blues was recorded at Melbourne's TCS Studios with engineer/producer John Sayers, the album announced, upon its release in late '71, the matured essence of Chain in its acknowledged classic configuration of Phil, Matt and the two Goose-Barrys (aarrgh! – Ed.). The album made the number 6 position on the national album charts and remained a strong Top 40 seller for four months (it still sells in respectable quantities to this day!). It was supported by significant and valuable airplay, mainly on "alternative" radio programs like future Double-J presenter Chris Winter's seminal national ABC radio show, Room To Move. It was the sort of record that seemed to already be on the turntable whenever you stepped into a Saturday night party in those days. In short, it was one of those albums, along with Spectrum's Milesago or Tamam Shud's first, or maybe Co. Caine's debut opus, that any self-respecting aficionado of quality OzRock; (like your reporter, at the time, about 18 or 19, and avid!) would consider essential for a well-rounded record collection!
Led by the single "Judgement", an aggressive, multi-faceted bluesy showcase for each band member, and notable for Phil's singular wah-wah guitar filigrees, Towards The Blues proved an early pinnacle that Chain struggled to surpass later in their career, if, indeed, they themselves ever wanted or needed to -- Chain's credo, like that of most of their contemporaries, generally eschewed such crass or quaint notions of career longevity or quick riches). Instead, Aussie punters were presented with one of the finest and most well-rounded LPs of the era. Other gems include an inspired version of Robert Johnson's "32/20", followed by the supreme swing and swagger of their version of Junior Wells' "Snatch It Back And Hold It", delightfully re-appropriated here in true Aussie ratbag fashion as "Grab A Snatch And Hold It!" Many other highlights abound, such as "Albert Goose's Gonna Turn The Blueses Looses", a vehicle for Harvey to unleash a fierce drum solo. Side Two ends with Taylor's wailing blues harmonica featuring on the signature tune, the full version of "Black & Blue". New Link Added 14.04.2021
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