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Sunday, 22 October 2017
Martin Plaza - 1986 - Plaza Suite FLAC
Pit Stop/I Could Be So Good/Concrete And Clay/Out The Door/Best Foot Forward/Miss You Like Mad/Chalk And Cheese/Use Me All Over/Rollerina/Bats And Balls
Martin Plaza is the pseudonym of Martin Edward Murphy (born 1 January 1956), who is a vocalist/guitarist/songwriter with Australian pop/new wave band Mental As Anything. Plaza also has a solo music career and in 1986 had a No. 2 hit in Australia with his cover of the 1960s Unit 4+2 song "Concrete and Clay". Plaza has worked in other bands and is an accomplished artist.
Best known as the most familiar vocalist/songwriter in Mental as Anything (that's Martin Plaza you hear singing on "If You Leave Me, Can I Come Too?," "Rock and Roll Music," "Brain Brain," and many others), Plaza took advantage of the first real break in the Mentals' career and released his debut solo album in 1986. Plaza Suite was not a departure from what the Mentals were doing on their previous album, Fundamental as Anything, although the production was slicker and keyboard-dominated (Plaza is a guitarist). To be honest, most tracks here could have been on Mentals albums, but that's neither here nor there.
With a batch of great songs, Plaza sounds confident and self-assured on this album, never letting the album's slick sound take over. His voice is still one of the best in the business, a perfect mixture of Roy Orbison, Elvis Presley, and Bryan Ferry. The album is mostly self-penned, and his brilliant cover of "Concrete and Clay" fits in with the originals perfectly (as of 2003, he was still performing this song with the Mentals live). Sounding like the poppier side of Rockpile, Plaza and the Mentals have always specialized in great songwriting, and almost every track here is no exception to that rule. The opener, "Pit Stop," contains all the elements of the perfect Plaza song: playful yet heartfelt vocals, a hooky melody, and an earthiness beneath the shiny surface. Other highlights include the perfect pop of "Miss You Like Mad" and "Use Me All Over," the funky "I Could Be So Good," and the joyous "Best Foot Forward."
New Link Added 17.05.2020
Friday, 20 October 2017
Brian Cadd - 1972 - Brian Cadd (Vinyl) FLAC
Fairweather Friend/Tell The World To Go Away/Where The Music Is Playing/Josie McGinty/Tell Me About Freedom Again/Ginger Man/Pappy's Got The Blues/Silver City Birthday Celebration Day/Suite For Life
Born in Perth, Western Australia, Brian moved to Melbourne just as the Beatles phenomenon hit Australia.
He joined "THE GROOP" in 1966 and wrote all of their many hit singles and albums including WOMAN YOU’RE BREAKING ME and SUCH A LOVELY WAY.
The Groop Max Ross, Richard Wright,Ronnie Charles, Brian Cadd and Don Mudie
Upon their demise, he formed "AXIOM", Australia's first "Supergroup" with Glenn Shorrock who was later the lead singer of THE LITTLE RIVER BAND. He once again penned all of Axiom's hits before the band broke up in England in 1969. These include LITTLE RAY OF SUNSHINE, ARKANSAS GRASS and MY BABY’S GONE.
Returning to Australia he joined Fable Records as head of A&R and chief producer. Fable launched a rock label called Bootleg Records in 1972 and Brian ran the label as well as being its first artist. The label became the most successful Independent record company in the history of Australian popular music up to that time. The next few years saw many gold and platinum records as a solo artist and an array of prestigious awards for film scores, title songs and TV themes. In addition he produced many acts and wrote and produced some of Australia's most successful advertising music. Hits from this era include: GINGER MAN, LET GO, DON’T YOU KNOW IT’S MAGIC, ALVIN PURPLE, CLASS OF 74 and MAMMA DON’T DANCE.
Axiom Don Mudie, Don Lebler, Glenn Shorrock, Brian Cadd and Chris Stockley
In 1976 he was signed to CAPITOL RECORDS as an artist and moved to Los Angeles. For the next 20 years he worked in all aspects of the International music scene from writing, production, publishing, management and the planning, development and administration of several successful music production companies. Additionally he created FAIRYDUST MUSIC, a worldwide publishing company now owning in excess of 300 song copyrights.
In 1989 Cadd relocated to Nashville where he built the SALAD BOWL STUDIO facility and owned and operated several successful music production companies. For 7 years he participated in the enormous explosion of country music onto the national and then international music scene.
During this period he also wrote for, produced and ultimately joined the legendary FLYING BURRITO BROTHERS alongside original members ‘Sneaky Pete Kleinow’ and Chris Etheridge. The band released an album ‘Eye of a Hurricane’ and toured the U.S. and Europe extensively over the next several years.
Brian Cadd moved back to Australia permanently in 1997 after 25 years working in the International music industry in both the U.S. and Europe. A part of the enormously successful tour LONG WAY TO THE TOP in 2004, he has continued to tour Australia due to the huge ‘Boomers’ audience out there, still rocking.
In July 2007, he was inducted into the ARIA Hall of Fame. In the same year he was inducted into the Australian Songwriters Hall of Fame.
Apart from his Australian touring, writing and production, Brian also spends several months a year travelling the world writing and recording, particularly in Nashville and throughout Europe.
As a writer, Brian has provided songs for an amazing string of artists both in Australia and internationally including: Joe Cocker, Ringo Starr, The Pointer Sisters, Bonnie Tyler, Yvonne Elliman, Little River Band, Charlie Daniels, Glen Campbell, Flying Burrito Brothers, Dobie Gray, Gene Pitney, Johnnny Halliday, Sylvie Vartan, Cilla Black, Trini Lopez, Russell Morris, John Farnham, Gina Jeffries, The Groop, Axiom, The Masters Apprentices and many more.
Monday, 9 October 2017
Dinah Lee - 1996 - Dinah Lee - 1964-67 FLAC
Don't You Know Yockomo/Reet Petite/Do The Blue Beat/Who Stole The Sugar/The Nitty Gritty/Hey Chickie Baby/I'll Forgive You, Then Forget You/What Did He Say/What Kind Of Love Is This/ Is It True/Hot Spot/Pushing A Good Thing Too Far/That's It, I Quit/I Can't Believe What You Say/Let Me In/Johnny/Don't You Just Know It/He Don't Want Your Love/The Right Time/Not In This Whole World/ Summertime/He's Sure The Boy I Love/New Orleans/98.6/Too Many People/ I Keep Forgettin'
Diane Marie Jacobs (born 19 August 1943, Waimate), known as Dinah Lee, is a New Zealand-born singer who performed 1960s pop and then adult contemporary music. Her debut single from early 1964, "Don't You Know Yockomo?", achieved No. 1 chart success in New Zealand and in the Australian cities, Brisbane and Melbourne. It was followed in September by her cover version of Jackie Wilson's, "Reet Petite", which also reached No. 1 in New Zealand and peaked at No. 6 in Melbourne. The Australian release was a double A-sided single with "Do the Blue Beat". On her early singles she was backed by fellow New Zealanders, Max Merritt & His Meteors. Lee appeared regularly on both New Zealand and Australian TV variety programs, including Sing, Sing, Sing and Bandstand. She toured supporting Johnny O'Keefe, Ray Columbus & the Invaders and P.J. Proby. According to Australian rock music journalist, Ed Nimmervoll, in the 1960s, "Lee was the most successful female singer of in both her New Zealand homeland and Australia ... on stage and on record Dinah had all the adventure and exuberance for the time the boys had".
Dinah Lee was born as Diane Marie Jacobs on 19 August 1943 in Waimate, South Island, New Zealand. After her parents separated, she was fostered by a family near Christchurch where she attended Cashmere High School. Her father was a saxophonist, who worked selling carpets in a Christchurch department store and, part-time, ran a teen dance club – The Country Club Cabaret. In 1958, Lee was asked to sing at the club on Saturdays and became popular with local patrons. As a 15-year-old, she had her first professional gig with Bobby Davis & the Dazzlers in a small hall and they later worked in a coffee lounge. In 1962, Lee was working with Christchurch group, Saints, and dating their guitarist and vocalist, Phil Garland. By year's end Saints had split and Lee and Garland formed The Playboys with Mark Graham on guitar, Brian Ringrose (ex-Ray Columbus & the Invaders) on guitar, Dave Martin on guitar and Graeme Miller on drums. They relocated to Auckland for a residency at Top 20 Club, Lee shared lead vocals with Garland, one of her covers was Huey "Piano" Smith's "Don't You Know Yockomo?" popularised by American R&B artist Dee Dee Sharp. Playboys returned to Christchurch, but by 1963, Lee returned to Auckland to pursue her solo career, she supported gigs by Max Merritt & His Meteors or Ray Columbus & the Invaders. Playboys recruited Graeme's brother Dave on vocals and later became The Dave Miller Set in Sydney.
Lee adopted the latest Mod fashions following advice from boutique owner, Jackie Holme – a page boy haircut, white make-up, op-art clothes and white boots. After being recommended by Merritt, she joined the Startime Spectacular Tour of North Island which was headlined by Bill & Boyd and Max Merritt & His Meteors – Merritt's band backed her during her set. Her performances were more animated and energetic than typically demure female pop artists. Lee was heckled at some regional venues and her mother was unable to recognise her when catching up at an airport. Tour organiser, James Haddleton, became her manager and she was signed with Viking Records, an independent label based in Wellington and she was promoted as 'Queen of the Mods'.
Dinah Lee's debut single, "Don't You Know Yockomo?", was released in August 1964 – under the name Diane Lee, chosen by Viking – and peaked at No. 1 in New Zealand. Viking used Merritt's band to back her in the studio and after the first pressings had sold out, Viking changed the attribution to Dinah Lee. Ray Columbus & the Invaders' single, "She's a Mod" became the first by a New Zealand act to reach No. 1 on an Australian chart. Only weeks later, Lee's single, "Don't You Know Yockomo?" was issued there by EMI on their HMV label and reached No. 1 in Brisbane and Melbourne.
Lee's second single, "Reet Petite" was a cover of Jackie Wilson's hit and had also been recorded with Merritt's band, when released in September it reached No. 1 in New Zealand. Her third single, Ray Rivera's "Do the Blue Beat", followed in October in New Zealand. "Reet Petitie" and "Do the Blue Beat" were issued as a double A-sided single in Australia and reached No. 3 in Adelaide and No. 6 in Melbourne. Lee toured New Zealand and Australia on Starlift '64, promoted by Harry M. Miller, with a bill headed by The Searchers, Peter and Gordon and Del Shannon. Backing Lee at some gigs were Ray Columbus & the Invaders and, in Sydney, a newly formed group – The Easybeats. With "Reet Petite" charting in Australia, rock'n'roller Johnny O'Keefe invited Lee to appear on his television series, Sing, Sing, Sing and join his Sydney club shows.
Upon return to Auckland, Lee issued her fourth Viking single, "Who Stole the Sugar?" in November. She featured on two half-hour specials on New Zealand TV, while "I'm Walking" was issued as her next Australian single by HMV. By year's end, Viking had also released two extended plays, Don't You Know... and Yeah, Yeah We Love Them All and her debut album, Introducing Dinah Lee.
In early 1965, Lee appeared on Australian TV shows, Bandstand and Saturday Date. One of her Bandstand performances was at Myer Music Bowl with headlining Jamaican Blue beat singer Millie Small. Lee travelled to the United States to appear on Shindig! – she sang with Glen Campbell – and on other TV shows. Lee then went to the United Kingdom where she released, "I'll Forgive You Then Forget You" on Island Records' label Aladdin. In August–September, Lee toured New Zealand and Australia with US pop sensation, P.J. Proby – noted for splitting his pants on stage in the UK in February – who had been banned by the BBC. In Australia, HMV released "Let Me In" to coincide with the tour. Lee won 'Entertainer of the Year' at New Zealand's inaugural NEBOA Awards in late September – soon after she decided to base herself in Australia. Late in the year, Viking released a string of singles, "He Can't Do the Blue Beat", "Nitty Gritty" and "That's it I Quit", in New Zealand. In November, they released her second studio album, The Sound of Dinah Lee.
Late in 1965, Dinah Lee relocated to Sydney and in March 1966 she undertook a second tour with Small. Lee's next single was "He Don't Want Your Love Anymore" but her chart success had begun to decline. On 29 June 1966, Australian teen newspaper, Go-Set published "The Dinah Lee Story" and she appeared on their front cover. Her public popularity was still high – she was voted No. 2 'Female Vocal' in Go-Set's pop poll in October and was in the top 5 for 1967 and 1968. Lee continued to release singles in 1966, she toured with Proby in September–October and followed with a third studio album, The Mod World of Dinah Lee late that year. In April 1967, she became the 'face' for Yardley Cosmetics' commercials on Australian TV. Her July single for Viking and HMV was "Sorry Mama" but neither company renewed her contract.
Lee spent most of the late 1960s on the night club circuit with occasional variety TV appearances. Lee successfully sued her former manager, Haddleton, for money owed and re-took control of her financial interests. According to Australia rock music journalist, Ed Nimmervoll, in the 1960s, "Lee was the most successful female singer of in both her New Zealand homeland and Australia ... on stage and on record Dinah had all the adventure and exuberance for the time the boys had." Lee entertained troops in Vietnam in the late 1960s on Australian Broadcasting Commission-sponsored tours (under her birth name, Diane Jacobs) and was awarded the Vietnam Logistic and Support Medal.
In the 1970s, she continued to release singles including "Tell Him" in 1972 on Polydor. In 1974, she joined O'Keefe on his comeback show, The Good Old Days of Rock'n'Roll, at St. George's Leagues Club. Her next single, "It Doesn't Matter Anymore" appeared in 1976 on Festival Records. "I Can See Clearly Now" was released in 1979 on Laser Records.
In 1982, a compilation, Best of Dinah Lee was issued on Music World. By 1984, she had become involved in body building winning the 'Australian Female Body Builder of the Year' in the over 35s category. In the 1990s and 2000s, Lee continued performing on the club circuit and became a motivational speaker.
ABC-TV series, Long Way to the Top, was broadcast in August 2001. Lee featured on "Episode 2: Ten Pound Rocker 1963–1968" where she discussed the mod look and her appeal to rebellious teens, "I had this image and it wasn't cute and pretty". The TV series inspired the Long Way to the Top national concert tour during August–September 2002, which featured a host of the best Australian acts of the 1950s, 1960s and 1970s. Lee's performances of "Yokomo" and "Reet Petite" at the final Sydney concert, as well as an interview with promoter, Michael Chugg, feature on the associated DVD, Long Way to the Top: Live in Concert released in 2002.
Pseud0 Ech0 - 1985 - L0ve @n @dventure FLAC
Love An Adventure/Don't Go/Try/I Will Be You/Girl/Living In A Dream/I Ask You Why/Lonely Without You/Lies Are Nothing/Lies Are Nothing
Pseudo Echo are an Australian new wave band that formed in 1982 in Melbourne. The original line-up consisted of Brian Canham (vocals, guitars and keyboards), born 3 July 1962, Pierre Gigliotti (as Pierre Pierre) (bass guitar, keyboards), Tony Lugton (guitars and keyboards) and Anthony Argiro (drums). A later line-up included James Leigh (keyboards) and his brother, Vince Leigh (drums). In the 1980s, Pseudo Echo had Australian top 20 hits with "Listening", "A Beat for You", "Don't Go", "Love an Adventure", "Living in a Dream" and their cover of "Funky Town" (from Lipps Inc.), which peaked at No. 1 in 1986. In 1987, it reached No. 1 in Canada and New Zealand, No. 6 in United States and No. 8 in United Kingdom.
They released their debut album, Autumnal Park in 1984 which peaked at No. 11 on the Australian Kent Music Report. Love an Adventure followed in 1985 and reached No. 14. Their third album, Race (1988) peaked at No. 18 and in 1990 the group disbanded. They reformed in 1998 and issued Teleporter in 2000. Rock music historian Ian McFarlane, stated they "combined flash clothes, blow-wave hairstyles, youthful exuberance and accessible synth-pop to arrive at a winning combination ... and found a ready-made audience among teenagers who fawned on the band's every move".
Love An Adventure is the second studio album by Australian new wave band, Pseudo Echo. The album peaked at No. 14 in Australia and produced three Australian top twenty singles, including "Don’t Go", which peaked at No. 4.
In 1987, an alternate version of the album featuring re-recorded vocals and several different tracks, including their 1986 worldwide hit cover of "Funkytown," was released in North America by RCA Records.
Following the success of Autumnal Park, Pseudo Echo returned to the studio in 1985, with an altered line up. Tony Lugton and Anthony Argiro both left and joined other bands. They were replaced by brothers James Leigh and Vince Leigh (aka Vincent Dingli).
Reviews
Michael Sutton from allmusic gave the album 4 out of 5 stars, saying: Their cover of Lipps Inc.'s ‘’Funkytown’’ was sadly misrepresentative of the album's stylish, hook-loaded dance rock. Pseudo Echo want people to move their feet and this album is stocked with dance floor scorchers such as "Living in a Dream", "Listening" and the funky "Try". "Funkytown" may have given Pseudo Echo a glimpse of commercial success, but the rest of 'Love an Adventure' proved that they were capable of more.
Sunday, 8 October 2017
0l' 55 - 1976 - Take !t Gre@sy FLAC
A1 Summertime Summertime (Intro)
A2 Irridescent Pink Sock Blues
A3 I Wonder Why
A4 Almost Grown
A5 Think It Over
A6 Get A Job
A7 Doin Fine
A8 Only Sixteen
B1 This Little Girl
B2 On The Prowl
B3 New Girl In School
B4 Skateboard Thrills
B5 Looking For An Echo
B6 Goodnight Sweetheart
B7 School Days (Outro)
Take It Greasy was the debut studio album to be released by Australian 1950's retro band Ol' 55. The album peaked at number 3 on the Australian Kent Music Report and was certified 3x platinum. At the time, 1950s music and culture had gained a newfound interest in Australia amongst a younger generation, largely due to the influence of the very popular TV show Happy Days and earlier investigations into doo-wop by the group Daddy Cool.
Ol' 55 was an Australian band specialising in retro, 1950s-era Rock 'n' Roll. They formed as Fanis in 1972 in Sutherland, Sydney. Drummer Geoff Plummer was working with Glenn A. Baker at the NSW Department of Media and invited Baker to hear his part-time band, including Patrick "Meatballs" Drummond, Rockpile Jones and Jimmy Manzie. In 1975, Baker took on their management, renamed them as Ol' 55 for the Tom Waits song (as covered by The Eagles), and recruited front man Frankie J. Holden and, later in the year, saxophonist Wilbur Wilde.
The band enjoyed popularity with a style that bordered on parody but managed to combine novelty retro kitsch and clever theatrics with a keen sense of pop dynamics and an acute understanding of rock 'n' roll. The band scored five top 20 hits on the Australian Kent Music Report singles chart and their debut album, Take It Greasy peaked at No. 3 on the Australian albums chart in 1976. After line-up changes, Ol' 55 disbanded in 1983.
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